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Exquisitely photographed in stunning high contrast black & white, Costa’s highly stylised and pleasingly enigmatic film noir indelibly paints a portrait of Vicente, who may or may not have killed his debt and cancer ridden father, and who has his younger brother, Nino, taken away from him by a man who may or may not be his uncle, leaving him to face on his own a pair of debt collectors, who may or may not have a legitimate claim against him. Iain.Stott
