<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8648651270788125026</id><updated>2012-01-29T13:17:59.938Z</updated><category term='DTV Animated Short Film'/><category term='Feature Film/Documentary'/><category term='BBC2 Play of the Week'/><category term='Romania'/><category term='Egypt'/><category term='China'/><category term='Luxembourg'/><category term='Portugal'/><category term='Our Daily Bread'/><category term='Waking Life'/><category term='Mali'/><category term='France'/><category term='Mumblecore'/><category term='Israel'/><category term='Animated Short Film'/><category term='Czech Republic'/><category term='TSPDT Top 1000'/><category term='Australia'/><category term='Short Television Film'/><category term='UAE'/><category term='Concert Film'/><category term='West Germany'/><category term='Finland'/><category term='Canada'/><category term='Animated Short Film Trilogy'/><category term='Algeria'/><category term='Ukraine'/><category term='Short Film Compendium'/><category term='Animated Feature Film'/><category term='Part-Animated Feature Film'/><category term='Il Posto'/><category term='Television Film Series'/><category term='The Curse of Comedy'/><category term='South Korea'/><category term='Italy'/><category term='Part-Animated Short Film'/><category term='Soviet Union'/><category term='Objects of Affection'/><category term='World in Action'/><category term='Blonde in Love'/><category term='Horizon'/><category term='Animated Short Televsion Film'/><category term='Television Mini-Series'/><category term='Bulgaria'/><category term='Cayman Islands'/><category term='UK'/><category term='Turkey'/><category term='Television Series'/><category term='Christmas Vacation'/><category term='Argentina'/><category term='Second City Firsts'/><category term='Iceland'/><category term='Japan'/><category term='Short Film'/><category term='Morocco'/><category term='Spain'/><category term='Short Feature Film'/><category term='Chile'/><category term='Screen Two'/><category term='Outlaw (2007)'/><category term='Russia'/><category term='Theatre Night'/><category term='First Cut'/><category term='Mexico'/><category term='Columbia'/><category term='Women We Loved'/><category term='BBC2 Playhouse'/><category term='Iraq'/><category term='Krapp&apos;s Last Tape'/><category term='Hungary'/><category term='Television Docudrama'/><category term='Hong Kong'/><category term='Rom-Zom-Com'/><category term='TSPDT 21st Century'/><category term='Denmark'/><category term='Shall We Dance'/><category term='Short Television Documentary'/><category term='Austria'/><category term='Monitor'/><category term='New Zealand'/><category term='Greece'/><category term='Bosnia and Herzegovina'/><category term='Norway'/><category term='Becket on Film'/><category term='Apted’s Up series'/><category term='Tajikstan'/><category term='USA'/><category term='DTV Film'/><category term='Sweden'/><category term='Poland'/><category term='Serbia'/><category term='Short Film Trilogy'/><category term='Animated Feature Documentary'/><category term='Cuba'/><category term='Don&apos;t Look Now'/><category term='Lebanon'/><category term='Feature Documentary'/><category term='Play for Today'/><category term='Woman Ascends'/><category term='India'/><category term='South Africa'/><category term='Short Animated Documentary'/><category term='Cameroon'/><category term='Television Documentary'/><category term='Television Film'/><category term='Short Documentary'/><category term='Belgium'/><category term='Kazakhstan'/><category term='Screen One'/><category term='Girl Shy'/><category term='Moving On'/><category term='Croatia'/><category term='Noriko Trilogy'/><category term='Uruguay'/><category term='Switzerland'/><category term='Germany'/><category term='The Wednesday Play'/><category term='Dogme 95'/><category term='Yugoslavia'/><category term='Feature Film'/><category term='Iran'/><category term='Punch-Drunk Love'/><category term='Taiwan'/><category term='Duck Soup'/><category term='Brazil'/><category term='The Netherlands'/><category term='Czechoslovakia'/><category term='Thailand'/><category term='Television Documentary Mini-Series'/><category term='Ireland'/><title type='text'>The One-Line Review</title><subtitle type='html'>A concise guide to the cinematic and televisual arts</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://1linereview.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default?start-index=101&amp;max-results=100'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>2646</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-4899397928574673001</id><published>2012-01-05T19:06:00.037Z</published><updated>2012-01-29T13:18:00.044Z</updated><title type='text'>Latest Updates</title><content type='html'>&lt;div&gt;&lt;b&gt;An Evening Illuminated&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;a href="http://artemisnt.blogspot.com/2012/01/im-girl-he-wants-to-kill-1974.html"&gt;I'm the Girl He Wants to Kill (1974)&lt;/a&gt;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;a href="http://3.bp.blogspot.com/-iIQFnzsHzfs/TyVFyMB_OMI/AAAAAAAAJNI/76FlKmA4wvw/s1600/I%2527m%2Bthe%2BGirl%2BHe%2BWants%2Bto%2BKill%2B%25281974%2529.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/-iIQFnzsHzfs/TyVFyMB_OMI/AAAAAAAAJNI/76FlKmA4wvw/s400/I%2527m%2Bthe%2BGirl%2BHe%2BWants%2Bto%2BKill%2B%25281974%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5703041231659940034" style="cursor: pointer; width: 400px; height: 289px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;a href="http://artemisnt.blogspot.com/2012/01/day-he-arrives-2011.html"&gt;The Day He Arrives (2011)&lt;/a&gt;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;a href="http://1.bp.blogspot.com/-VApYRtDXZDM/TyQwu0czXwI/AAAAAAAAJMw/DeQ4GWeIiYg/s1600/The%2BDay%2BHe%2BArrives%2B%25282011%2529.jpg"&gt;&lt;img src="http://1.bp.blogspot.com/-VApYRtDXZDM/TyQwu0czXwI/AAAAAAAAJMw/DeQ4GWeIiYg/s400/The%2BDay%2BHe%2BArrives%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5702736609069457154" style="cursor: pointer; width: 400px; height: 266px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;a href="http://artemisnt.blogspot.com/2012/01/american-werewolf-in-london-1981.html"&gt;An American Werewolf in London (1981)&lt;/a&gt;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;a href="http://1.bp.blogspot.com/-7IztukJUF1s/TyJw0C8w1gI/AAAAAAAAJMk/9NeWRZv7qYA/s1600/An%2BAmerican%2BWerewolf%2Bin%2BLondon%2B%25281981%2529.jpg"&gt;&lt;img src="http://1.bp.blogspot.com/-7IztukJUF1s/TyJw0C8w1gI/AAAAAAAAJMk/9NeWRZv7qYA/s400/An%2BAmerican%2BWerewolf%2Bin%2BLondon%2B%25281981%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5702244117651707394" style="cursor: pointer; width: 400px; height: 267px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;a href="http://artemisnt.blogspot.com/2012/01/i-start-counting-1969.html"&gt;I Start Counting (1969)&lt;/a&gt;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;a href="http://1.bp.blogspot.com/-v7vJOX6FfL0/TyHA1sJrc6I/AAAAAAAAJMY/KhIiUrhqEl8/s1600/I%2BStart%2BCounting%2B%25281969%2529.JPG"&gt;&lt;img src="http://1.bp.blogspot.com/-v7vJOX6FfL0/TyHA1sJrc6I/AAAAAAAAJMY/KhIiUrhqEl8/s400/I%2BStart%2BCounting%2B%25281969%2529.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5702050631845114786" style="cursor: pointer; width: 400px; height: 261px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;a href="http://artemisnt.blogspot.com/2012/01/kiss-me-and-die-1974.html"&gt;Kiss Me and Die (1974)&lt;/a&gt;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;a href="http://2.bp.blogspot.com/--L0aV3jDF_U/TyGSXue4bZI/AAAAAAAAJMM/SPpODOb8yH8/s1600/Kiss%2BMe%2Band%2BDie%2B%25281974%2529.JPG"&gt;&lt;img src="http://2.bp.blogspot.com/--L0aV3jDF_U/TyGSXue4bZI/AAAAAAAAJMM/SPpODOb8yH8/s400/Kiss%2BMe%2Band%2BDie%2B%25281974%2529.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5701999539539963282" style="cursor: pointer; width: 400px; height: 308px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;a href="http://artemisnt.blogspot.com/2012/01/autumn-tale-1998.html"&gt;An Autumn Tale (1998)&lt;/a&gt;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;a href="http://2.bp.blogspot.com/-tFJCjdGZELg/TyEqya0NNcI/AAAAAAAAJMA/4QAzdn5tQz4/s1600/An%2BAutumn%2BTale%2B%25281998%2529.jpeg"&gt;&lt;img src="http://2.bp.blogspot.com/-tFJCjdGZELg/TyEqya0NNcI/AAAAAAAAJMA/4QAzdn5tQz4/s400/An%2BAutumn%2BTale%2B%25281998%2529.jpeg" border="0" alt="" id="BLOGGER_PHOTO_ID_5701885648907875778" style="cursor: pointer; width: 400px; height: 300px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;a href="http://artemisnt.blogspot.com/2012/01/eternity-and-day-1998.html"&gt;Eternity and a Day (1998)&lt;/a&gt;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;a href="http://4.bp.blogspot.com/-G7qbrFMUeLk/TyBTX8Ra6fI/AAAAAAAAJL0/mttPz6yPQMM/s1600/Eternity%2Band%2Ba%2BDay%2B%25281998%2529.jpg"&gt;&lt;img src="http://4.bp.blogspot.com/-G7qbrFMUeLk/TyBTX8Ra6fI/AAAAAAAAJL0/mttPz6yPQMM/s400/Eternity%2Band%2Ba%2BDay%2B%25281998%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5701648799032338930" style="cursor: pointer; width: 400px; height: 245px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;b&gt;1000 Nights in the Dark&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;span&gt;&lt;a href="http://1000nightsdark.blogspot.com/2012/01/cast-me-if-you-can-2010.html"&gt;Cast Me If You Can (2010)&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-wxKOQ9FJ7GQ/TwBE_TrIl7I/AAAAAAAAIRk/kJ3F1ZzsfsM/s1600/Cast%2BMe%2BIf%2BYou%2BCan%2B%25282010%2529.jpg"&gt;&lt;img src="http://4.bp.blogspot.com/-wxKOQ9FJ7GQ/TwBE_TrIl7I/AAAAAAAAIRk/kJ3F1ZzsfsM/s400/Cast%2BMe%2BIf%2BYou%2BCan%2B%25282010%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5692625783399946162" style="cursor: pointer; width: 400px; height: 267px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;span&gt;&lt;a href="http://1000nightsdark.blogspot.com/2011/12/you-said-what-2011.html"&gt;You Said What? (2011)&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-S-0BLpKXiJU/TvTJQFtqXzI/AAAAAAAAIMU/OT4KLm8ErFQ/s1600/You%2BSaid%2BWhat%2B%25282011%2529.JPG"&gt;&lt;img src="http://1.bp.blogspot.com/-S-0BLpKXiJU/TvTJQFtqXzI/AAAAAAAAIMU/OT4KLm8ErFQ/s400/You%2BSaid%2BWhat%2B%25282011%2529.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5689393507524566834" style="cursor: pointer; width: 400px; height: 232px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;span&gt;&lt;a href="http://1000nightsdark.blogspot.com/2011/12/my-little-chickadee-1940.html"&gt;My Little Chickadee (1940)&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-ZjnidThTKgk/TvMwNx69_PI/AAAAAAAAIGg/CXSfzjnUcgM/s1600/My%2BLittle%2BChickadee%2B%25281940%2529.jpg"&gt;&lt;img src="http://2.bp.blogspot.com/-ZjnidThTKgk/TvMwNx69_PI/AAAAAAAAIGg/CXSfzjnUcgM/s400/My%2BLittle%2BChickadee%2B%25281940%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5688943767596170482" style="cursor: pointer; width: 400px; height: 298px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;span&gt;&lt;a href="http://1000nightsdark.blogspot.com/2011/12/lost-christmas-2011.html"&gt;Lost Christmas (2011)&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-2iUchRB9bKU/Tu-JPL9u8LI/AAAAAAAAIEE/eitPi-CXa3c/s1600/Lost%2BChristmas%2B%25282011%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://4.bp.blogspot.com/-2iUchRB9bKU/Tu-JPL9u8LI/AAAAAAAAIEE/eitPi-CXa3c/s400/Lost%2BChristmas%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5687915748394987698" style="cursor: pointer; width: 400px; height: 215px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;span&gt;&lt;a href="http://1000nightsdark.blogspot.com/2011/12/entire-history-of-you-2011.html"&gt;The Entire History of You (2011)&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-ObxvNkoj4Rs/Tu9OxTisFGI/AAAAAAAAID4/AYyqr-PP8Kg/s1600/The%2BEntire%2BHistory%2Bof%2BYou%2B%25282011%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-ObxvNkoj4Rs/Tu9OxTisFGI/AAAAAAAAID4/AYyqr-PP8Kg/s400/The%2BEntire%2BHistory%2Bof%2BYou%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5687851463358551138" style="cursor: pointer; width: 400px; height: 222px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;span&gt;&lt;a href="http://1000nightsdark.blogspot.com/2011/12/turn-me-on-goddammit-2011.html"&gt;Turn Me On, Goddammit (2011)&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-SxEpgiEH1Sk/Tu81Kohsb6I/AAAAAAAAIDs/8OCF6L7JPbg/s1600/Turn%2BMe%2BOn%252C%2BGoddammit%2B%25282011%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://4.bp.blogspot.com/-SxEpgiEH1Sk/Tu81Kohsb6I/AAAAAAAAIDs/8OCF6L7JPbg/s400/Turn%2BMe%2BOn%252C%2BGoddammit%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5687823311185932194" style="cursor: pointer; width: 400px; height: 216px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;span&gt;&lt;a href="http://1000nightsdark.blogspot.com/2011/12/villain-2010.html"&gt;Villain (2010)&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-XOR2kxAf7kA/TuzT8TE_KnI/AAAAAAAAIDg/f-Sxj4rZlbM/s1600/Villain%2B%25282010%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-XOR2kxAf7kA/TuzT8TE_KnI/AAAAAAAAIDg/f-Sxj4rZlbM/s400/Villain%2B%25282010%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5687153462328896114" style="cursor: pointer; width: 400px; height: 267px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The One-Line Review&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;span&gt;&lt;a href="http://1linereview.blogspot.com/2011/07/fawlty-towers-series-2-1979.html"&gt;Fawlty Towers: Series 2 (1979)&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-JOuxOtQ7oMo/ThmSFwaZ_nI/AAAAAAAAFR4/6i-731nVq6s/s1600/Fawlty%2BTowers%2BSeries%2B2%2B%25281979%2529.jpeg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://4.bp.blogspot.com/-JOuxOtQ7oMo/ThmSFwaZ_nI/AAAAAAAAFR4/6i-731nVq6s/s400/Fawlty%2BTowers%2BSeries%2B2%2B%25281979%2529.jpeg" border="0" alt="" id="BLOGGER_PHOTO_ID_5627689836968803954" style="cursor: pointer; width: 400px; height: 300px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;span&gt;&lt;a href="http://1linereview.blogspot.com/2011/07/fawlty-towers-series-1-1975.html"&gt;Fawlty Towers: Series 1 (1975)&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-WyGQ8Ng4k8E/ThhqVoH3WlI/AAAAAAAAFRw/Y4NgEmsoQ8I/s1600/Fawlty%2BTowers%2BSeries%2B1%2B%25281975%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://4.bp.blogspot.com/-WyGQ8Ng4k8E/ThhqVoH3WlI/AAAAAAAAFRw/Y4NgEmsoQ8I/s400/Fawlty%2BTowers%2BSeries%2B1%2B%25281975%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5627364654179637842" style="cursor: pointer; width: 400px; height: 273px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;span&gt;&lt;a href="http://1linereview.blogspot.com/2009/08/northern-exposure-season-2-1991.html"&gt;Northern Exposure: Season 2 (1991)&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-xqdWyTb3ERs/ThdKwk8nnwI/AAAAAAAAFRo/30P0NZM78g8/s1600/Northern%2BExposure%2BSeason%2B2%2B%25281991%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-xqdWyTb3ERs/ThdKwk8nnwI/AAAAAAAAFRo/30P0NZM78g8/s400/Northern%2BExposure%2BSeason%2B2%2B%25281991%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5627048457834831618" style="cursor: pointer; width: 400px; height: 300px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;span&gt;&lt;a href="http://1linereview.blogspot.com/2009/08/northern-exposure-season-1-1990.html"&gt;Northern Exposure: Season 1 (1990)&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-tmZV4miRn-8/ThcXTkbBlbI/AAAAAAAAFRg/z4Mw4ULRZQg/s1600/Northern%2BExposure%2BSeason%2B1%2B%25281990%2529.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-tmZV4miRn-8/ThcXTkbBlbI/AAAAAAAAFRg/z4Mw4ULRZQg/s400/Northern%2BExposure%2BSeason%2B1%2B%25281990%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5626991884384703922" style="cursor: pointer; width: 400px; height: 300px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;span&gt;&lt;a href="http://1linereview.blogspot.com/2011/07/couples-retreat-2009.html"&gt;Couples Retreat (2009)&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-HFJ9mX1SXvI/ThWkd3nKDdI/AAAAAAAAFRY/HlKYlMuFbmE/s1600/Couples%2BRetreat%2B%25282009%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-HFJ9mX1SXvI/ThWkd3nKDdI/AAAAAAAAFRY/HlKYlMuFbmE/s400/Couples%2BRetreat%2B%25282009%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5626584142520651218" style="cursor: pointer; width: 400px; height: 267px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;span&gt;&lt;a href="http://1linereview.blogspot.com/2011/07/grown-ups-2010.html"&gt;Grown Ups (2010)&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-_0_q7mpZAcw/ThWdbM_hQsI/AAAAAAAAFRQ/Wn-NJ9tPJy8/s1600/Grown%2BUps%2B%25282010%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-_0_q7mpZAcw/ThWdbM_hQsI/AAAAAAAAFRQ/Wn-NJ9tPJy8/s400/Grown%2BUps%2B%25282010%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5626576400138977986" style="cursor: pointer; width: 400px; height: 267px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;span&gt;&lt;a href="http://1linereview.blogspot.com/2011/01/walking-dead-2010.html"&gt;The Walking Dead: Season 1 (2010)&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://1.bp.blogspot.com/_SPYL8UC1UCY/TTqzWZwnL1I/AAAAAAAAE4U/S66OcAmJCLI/s1600/The%2BWalking%2BDead%2B%25282010-%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/_SPYL8UC1UCY/TTqzWZwnL1I/AAAAAAAAE4U/S66OcAmJCLI/s400/The%2BWalking%2BDead%2B%25282010-%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5564957487022944082" style="cursor: pointer; width: 400px; height: 251px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-4899397928574673001?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4899397928574673001'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4899397928574673001'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2012/01/latest-updates.html' title='Latest Updates'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-iIQFnzsHzfs/TyVFyMB_OMI/AAAAAAAAJNI/76FlKmA4wvw/s72-c/I%2527m%2Bthe%2BGirl%2BHe%2BWants%2Bto%2BKill%2B%25281974%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-8073044185397410322</id><published>2011-10-28T22:48:00.000+01:00</published><updated>2011-10-28T22:49:37.818+01:00</updated><title type='text'>A Band Apart: Greatest Films Poll (2011)</title><content type='html'>&lt;p class="MsoNormal"&gt;The full results, including individual ballots, can be found &lt;a href="http://bandapartfilms.blogspot.com/"&gt;here&lt;/a&gt;. My &lt;a href="http://bandapartpoll.blogspot.com/2011/08/iain-stott.html"&gt;ballot&lt;/a&gt;, which I drew up a couple of months ago (reproduced underneath the main results below), already feels (inevitably) out of date.&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;a href="http://1.bp.blogspot.com/-kLKpoSykGOk/TqshKvRtfKI/AAAAAAAAGSk/0BSgbeYgxws/s1600/2001%2BA%2BSpace%2BOdyssey%2B%25281968%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-kLKpoSykGOk/TqshKvRtfKI/AAAAAAAAGSk/0BSgbeYgxws/s400/2001%2BA%2BSpace%2BOdyssey%2B%25281968%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5668661024349060258" style="cursor: pointer; width: 400px; height: 217px; " /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;/p&gt;&lt;ol&gt;&lt;li&gt;2001: A Space Odyssey (1968)&lt;/li&gt;&lt;li&gt;Pulp Fiction (1994)&lt;/li&gt;&lt;li&gt;Taxi Driver (1976)&lt;/li&gt;&lt;li&gt;Stalker (1979)&lt;/li&gt;&lt;li&gt;Persona (1966)&lt;/li&gt;&lt;li&gt;Mulholland Dr. (2001)&lt;/li&gt;&lt;li&gt;Mirror (1975)&lt;/li&gt;&lt;li&gt;&lt;a href="http://1000nightsdark.blogspot.com/2008/07/city-lights-1931.html"&gt;City Lights (1931)&lt;/a&gt;&lt;/li&gt;&lt;li&gt;The Godfather (1972)&lt;/li&gt;&lt;li&gt;Apocalypse Now (1979)&lt;/li&gt;&lt;li&gt;À Bout de Souffle (1960)&lt;/li&gt;&lt;li&gt;Vertigo (1958)&lt;/li&gt;&lt;li&gt;A Clockwork Orange (1971)&lt;/li&gt;&lt;li&gt;8½ (1963)&lt;/li&gt;&lt;li&gt;Citizen Kane (1941)&lt;/li&gt;&lt;li&gt;&lt;a href="http://1000nightsdark.blogspot.com/2008/07/andrei-rublev-1966.html"&gt;Andrei Rublev (1966)&lt;/a&gt;&lt;/li&gt;&lt;li&gt;Psycho (1960)&lt;/li&gt;&lt;li&gt;One Flew Over the Cuckoo's Nest (1975)&lt;/li&gt;&lt;li&gt;Come and See (1985)&lt;/li&gt;&lt;li&gt;M (1931)&lt;/li&gt;&lt;li&gt;The Seventh Seal (1957)&lt;/li&gt;&lt;li&gt;The Shining (1980)&lt;/li&gt;&lt;li&gt;Wild Strawberries (1957)&lt;/li&gt;&lt;li&gt;Aguirre, the Wrath of God (1972)&lt;/li&gt;&lt;li&gt;The Passion of Joan of Arc (1928)&lt;/li&gt;&lt;li&gt;Seven Samurai (1954)&lt;/li&gt;&lt;li&gt;Picnic at Hanging Rock (1975)&lt;/li&gt;&lt;li&gt;Metropolis (1927)&lt;/li&gt;&lt;li&gt;In the Mood for Love (2000)&lt;/li&gt;&lt;li&gt;Eyes Wide Shut (1999)&lt;/li&gt;&lt;li&gt;Blow Up (1966)&lt;/li&gt;&lt;li&gt;La Dolce Vita (1960)&lt;/li&gt;&lt;li&gt;Casablanca (1942)&lt;/li&gt;&lt;li&gt;Blue Velvet (1986)&lt;/li&gt;&lt;li&gt;The Good, the Bad, and the Ugly (1966)&lt;/li&gt;&lt;li&gt;&lt;a href="http://1000nightsdark.blogspot.com/2011/10/fanny-and-alexander-1982.html"&gt;Fanny and Alexander (1982)&lt;/a&gt;&lt;/li&gt;&lt;li&gt;Dead Man (1995)&lt;/li&gt;&lt;li&gt;Vivre Sa Vie (1962)&lt;/li&gt;&lt;li&gt;The Four Hundred Blows (1959)&lt;/li&gt;&lt;li&gt;Barry Lyndon (1975)&lt;/li&gt;&lt;li&gt;Wings of Desire (1987)&lt;/li&gt;&lt;li&gt;Goodfellas (1990)&lt;/li&gt;&lt;li&gt;Chinatown (1974)&lt;/li&gt;&lt;li&gt;Sunrise (1927)&lt;/li&gt;&lt;li&gt;12 Angry Men (1957)&lt;/li&gt;&lt;li&gt;Blade Runner (1982)&lt;/li&gt;&lt;li&gt;Singin' in the Rain (1952)&lt;/li&gt;&lt;li&gt;The Big Lebowski (1998)&lt;/li&gt;&lt;li&gt;Bicycle Thieves (1948)&lt;/li&gt;&lt;li&gt;L'Eclisse (1962)&lt;/li&gt;&lt;li&gt;Rashomon (1950)&lt;/li&gt;&lt;li&gt;Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)&lt;/li&gt;&lt;li&gt;Le Samourai (1967)&lt;/li&gt;&lt;li&gt;The Conformist (1970)&lt;/li&gt;&lt;li&gt;The Third Man (1949)&lt;/li&gt;&lt;li&gt;Sátántangó (1994)&lt;/li&gt;&lt;li&gt;Solaris (1972)&lt;/li&gt;&lt;li&gt;The Godfather: Part II (1974)&lt;/li&gt;&lt;li&gt;Rear Window (1954)&lt;/li&gt;&lt;li&gt;Double Indemnity (1944)&lt;/li&gt;&lt;li&gt;Last Year in Marienbad (1961)&lt;/li&gt;&lt;li&gt;Once Upon a Time in America (1984)&lt;/li&gt;&lt;li&gt;Raging Bull (1980)&lt;/li&gt;&lt;li&gt;The Discreet Charm of the Bourgeoisie (1972)&lt;/li&gt;&lt;li&gt;The Spirit of the Beehive (1973)&lt;/li&gt;&lt;li&gt;Ordet (1955)&lt;/li&gt;&lt;li&gt;Paths of Glory (1957)&lt;/li&gt;&lt;li&gt;Once Upon a Time in the West (1968)&lt;/li&gt;&lt;li&gt;Schindler’s List (1993)&lt;/li&gt;&lt;li&gt;&lt;a href="http://1000nightsdark.blogspot.com/2011/10/man-with-movie-camera-1929.html"&gt;Man with a Movie Camera (1929)&lt;/a&gt;&lt;/li&gt;&lt;li&gt;Tokyo Story (1953)&lt;/li&gt;&lt;li&gt;Some Like It Hot (1959)&lt;/li&gt;&lt;li&gt;Sunset Boulevard (1950)&lt;/li&gt;&lt;li&gt;Modern Times (1936)&lt;/li&gt;&lt;li&gt;Se7en (1995)&lt;/li&gt;&lt;li&gt;Dogville (2003)&lt;/li&gt;&lt;li&gt;The Double Life of Veronique (1991)&lt;/li&gt;&lt;li&gt;Viridiana (1961)&lt;/li&gt;&lt;li&gt;Hiroshima Mon Amour (1959)&lt;/li&gt;&lt;li&gt;Annie Hall (1977)&lt;/li&gt;&lt;li&gt;L'Atalante (1934)&lt;/li&gt;&lt;li&gt;Dekalog (1989)&lt;/li&gt;&lt;li&gt;The Cranes Are Flying (1957)&lt;/li&gt;&lt;li&gt;Woman of the Dunes (1964)&lt;/li&gt;&lt;li&gt;There Will Be Blood (2007)&lt;/li&gt;&lt;li&gt;Reservoir Dogs (1992)&lt;/li&gt;&lt;li&gt;Chungking Express (1994)&lt;/li&gt;&lt;li&gt;Pather Panchali (1955)&lt;/li&gt;&lt;li&gt;Werckmeister Harmonies (2000)&lt;/li&gt;&lt;li&gt;The Cabinet of Dr. Caligari (1920)&lt;/li&gt;&lt;li&gt;Days of Heaven (1978)&lt;/li&gt;&lt;li&gt;Badlands (1973)&lt;/li&gt;&lt;li&gt;Alien (1979)&lt;/li&gt;&lt;li&gt;L'Avventura (1960)&lt;/li&gt;&lt;li&gt;Battleship Potemkin (1925)&lt;/li&gt;&lt;li&gt;Fight Club (1999)&lt;/li&gt;&lt;li&gt;Manhattan (1979)&lt;/li&gt;&lt;li&gt;The Ascent (1977)&lt;/li&gt;&lt;li&gt;Cries and Whispers (1972)&lt;/li&gt;&lt;li&gt;The Thin Red Line (1998)&lt;/li&gt;&lt;li&gt;Landscape in the Mist (1988)&lt;/li&gt;&lt;li&gt;The Last Picture Show (1971)&lt;/li&gt;&lt;li&gt;Ugetsu Monogatari (1953)&lt;/li&gt;&lt;li&gt;La Règle du Jeu (1939)&lt;/li&gt;&lt;li&gt;The Graduate (1967)&lt;/li&gt;&lt;li&gt;Playtime (1967)&lt;/li&gt;&lt;li&gt;The General (1927)&lt;/li&gt;&lt;li&gt;Three Colours: Blue (1993)&lt;/li&gt;&lt;li&gt;The Tree of Life (2011)&lt;/li&gt;&lt;li&gt;The Silence of the Lambs (1991)&lt;/li&gt;&lt;li&gt;Back to the Future (1985)&lt;/li&gt;&lt;li&gt;Death in Venice (1971)&lt;/li&gt;&lt;li&gt;The Great Dictator (1940)&lt;/li&gt;&lt;li&gt;Léon (1994)&lt;/li&gt;&lt;li&gt;The Maltese Falcon (1941)&lt;/li&gt;&lt;li&gt;Bringing Up Baby (1938)&lt;/li&gt;&lt;li&gt;Au Hasard Balthazar (1966)&lt;/li&gt;&lt;li&gt;Fargo (1996)&lt;/li&gt;&lt;li&gt;City of God (2002)&lt;/li&gt;&lt;li&gt;The Night of the Hunter (1955)&lt;/li&gt;&lt;li&gt;The Sacrifice (1986)&lt;/li&gt;&lt;li&gt;Lost Highway (1997)&lt;/li&gt;&lt;li&gt;Amadeus (1984)&lt;/li&gt;&lt;li&gt;Sansho Dayu (1954)&lt;/li&gt;&lt;li&gt;Orpheus (1950)&lt;/li&gt;&lt;li&gt;Last Tango in Paris (1972)&lt;/li&gt;&lt;li&gt;Nosferatu (1922)&lt;/li&gt;&lt;li&gt;Eraserhead (1977)&lt;/li&gt;&lt;li&gt;Three Colours: Red (1994)&lt;/li&gt;&lt;li&gt;It’s a Wonderful Life (1946)&lt;/li&gt;&lt;/ol&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;My ballot (1-Aug-11):&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Aguirre, the Wrath of God (1972)&lt;/li&gt;&lt;li&gt;Alice in the Cities (1974)&lt;/li&gt;&lt;li&gt;All About My Mother (1999)&lt;/li&gt;&lt;li&gt;&lt;a href="http://1000nightsdark.blogspot.com/2008/07/andrei-rublev-1966.html"&gt;Andrei Rublev (1966)&lt;/a&gt;&lt;/li&gt;&lt;li&gt;The Apartment (1960)&lt;/li&gt;&lt;li&gt;Au Hasard Balthazar (1966)&lt;/li&gt;&lt;li&gt;Au Revoir les Enfants (1987)&lt;/li&gt;&lt;li&gt;The Bank Dick (1940)&lt;/li&gt;&lt;li&gt;Barton Fink (1991)&lt;/li&gt;&lt;li&gt;Begone Dull Care (1949)&lt;/li&gt;&lt;li&gt;Berlin Alexanderplatz (1980)&lt;/li&gt;&lt;li&gt;Bicycle Thieves (1948)&lt;/li&gt;&lt;li&gt;&lt;a href="http://1000nightsdark.blogspot.com/2011/06/big-business-1929.html"&gt;Big Business (1929)&lt;/a&gt;&lt;/li&gt;&lt;li&gt;A Blonde in Love (1965)&lt;/li&gt;&lt;li&gt;Brief Encounter (1945)&lt;/li&gt;&lt;li&gt;Bringing Up Baby (1938)&lt;/li&gt;&lt;li&gt;A Canterbury Tale (1944)&lt;/li&gt;&lt;li&gt;&lt;a href="http://1000nightsdark.blogspot.com/2011/08/caught-on-train-1980.html"&gt;Caught on a Train (1980)&lt;/a&gt;&lt;/li&gt;&lt;li&gt;Céline and Julie Go Boating (1974)&lt;/li&gt;&lt;li&gt;Citizen Kane (1941)&lt;/li&gt;&lt;li&gt;Claire's Knee (1970)&lt;/li&gt;&lt;li&gt;Close-Up (1990)&lt;/li&gt;&lt;li&gt;Comrades (1986)&lt;/li&gt;&lt;li&gt;&lt;a href="http://1000nightsdark.blogspot.com/2010/04/cook-thief-his-wife-her-lover-1989.html"&gt;The Cook, the Thief, His Wife &amp;amp; Her Lover (1989)&lt;/a&gt;&lt;/li&gt;&lt;li&gt;Dance Party, USA (2006)&lt;/li&gt;&lt;li&gt;Dawn of the Dead (1978)&lt;/li&gt;&lt;li&gt;A Day Out (1972)&lt;/li&gt;&lt;li&gt;Days of Heaven (1978)&lt;/li&gt;&lt;li&gt;Dead of Night (1945)&lt;/li&gt;&lt;li&gt;Dekalog (1989)&lt;/li&gt;&lt;li&gt;Diamonds of the Night (1964)&lt;/li&gt;&lt;li&gt;The Discreet Charm of the Bourgeoisie (1972)&lt;/li&gt;&lt;li&gt;Distant Voices, Still Lives (1988)&lt;/li&gt;&lt;li&gt;Don't Look Now (1973)&lt;/li&gt;&lt;li&gt;&lt;a href="http://1000nightsdark.blogspot.com/2011/09/duck-soup-1933_02.html"&gt;Duck Soup (1933)&lt;/a&gt;&lt;/li&gt;&lt;li&gt;Early Summer (1951)&lt;/li&gt;&lt;li&gt;Edvard Munch (1974)&lt;/li&gt;&lt;li&gt;Elephant (1989)&lt;/li&gt;&lt;li&gt;Eternal Sunshine of the Spotless Mind (2004)&lt;/li&gt;&lt;li&gt;Exotica (1994)&lt;/li&gt;&lt;li&gt;Faces (1968)&lt;/li&gt;&lt;li&gt;Faust (1926)&lt;/li&gt;&lt;li&gt;Festen (1998)&lt;/li&gt;&lt;li&gt;&lt;a href="http://1000nightsdark.blogspot.com/2010/09/five-easy-pieces-1970.html"&gt;Five Easy Pieces (1970)&lt;/a&gt;&lt;/li&gt;&lt;li&gt;Gertrud (1964)&lt;/li&gt;&lt;li&gt;Girl Shy (1924)&lt;/li&gt;&lt;li&gt;Goodbye, Dragon Inn (2003)&lt;/li&gt;&lt;li&gt;Great Expectations (1946)&lt;/li&gt;&lt;li&gt;Hana-Bi (1997)&lt;/li&gt;&lt;li&gt;Harold and Maude (1971)&lt;/li&gt;&lt;li&gt;High Hopes (1988)&lt;/li&gt;&lt;li&gt;Hiroshima Mon Amour (1959)&lt;/li&gt;&lt;li&gt;Hunger (2008)&lt;/li&gt;&lt;li&gt;Ikiru (1952)&lt;/li&gt;&lt;li&gt;Il Posto (1961)&lt;/li&gt;&lt;li&gt;In the City of Sylvia (2007)&lt;/li&gt;&lt;li&gt;In the Mood for Love (2000)&lt;/li&gt;&lt;li&gt;Jazz on a Summer's Day (1959)&lt;/li&gt;&lt;li&gt;Jeanne Dielman (1975)&lt;/li&gt;&lt;li&gt;Le Jour se Lève (1939)&lt;/li&gt;&lt;li&gt;Journey to the Beginning of the World (1997)&lt;/li&gt;&lt;li&gt;Kes (1969)&lt;/li&gt;&lt;li&gt;King &amp;amp; Country (1964)&lt;/li&gt;&lt;li&gt;Last Days (2005)&lt;/li&gt;&lt;li&gt;The Last Laugh (1924)&lt;/li&gt;&lt;li&gt;The Loneliness of the Long Distance Runner (1962)&lt;/li&gt;&lt;li&gt;The Man in the White Suit (1951)&lt;/li&gt;&lt;li&gt;The Man Who Fell to Earth (1976)&lt;/li&gt;&lt;li&gt;MASH (1970)&lt;/li&gt;&lt;li&gt;Modern Times (1936)&lt;/li&gt;&lt;li&gt;Monty Python's Life of Brian (1979)&lt;/li&gt;&lt;li&gt;Morvern Callar (2002)&lt;/li&gt;&lt;li&gt;O Lucky Man! (1973)&lt;/li&gt;&lt;li&gt;Our Daily Bread (2005)&lt;/li&gt;&lt;li&gt;The Passion of Joan of Arc (1928)&lt;/li&gt;&lt;li&gt;People on Sunday (1930)&lt;/li&gt;&lt;li&gt;Persona (1966)&lt;/li&gt;&lt;li&gt;Picnic at Hanging Rock (1975)&lt;/li&gt;&lt;li&gt;Punch-Drunk Love (2002)&lt;/li&gt;&lt;li&gt;Pyaasa (1957)&lt;/li&gt;&lt;li&gt;Rear Window (1954)&lt;/li&gt;&lt;li&gt;Red Angel (1966)&lt;/li&gt;&lt;li&gt;The Red Desert (1964)&lt;/li&gt;&lt;li&gt;La Règle du Jeu (1939)&lt;/li&gt;&lt;li&gt;Rosetta (1999)&lt;/li&gt;&lt;li&gt;Sátántangó (1994)&lt;/li&gt;&lt;li&gt;Shall We Dance (1937)&lt;/li&gt;&lt;li&gt;Stardust Memories (1980)&lt;/li&gt;&lt;li&gt;Stranger Than Paradise (1984)&lt;/li&gt;&lt;li&gt;A Swedish Love Story (1970)&lt;/li&gt;&lt;li&gt;Syndromes and a Century (2006)&lt;/li&gt;&lt;li&gt;Taxi Driver (1976)&lt;/li&gt;&lt;li&gt;Tony Manero (2008)&lt;/li&gt;&lt;li&gt;The Turning Gate (2002)&lt;/li&gt;&lt;li&gt;Ugetsu Monogatari (1953)&lt;/li&gt;&lt;li&gt;Uzak (2002)&lt;/li&gt;&lt;li&gt;Vendredi Soir (2002)&lt;/li&gt;&lt;li&gt;Vive l'Amour (1994)&lt;/li&gt;&lt;li&gt;When a Woman Ascends the Stairs (1960)&lt;/li&gt;&lt;li&gt;Woman of the Dunes (1964)&lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-8073044185397410322?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8073044185397410322'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8073044185397410322'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/10/band-apart-greatest-films-poll-2011.html' title='A Band Apart: Greatest Films Poll (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-kLKpoSykGOk/TqshKvRtfKI/AAAAAAAAGSk/0BSgbeYgxws/s72-c/2001%2BA%2BSpace%2BOdyssey%2B%25281968%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-6538797417042428854</id><published>2011-07-12T13:44:00.002+01:00</published><updated>2011-07-12T13:53:00.018+01:00</updated><title type='text'>CFB's Top 40 Films of 1998 (2011)</title><content type='html'>&lt;span class="Apple-style-span"  &gt;&lt;a href="http://3.bp.blogspot.com/_SPYL8UC1UCY/TJo2sFPmMpI/AAAAAAAADxk/22jGNqy86IY/s1600/The+Thin+Red+Line+(1998).jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/_SPYL8UC1UCY/TJo2sFPmMpI/AAAAAAAADxk/22jGNqy86IY/s400/The+Thin+Red+Line+(1998).jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5519784424245703314" style="cursor: pointer; width: 400px; height: 247px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;p class="MsoNormal"&gt;&lt;/p&gt;&lt;ol&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://1linereview.blogspot.com/2009/08/thin-red-line-1998.html"&gt;The Thin Red Line (1998)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Big Lebowski (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://1linereview.blogspot.com/2010/08/happiness-1998.html"&gt;Happiness (1998)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Saving Private Ryan (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Run Lola Run (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Truman Show (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Gods and Monsters (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Festen (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Dark City (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;A Simple Plan (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;American History X (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Shakespeare in Love (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Show Me Love (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://1linereview.blogspot.com/2010/09/pleasantville-1998.html"&gt;Pleasantville (1998)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Pi (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Central Station (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Fear and Loathing in Las Vegas (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Opposite of Sex (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Elizabeth (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Flowers of Shanghai (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Last Days of Disco (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Black Cat, White Cat (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Rushmore (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Lock, Stock and Two Smoking Barrels (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Red Violin (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Eternity and a Day (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Out of Sight (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Apple (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Velvet Goldmine (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;An Autumn Tale (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Buffalo ‘66 (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://1linereview.blogspot.com/2010/01/xiao-wu-1997.html"&gt;Xiao Wu (1997)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Idiots (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Wild Things (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Primary Colors (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Inquietude (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Little Dieter Needs to Fly (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://1linereview.blogspot.com/2011/06/last-night-1998.html"&gt;Last Night (1998)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://1linereview.blogspot.com/2009/07/dream-life-of-angels-1998.html"&gt;The Dream Life of Angels (1998)&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span"&gt;There’s Something About Mary (1998)&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;p&gt;&lt;/p&gt;                                                                              &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-6538797417042428854?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/6538797417042428854'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/6538797417042428854'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/07/cfbs-top-40-films-of-1998-2011.html' title='CFB&apos;s Top 40 Films of 1998 (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_SPYL8UC1UCY/TJo2sFPmMpI/AAAAAAAADxk/22jGNqy86IY/s72-c/The+Thin+Red+Line+(1998).jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-1885715858135021653</id><published>2011-07-12T13:40:00.004+01:00</published><updated>2011-07-12T13:43:21.600+01:00</updated><title type='text'>CFB's Top 25 Obscure Films of 1998 (2011)</title><content type='html'>&lt;span class="Apple-style-span"&gt;&lt;a href="http://2.bp.blogspot.com/-sWVQD9rC8hg/ThxBPoOZJpI/AAAAAAAAFSA/hDrz9udrB80/s1600/Cabaret%2BBalkan%2B%25281998%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 251px;" src="http://2.bp.blogspot.com/-sWVQD9rC8hg/ThxBPoOZJpI/AAAAAAAAFSA/hDrz9udrB80/s400/Cabaret%2BBalkan%2B%25281998%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5628445371057907346" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;p class="MsoNormal"&gt;&lt;/p&gt;&lt;ol&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Cabaret Balkan (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Christmas in August (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Power of Kangwon Province (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;42: Forty Two Up (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Mr. Zhao (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Khrustalyov, My Car! (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://1linereview.blogspot.com/2009/11/of-freaks-and-men-1998.html"&gt;Of Freaks and Men (1998)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Terrorist (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Farm: Angola, USA (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Last Days (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Confession (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Those Who Love Me Can Take the Train (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Barrio (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Dr. Akagi (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Flammes (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Secret Défense (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Flatworld (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span"&gt;Talking Heads 2 (1998)&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span"&gt;Billy’s Balloon (1998)&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Ruskin (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Quarry (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Hollywoodism: Jews, Movies and the American Dream (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Jeanne et le Garçon Formidable (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Place Vendome (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;David and Lisa (1998)&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;p&gt;&lt;/p&gt;                                                &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-1885715858135021653?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1885715858135021653'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1885715858135021653'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/07/cfbs-top-25-obscure-films-of-1998-2011.html' title='CFB&apos;s Top 25 Obscure Films of 1998 (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-sWVQD9rC8hg/ThxBPoOZJpI/AAAAAAAAFSA/hDrz9udrB80/s72-c/Cabaret%2BBalkan%2B%25281998%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-8878802075283485943</id><published>2011-07-10T12:39:00.003+01:00</published><updated>2011-07-10T12:55:29.592+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UK'/><category scheme='http://www.blogger.com/atom/ns#' term='Television Series'/><title type='text'>Fawlty Towers: Series 2 (1979)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/essential-viewing.html"&gt;Essential Viewing&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;UK&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Television Series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Bob Spiers&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Connie Booth, John Cleese&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;John Cleese, Prunella Scales, Andrew Sachs, Connie Booth, Ballard Berkeley, Brian Hall&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/-JOuxOtQ7oMo/ThmSFwaZ_nI/AAAAAAAAFR4/6i-731nVq6s/s1600/Fawlty%2BTowers%2BSeries%2B2%2B%25281979%2529.jpeg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://4.bp.blogspot.com/-JOuxOtQ7oMo/ThmSFwaZ_nI/AAAAAAAAFR4/6i-731nVq6s/s400/Fawlty%2BTowers%2BSeries%2B2%2B%25281979%2529.jpeg" border="0" alt="" id="BLOGGER_PHOTO_ID_5627689836968803954" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Though Cleese’s performance is slightly less manic and physical than in the first series, and his character a tad more sympathetic, this second series is, if anything, even funnier, smarter, and more memorable than its hilarious predecessor.&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;1. Communication Problems&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;When Basil surreptitiously has a bit of luck on the gee-gees, his winnings get passed from person to person in an effort to keep it a secret from his disapproving wife – but, unfortunately for him, a deaf guest, who refuses to switch on her hearing aid for fear of running down the batteries, reports a similar amount of money to have been stolen from her room, leading to much suspicion and confusion.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;2. The Psychiatrist&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A holidaying psychiatrist does his best to ignore the odd behaviour of his manic host, Basil Fawlty; but said hotelier’s inability to avoid the breasts of a comely young Australian woman and his obsession with the sexual habits of another guest make doing so particularly difficult.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;3. Waldorf Salad&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;When a pair of holidaymakers from California arrives after the kitchen has just closed, Basil has the idea to play at being chef, despite having just been bribed to keep the kitchen staff on with four crisp five pound notes – alas, all does not go smoothly, as the American gentleman and his British wife are soon unfathomably ordering screwdrivers and Waldorf salads (and they’re fresh out of waldorfs).&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;4. The Kipper and the Corpse&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;When a guest dies during the night, Basil, as keen (though incapable) as ever to keep up a level of propriety, soon has his staff carrying the body from room to room in order to hide its existence from his other guests – inevitably, he fails spectacularly.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;5. The Anniversary&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Having forgotten their anniversary the previous year, Basil, to mark their fifteenth, arranges a surprise party with some of their closest friends – unfortunately, Sybil takes his faux forgetting for the real thing and drives off in a huff, leaving him to concoct an unworkable, illness-related excuse for when their guests arrive,&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;6. Basil the Rat&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;When a health inspector gives them a long list of things to clean and fix in order to avoid being closed down, the staff of Fawlty Towers quickly and busily gets down to it; unfortunately, just as he’s due to return, Manuel’s pet rat – he thought that it was a Siberian hamster – escapes, leading to much panic, confusion, and poisoned veal. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-8878802075283485943?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8878802075283485943'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8878802075283485943'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/07/fawlty-towers-series-2-1979.html' title='Fawlty Towers: Series 2 (1979)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-JOuxOtQ7oMo/ThmSFwaZ_nI/AAAAAAAAFR4/6i-731nVq6s/s72-c/Fawlty%2BTowers%2BSeries%2B2%2B%25281979%2529.jpeg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-2826640335798525773</id><published>2011-07-09T15:44:00.006+01:00</published><updated>2011-07-09T16:03:04.368+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UK'/><category scheme='http://www.blogger.com/atom/ns#' term='Television Series'/><title type='text'>Fawlty Towers: Series 1 (1975)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/essential-viewing.html"&gt;Essential Viewing&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;UK&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Television Series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;John Howard Davies&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Connie Booth, John Cleese&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Dennis Wilson&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;John Cleese, Prunella Scales, Andrew Sachs, Connie Booth, Ballard Berkeley&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/-WyGQ8Ng4k8E/ThhqVoH3WlI/AAAAAAAAFRw/Y4NgEmsoQ8I/s1600/Fawlty%2BTowers%2BSeries%2B1%2B%25281975%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 273px;" src="http://4.bp.blogspot.com/-WyGQ8Ng4k8E/ThhqVoH3WlI/AAAAAAAAFRw/Y4NgEmsoQ8I/s400/Fawlty%2BTowers%2BSeries%2B1%2B%25281975%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5627364654179637842" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;A bigoted, elitist hotel owner – prone to fawning over nobility and treating with disdain the common man – manages to find himself in farcical situation after farcical situation, in this hilarious, brilliantly written first series, which benefits greatly from Cleese’s wonderfully physical comic dexterity.&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;1. A Touch of Class&lt;/b&gt;&lt;br /&gt;Fed up with the riff-raff that usually patronise his hotel, who he treats with utter disdain, Basil Fawlty takes out a £40 ad in a swanky magazine, looking to attract a better class of customer; so when a certain Lord Melbury checks in, he proceeds to fawn all over him, near enough ignoring the rest of his clientele – unfortunately, though, the titled gentleman is not all that he appears to be.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;2. The Builders&lt;/b&gt;&lt;br /&gt;Instead of hiring a respectable builder like Stubbs – as his wife, Sybil, had requested – to put through one door and block up another, Basil hires cowboy builder O’Reilly, with whom they’d had trouble previously, who proceeds to fill in the wrong door and put another were one was not needed, much to the unsurprised chagrin of his no-nonsense better half.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;3. The Wedding Party&lt;/b&gt;&lt;br /&gt;When an unmarried couple tries to book into a double room, Basil refuses to accommodate them, but Sybil, his more enlightened wife, does so any way, leaving his imagination to run wild; and before long he is seeing carnal desire everywhere, and comes to believe that the hotel is filled with sex maniacs, causing him to make a fool of himself when he asks them all, including his waitress Polly, to leave.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;4. The Hotel Inspectors&lt;/b&gt;&lt;br /&gt;After hearing a rumour that there are three hotel inspectors in town, Basil comes to believe that a particularly demanding guest is one of said assessors, and begins to fawn all over him; but when his true occupation comes to light, his sycophantic  deference soon turns to irrational rage.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;5. Gourmet Night&lt;/b&gt;&lt;br /&gt;The inaugural not-for-riff-raff Fawlty Towers gourmet evening runs anything but smoothly, when their new Greek chef, the best that they've ever had, gets steaming drunk after a romantic rebuff from Manuel, leaving him unable to cater the event, and forcing Basil to quickly change the menu and look to their old chef André, now running a successful restaurant and who had recommended the soused Kurt in the first place, to come to the rescue – now, if only he’d paid a professional to fix his car.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;6. The Germans&lt;/b&gt;&lt;br /&gt;With Sybil in hospital to undergo an operation on an ingrowing toenail, Basil is left at the hotel with instructions to hang a moose’s head in the lobby and to perform a fire drill – a set of tasks that inevitably proves to be beyond him; and before long, concussed after a blow to the head, he finds himself unable to serve lunch to a party of German guests without making constant references to the war. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-2826640335798525773?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2826640335798525773'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2826640335798525773'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/07/fawlty-towers-series-1-1975.html' title='Fawlty Towers: Series 1 (1975)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-WyGQ8Ng4k8E/ThhqVoH3WlI/AAAAAAAAFRw/Y4NgEmsoQ8I/s72-c/Fawlty%2BTowers%2BSeries%2B1%2B%25281975%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-2884754723989350681</id><published>2011-07-08T17:23:00.002+01:00</published><updated>2011-07-09T16:04:23.059+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Television Series'/><title type='text'>Northern Exposure: Season 2 (1991)</title><content type='html'>&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/4-star-reviews.html"&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;USA&lt;/span&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Television Series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Creators: &lt;b&gt;Joshua Brand, John Falsey&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Rob Morrow, Janine Turner, Barry Corbin, Darren E. Burrows, John Cullum, Cynthia Geary, Elaine Miles, Peg Phillips&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-xqdWyTb3ERs/ThdKwk8nnwI/AAAAAAAAFRo/30P0NZM78g8/s1600/Northern%2BExposure%2BSeason%2B2%2B%25281991%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://3.bp.blogspot.com/-xqdWyTb3ERs/ThdKwk8nnwI/AAAAAAAAFRo/30P0NZM78g8/s400/Northern%2BExposure%2BSeason%2B2%2B%25281991%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5627048457834831618" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;The second season of Northern Exposure, following the misadventure of a Jewish New York doctor marooned in the rural no-man’s-land of Cicely, Alaska, is a consistently entertaining work with no real weak episodes and at least one classic – Episode 2: The Big Kiss&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;1. Goodbye to All That&lt;/b&gt;&lt;br /&gt;On the eve of a two week trip to New York, Elaine, Joel’s fiancée, sends him a Dear John letter, detailing her love for a retired judge, sending him into an almighty funk, and prompting Ed (with the assistance of Holling and Maggie) to seek to ease his pain; at the same time, Shelly becomes addicted to television, when Holling buys her a giant satellite dish.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;2. The Big Kiss&lt;/b&gt;&lt;br /&gt;After a viewing of &lt;i&gt;Boys Town (1938)&lt;/i&gt;, Ed becomes curious about the identity of his parents, and sets out to find them with the aid of his 256-year-old spirit guide, One-Who-Waits, who also advises Chris, who has had his voice stolen by a beautiful stranger passing through Cicely, that he must sleep with the most beautiful girl in town (Maggie) in order to remedy his situation.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;3. All Is Vanity&lt;/b&gt;&lt;br /&gt;When a John Doe drops dead in Joel’s office, the town’s populace, led by Chris and Maurice, take it in turns to watch over the body until a decision can be made about what to do with it; a stray comment from Shelly has Holling contemplating circumcision in order to please her; and Joel reluctantly agrees to play the part of Maggie’s boyfriend, when her judgmental father comes for a visit.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;4. What I Did for Love&lt;/b&gt;&lt;br /&gt;When Maggie has a dream about his death in a plane crash on the eve of his trip to New York, prompting the town’s populace to begin saying their goodbyes to him, the usually unsuperstitious Joel, already full of suspicion about his too-good-to-be-true temporary replacement, begins to rethink his travel plans, whilst also investigating Maurice’s breathing difficulties, reported to him by an astronaut groupie who visits him annually.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;5. Spring Break&lt;/b&gt;&lt;br /&gt;Just before the ice breaks, an event celebrated by the Running of the Bulls, the residents of Cicely become gripped with unusual passions – Joel and Maggie struggle to resist each other; Shelly develops a taste for reading; Maurice falls for a domineering state trooper; the usually placid Holling is itching for a fight; and somebody is stealing all of the town’s radios.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;6. War and Peace&lt;/b&gt;&lt;br /&gt;Nikolai Ivanovich Appalanov, a Russian singer loved by all but Maurice, arrives in town for a vodka-fuelled good time and, if the former astronaut agrees to it, a deadly serious game of chess; elsewhere, Ed falls for bad girl Lightfeather Duncan, and begins to woo her with the aid of Chris’s two-wheeled erotic poetry; and Holling, beset with vivid, unsettling dreams, struggles to get a decent night’s sleep.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;7. Slow Dance&lt;/b&gt;&lt;br /&gt;Further credence is given to idea of Maggie being cursed, or at least to all of her beaus being cursed on her behalf, when Rick is killed by a falling satellite; Maurice’s delight at finding buyers, with whom he has a great deal in common, for a property of his is soon tempered by the revelation that they are gay, prompting him to reconsider his decision to sell to them; and Shelly becomes the green-eyed monster when an old flame of Holling’s, who is closer to his age and has more in common with him, arrives in town. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-2884754723989350681?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2884754723989350681'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2884754723989350681'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2009/08/northern-exposure-season-2-1991.html' title='Northern Exposure: Season 2 (1991)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-xqdWyTb3ERs/ThdKwk8nnwI/AAAAAAAAFRo/30P0NZM78g8/s72-c/Northern%2BExposure%2BSeason%2B2%2B%25281991%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-4025182427692405664</id><published>2011-07-08T12:33:00.004+01:00</published><updated>2011-07-09T16:05:40.377+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Television Series'/><title type='text'>Northern Exposure: Season 1 (1990)</title><content type='html'>&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/3-star-reviews_02.html"&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;USA&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"&gt;Television Series&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Creators: &lt;b&gt;Joshua Brand, John Falsey&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Cast: &lt;b&gt;Rob Morrow, Janine Turner, Barry Corbin, Darren E. Burrows, John Cullum, Cynthia Geary, Elaine Miles, Peg Phillips&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://1.bp.blogspot.com/-tmZV4miRn-8/ThcXTkbBlbI/AAAAAAAAFRg/z4Mw4ULRZQg/s1600/Northern%2BExposure%2BSeason%2B1%2B%25281990%2529.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://1.bp.blogspot.com/-tmZV4miRn-8/ThcXTkbBlbI/AAAAAAAAFRg/z4Mw4ULRZQg/s400/Northern%2BExposure%2BSeason%2B1%2B%25281990%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5626991884384703922" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"&gt;A newly qualified doctor from New York struggles to adapt to life in rural Alaska, in this decidedly gentle and relatively straightforward though never less than thoroughly entertaining first season of a series that would go on to much greater things.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;1. Pilot&lt;/b&gt;&lt;br /&gt;Jewish New Yorker Joel Fleischman, a newly qualified doctor, travels to Alaska in order to fulfil the terms of his scholarship, but instead of the Anchorage hospital that he was expecting he finds himself shipped off to Cicely, a small town in the middle of nowhere, peopled with oddballs and eccentrics, where he very reluctantly sets himself up as a GP.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;2. Brains, Know-How and Native Intelligence&lt;/b&gt;&lt;br /&gt;The broaching of the subject of Walt Whitman’s homosexuality by Chris Stevens on his radio show leads to his sacking by Maurice, who also replaces him, filling the airwaves with show tunes in the process, much to the chagrin of the local populace; whilst Joel struggles both to get Ed’s medicine man uncle to take his prostate cancer seriously and fix his own faulty shower in the wake of Maggie’s chastisement of him over his helplessness and general lack of self-sufficiency.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;3. Soapy Sanderson&lt;/b&gt;&lt;br /&gt;When 82-year-old hermit Soapy Sanderson takes his own life, leaving his 100 acre estate to Joel and Maggie, the oft bickering pair look set to be brought closer together, but a $50,000 offer from a local Indian tribe interested in using the land as a tax haven soon puts paid to that.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;4. Dreams, Schemes and Putting Greens&lt;/b&gt;&lt;br /&gt;Maurice’s plan to build a holiday complex on the outskirts of Cicely, complete with 18 hole golf course, grabs the attention of Joel, who embraces the idea wholeheartedly, striking a deal to become the resident physician in exchange for having a year knocked off his “sentence”, but news of Shelly’s pregnancy and impending nuptials threaten to disrupt matters, when the former astronaut’s eye is taken off the task of wooing of a pair of Japanese businessmen.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;5. Russian Flu&lt;/b&gt;&lt;br /&gt;When his fiancée, Elaine, flies in from New York for a weekend visit, Joel’s time is spent not in the carnal throes of passion that he had envisioned but attending to the town’s populace, who have all, barring one or two notable exceptions, come down with a particularly nasty strain of flu, which Marilyn, with her malodourous tribal remedy, seems better equipped to deal with.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;6. Sex, Lies and Ed's Tapes&lt;/b&gt;&lt;br /&gt;While Ed struggles to write a screenplay for the new, post-Jaws Hollywood, Holling develops a phantom neck injury in the wake of the arrival of Shelly’s secret husband, and Rick fears that he is to be the latest victim of Maggie’s curse, when Joel discovers an errant tumour during a check-up.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;7. A Kodiak Moment&lt;/b&gt;&lt;br /&gt;The death of Maurice’s brother causes him to contemplate his own mortality and seek a new heir to his empire; whilst Ed and Shelly accompany Holling on a hunting expedition, when it becomes known that Jesse, a great grizzly bear with whom he has a history, is back in the area; and Joel and Maggie fight and bond a little whilst giving a prepared childbirth class in Boswell.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;8. Aurora Borealis: A Fairy Tale for Big People&lt;/b&gt;&lt;br /&gt;The first of the series’ many great episodes: whilst the residents of Cicely struggle to sleep under a particularly bright full moon, an IRS worker from Portland rides into town on a motorbike, unable to explain why he’s there, and teams up with Chris, with whom he has an uncanny rapport, to help create his large Aurora Borealis sculpture; elsewhere, Joel, returning from a long-distance house call, breaks down in the middle of nowhere, where he encounters Adam, the legendary local bigfoot, who turns out to be a gourmet chef, albeit one with questionable hygiene habits and social skills. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-4025182427692405664?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4025182427692405664'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4025182427692405664'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2009/08/northern-exposure-season-1-1990.html' title='Northern Exposure: Season 1 (1990)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-tmZV4miRn-8/ThcXTkbBlbI/AAAAAAAAFRg/z4Mw4ULRZQg/s72-c/Northern%2BExposure%2BSeason%2B1%2B%25281990%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-8408922456229402196</id><published>2011-07-07T13:01:00.003+01:00</published><updated>2011-07-07T13:25:38.730+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Couples Retreat (2009)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/not-recommended.html"&gt;Not Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Peter Billingsley&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Jon Favreau, Dana Fox, Vince Vaughn&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Eric Edwards&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;A.R. Rahman&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Vince Vaughn, Malin Akerman, Jason Bateman, Kristen Bell, Jon Favreau, Kristin Davis, Faizon Love, Kali Hawk, Jean Reno, Peter Serafinowicz&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/-HFJ9mX1SXvI/ThWkd3nKDdI/AAAAAAAAFRY/HlKYlMuFbmE/s1600/Couples%2BRetreat%2B%25282009%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 267px;" src="http://1.bp.blogspot.com/-HFJ9mX1SXvI/ThWkd3nKDdI/AAAAAAAAFRY/HlKYlMuFbmE/s400/Couples%2BRetreat%2B%25282009%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5626584142520651218" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;An intense, uptight married couple, considering divorce, convinces three other couples to accompany them on a retreat to an idyllic island, promising sun, sea, sand, and relaxation, where instead they are confronted with intense couples counselling and oppressive rules and regulations, forcing them to reluctantly examine their own relationships, in this well enough acted though seldom funny and hopelessly predictable comedy. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-8408922456229402196?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8408922456229402196'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8408922456229402196'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/07/couples-retreat-2009.html' title='Couples Retreat (2009)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-HFJ9mX1SXvI/ThWkd3nKDdI/AAAAAAAAFRY/HlKYlMuFbmE/s72-c/Couples%2BRetreat%2B%25282009%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-3898928178065888699</id><published>2011-07-07T12:17:00.003+01:00</published><updated>2011-07-07T12:52:44.050+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Grown Ups (2010)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/not-recommended.html"&gt;Not Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Dennis Dugan&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Adam Sandler, Fred Wolf&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Theo van de Sande&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Rupert Gregson-Williams&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Adam Sandler, Kevin James, Chris Rock, David Spade, Rob Schneider, Salma Hayek, Maria Bello, Maya Rudolph, Joyce Van Patten, Ebony Jo-Ann&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/-_0_q7mpZAcw/ThWdbM_hQsI/AAAAAAAAFRQ/Wn-NJ9tPJy8/s1600/Grown%2BUps%2B%25282010%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 267px;" src="http://1.bp.blogspot.com/-_0_q7mpZAcw/ThWdbM_hQsI/AAAAAAAAFRQ/Wn-NJ9tPJy8/s400/Grown%2BUps%2B%25282010%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5626576400138977986" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;When their championship winning junior high school basketball coach dies, five old friends and their families decide – as well as attending his funeral – to share a lake house in their old home town for the 4th of July weekend, reconnecting, bonding, confessing, regretting, and recapturing as they do so, in this occasionally mildly diverting though generally tiresome and decidedly undercooked comedy. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-3898928178065888699?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/3898928178065888699'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/3898928178065888699'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/07/grown-ups-2010.html' title='Grown Ups (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-_0_q7mpZAcw/ThWdbM_hQsI/AAAAAAAAFRQ/Wn-NJ9tPJy8/s72-c/Grown%2BUps%2B%25282010%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-1030926589670582374</id><published>2011-07-06T09:42:00.002+01:00</published><updated>2011-07-09T16:06:34.981+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Television Series'/><title type='text'>The Walking Dead: Season 1 (2010)</title><content type='html'>&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/highly-recommended.html"&gt;&lt;b&gt;Highly Recommended&lt;/b&gt;&lt;/a&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/4-star-reviews.html"&gt;&lt;/a&gt;&lt;b&gt;USA&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Television Series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Developer: &lt;b&gt;Frank Darabont&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Andrew Lincoln, Jon Bernthal, Sarah Wayne Callies, Laurie Holden, Jeffrey DeMunn, Steven Yeun, Chandler Riggs, Norman Reedus, Emma Bell, IronE Singleton, Melissa Suzanne McBride, Jeryl Prescott&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://1.bp.blogspot.com/_SPYL8UC1UCY/TTqzWZwnL1I/AAAAAAAAE4U/S66OcAmJCLI/s1600/The%2BWalking%2BDead%2B%25282010-%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 251px;" src="http://1.bp.blogspot.com/_SPYL8UC1UCY/TTqzWZwnL1I/AAAAAAAAE4U/S66OcAmJCLI/s400/The%2BWalking%2BDead%2B%25282010-%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5564957487022944082" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;Adapted from Robert Kirkman, Tony Moore, and Charlie Adlard’s comic books, Frank Darabont’s visceral and gory yet affecting and perceptive series, following the trials and tribulations of a small band of survivors, as they struggle to find a way to live following the zombie apocalypse, gets off to an excellent start with this excellent first season.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;1. Days Gone Bye&lt;/b&gt;&lt;br /&gt;After waking from a coma in a derelict and deserted hospital in the midst of the zombie apocalypse and gradually coming to realise his situation, Rick Grimes, a small town sheriff’s deputy, shot in the line of duty some weeks earlier, sets off towards Atlanta in search of his wife and son, whom he believes to be still alive.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;2. Guts&lt;/b&gt;&lt;br /&gt;Rick becomes trapped in a department store with a group of survivors he meets in Atlanta, who are in the city scavenging for supplies, when it becomes surrounded by walkers, and is forced to think very creatively in order to escape and survive.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;3. Tell It to the Frogs&lt;/b&gt;&lt;br /&gt;After returning to the camp with the rest of the survivors and reuniting with his wife and son, Rick, along with three others (including Merle’s decidedly angry brother) decide to return to Atlanta to attempt to rescue their hand-cuffed and stranded &lt;i&gt;compatriot&lt;/i&gt;, whilst also recovering the bag of guns abandoned the previous day.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;4. Vatos&lt;/b&gt;&lt;br /&gt;Unable to locate Merle, Rick and the others turn their attentions to the abandoned bag of guns, which has also caught the eye of a rival gang of survivors, who attempt but fail to snatch it, instead taking a hostage – an act reciprocated by our heroes – which leads to a potentially violent showdown; whilst back at camp, tensions begin to rise.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;5. Wildfire&lt;/b&gt;&lt;br /&gt;In the aftermath of the deadly zombie attack on the camp of the previous evening, the survivors begin to deal with the dead and the dying, whilst attempting to formulate a plan for the next step in their bid for survival, and eventually set off towards the Center for Disease Control, hoping to find some official help.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;b&gt;6. TS-19&lt;/b&gt;&lt;br /&gt;After a night of relative comfort and luxury in the CDC, the survivors begin to pressure their lone host for answers to the cause of their plight, and – finding them decidedly sobering – realise that they must go back out into the world if they are to survive: that is if they can actually get back out of the locked down building. &lt;span class="Apple-style-span"&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255); "&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-1030926589670582374?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1030926589670582374'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1030926589670582374'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/01/walking-dead-2010.html' title='The Walking Dead: Season 1 (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_SPYL8UC1UCY/TTqzWZwnL1I/AAAAAAAAE4U/S66OcAmJCLI/s72-c/The%2BWalking%2BDead%2B%25282010-%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-2712817418936126120</id><published>2011-07-05T11:37:00.003+01:00</published><updated>2011-07-05T11:58:00.770+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Blow Out (1981)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Director: &lt;b&gt;Brian De Palma&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Vilmos Zsigmond&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Pino Donaggio&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;John Travolta, Nancy Allen, John Lithgow, Dennis Franz&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/-h0z4y7VInqI/ThLtn1rkFXI/AAAAAAAAFRI/1hK7a2kgH-Q/s1600/Blow%2BOut%2B%25281981%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 261px;" src="http://4.bp.blogspot.com/-h0z4y7VInqI/ThLtn1rkFXI/AAAAAAAAFRI/1hK7a2kgH-Q/s400/Blow%2BOut%2B%25281981%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5625820153219650930" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;A film soundman for trashy exploitation flicks, out in a remote spot one night recording new sounds for his latest project, manages to capture the fatal car crash of a presidential candidate on tape, as well as rescuing his comely young companion, and becomes convinced, as film footage also comes to light, that it was an assassination, not the tragic accident peddled by the official line, in De Palma’s stylish and greatly entertaining if occasionally rather silly (though often pleasingly so) thriller, which is also somewhat clumsily written in spots. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-2712817418936126120?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2712817418936126120'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2712817418936126120'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/07/blow-out-1981.html' title='Blow Out (1981)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-h0z4y7VInqI/ThLtn1rkFXI/AAAAAAAAFRI/1hK7a2kgH-Q/s72-c/Blow%2BOut%2B%25281981%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-6620878610773037907</id><published>2011-07-04T13:37:00.003+01:00</published><updated>2011-07-04T13:55:07.061+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UK'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>The Trip (2010)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;UK&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Michael Winterbottom&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Steve Coogan, Rob Brydon&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Ben Smithard&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Steve Coogan, Rob Brydon, Claire Keelan, Marta Barrio, Margo Stilley, Rebecca Johnson&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/-0rUFGCVZPxQ/ThG30bKkWUI/AAAAAAAAFRA/TyiGEvPRIbQ/s1600/The%2BTrip%2B%25282010%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 240px;" src="http://1.bp.blogspot.com/-0rUFGCVZPxQ/ThG30bKkWUI/AAAAAAAAFRA/TyiGEvPRIbQ/s400/The%2BTrip%2B%25282010%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5625479520835623234" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Edited down from the &lt;a href="http://1linereview.blogspot.com/2011/01/trip-2010.html"&gt;excellent mini-series&lt;/a&gt; of the same title for an international release, Winterbottom, Coogan, and Brydon’s warm, witty, and affecting concoction – a tale of friendship, one-upmanship, middle-age regrets, and fragile entertainers’ egos – loses a little in the process, shedding some of its laughs and a degree of its emotional power, bit it remains, never the less, hugely entertaining. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-6620878610773037907?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/6620878610773037907'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/6620878610773037907'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/07/trip-2010.html' title='The Trip (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-0rUFGCVZPxQ/ThG30bKkWUI/AAAAAAAAFRA/TyiGEvPRIbQ/s72-c/The%2BTrip%2B%25282010%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-4229860181069267774</id><published>2011-07-02T12:31:00.003+01:00</published><updated>2011-07-02T12:54:31.314+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Film'/><title type='text'>Blotto (1930)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/not-recommended.html"&gt;Not Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;James Parrott&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer: &lt;b&gt;H.M. Walker&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;George Stevens&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/laurel-hardy.html"&gt;Stan Laurel, Oliver Hardy&lt;/a&gt;, Anita Garvin, Tiny Sandford&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-wsxeoxomTj8/Tg8GAM2dXTI/AAAAAAAAFQ4/nMs5nSqoUbg/s1600/Blotto%2B%25281930%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 316px;" src="http://3.bp.blogspot.com/-wsxeoxomTj8/Tg8GAM2dXTI/AAAAAAAAFQ4/nMs5nSqoUbg/s400/Blotto%2B%25281930%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5624721060128447794" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Stanley, forbidden by his wife to go out on the town with his great pal Oliver, hatches a plan (involving a fake telegram and a stolen bottle of booze) to remedy his situation – unfortunately for him, his better half  is onto him from the start and sets out to teach him a lesson, in this surprisingly tedious and drawn-out one-joke Laurel and hardy short. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-4229860181069267774?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4229860181069267774'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4229860181069267774'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/07/blotto-1930.html' title='Blotto (1930)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-wsxeoxomTj8/Tg8GAM2dXTI/AAAAAAAAFQ4/nMs5nSqoUbg/s72-c/Blotto%2B%25281930%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-7680931379960145293</id><published>2011-07-02T08:25:00.004+01:00</published><updated>2011-07-02T09:14:33.368+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Film'/><title type='text'>Our Wife (1931)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;James W. Horne&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer: &lt;b&gt;H.M. Walker&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Jack Stevens&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/laurel-hardy.html"&gt;Stan Laurel, Oliver Hardy&lt;/a&gt;, Babe London, James Finlayson, Ben Turpin, Charley Rogers, Blanche Payson&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/-D8C-ZeqtyaU/Tg7R2AREufI/AAAAAAAAFQw/oxPGaAnxzUU/s1600/Our%2BWife%2B%25281931%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 309px;" src="http://1.bp.blogspot.com/-D8C-ZeqtyaU/Tg7R2AREufI/AAAAAAAAFQw/oxPGaAnxzUU/s400/Our%2BWife%2B%25281931%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5624663710347082226" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;With Mr. Finlayson ecstatic at the prospect of his daughter’s marriage right up until the point at which he sees a photograph of her intended, Mr. Hardy, Ollie, with the aid (read: hindrance) of his best pal Stan, is forced to change his plans and arrange an elopement – unfortunately, said midnight flit relies rather too heavily on said dim-witted chum, in this entertaining Laurel and Hardy short, featuring a memorable turn form Ben Turpin and a cracking punchline. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-7680931379960145293?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/7680931379960145293'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/7680931379960145293'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/07/our-wife-1931.html' title='Our Wife (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-D8C-ZeqtyaU/Tg7R2AREufI/AAAAAAAAFQw/oxPGaAnxzUU/s72-c/Our%2BWife%2B%25281931%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-1540010144245756717</id><published>2011-07-02T07:57:00.003+01:00</published><updated>2011-07-02T08:20:06.597+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Our Relations (1936)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Harry Lachman&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Jack Jevne, Charles Rogers, Felix Adler, Richard Connell, W.W. Jacobs&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Rudolph Maté&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Leroy Shield&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/laurel-hardy.html"&gt;Stan Laurel, Oliver Hardy&lt;/a&gt;, Alan Hale, Sidney Toler, Daphne Pollard, Betty Healy, James Finlayson, Iris Adrian, Lona Andre, Ralf Harolde, Noel Madison, Arthur Housman&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/-hbEPbltvGFA/Tg7FTxZR15I/AAAAAAAAFQo/rpeOZIL4fJQ/s1600/Our%2BRelations%2B%25281936%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://1.bp.blogspot.com/-hbEPbltvGFA/Tg7FTxZR15I/AAAAAAAAFQo/rpeOZIL4fJQ/s400/Our%2BRelations%2B%25281936%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5624649928099878802" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Stan and Ollie, happily married pillars of the local community, find their reputations plummeting for no apparent reason, when, unbeknownst to them, their long-lost, no-good twin brothers, Alf and Bert, sail into town looking for a good time – albeit on a budget, in this atypical, intricately and tightly plotted Laurel and Hardy feature, a well crafted and consistently entertaining film. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-1540010144245756717?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1540010144245756717'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1540010144245756717'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/07/our-relations-1936.html' title='Our Relations (1936)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-hbEPbltvGFA/Tg7FTxZR15I/AAAAAAAAFQo/rpeOZIL4fJQ/s72-c/Our%2BRelations%2B%25281936%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-5631590007709915144</id><published>2011-07-01T13:23:00.004+01:00</published><updated>2011-07-01T13:47:12.320+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Feature Film'/><title type='text'>Saps at Sea (1940)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Gordon Douglas&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Felix Adler, Harry Langdon, Gil Pratt, Charles Rogers&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Art Lloyd&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Marvin Hatley&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/laurel-hardy.html"&gt;Stan Laurel, Oliver Hardy&lt;/a&gt;, Richard Cramer, James Finlayson&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-T7NUyM-FF9g/Tg3AN588_lI/AAAAAAAAFQg/7bcWqJxhuEw/s1600/Saps%2Bat%2BSea%2B%25281940%2529.jpeg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://3.bp.blogspot.com/-T7NUyM-FF9g/Tg3AN588_lI/AAAAAAAAFQg/7bcWqJxhuEw/s400/Saps%2Bat%2BSea%2B%25281940%2529.jpeg" border="0" alt="" id="BLOGGER_PHOTO_ID_5624362854782926418" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;After suffering a nervous breakdown brought on by his job testing horns (and exacerbated by a cockeyed plumber and a decidedly stupid best friend), Ollie, along with said chum, Stan, set off to recuperate (under doctor’s orders) on a safely moored, newly hired boat – but rest and relaxation are hardly forthcoming, as they soon find themselves Shanghaied at sea with a notorious killer, freshly escaped from prison, in this entertaining, action- and gag-packed episodic Laurel and Hardy feature. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-5631590007709915144?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/5631590007709915144'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/5631590007709915144'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/07/saps-at-sea-1940.html' title='Saps at Sea (1940)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-T7NUyM-FF9g/Tg3AN588_lI/AAAAAAAAFQg/7bcWqJxhuEw/s72-c/Saps%2Bat%2BSea%2B%25281940%2529.jpeg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-3276161710825645179</id><published>2011-07-01T12:52:00.004+01:00</published><updated>2011-07-01T13:23:08.648+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Film'/><title type='text'>You're Darn Tootin' (1928)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Edgar Kennedy&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer: &lt;b&gt;H.M. Walker&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Floyd Jackman&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/laurel-hardy.html"&gt;Stan Laurel, Oliver Hardy&lt;/a&gt;, Otto Lederer, Agnes Steele&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-ayAromWGE70/Tg24oMJT7zI/AAAAAAAAFQY/7yWeTdtroAk/s1600/You%2527re%2BDarn%2BTootin%2527%2B%25281928%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 310px;" src="http://3.bp.blogspot.com/-ayAromWGE70/Tg24oMJT7zI/AAAAAAAAFQY/7yWeTdtroAk/s400/You%2527re%2BDarn%2BTootin%2527%2B%25281928%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5624354510250176306" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;14 weeks behind on their board, and just sacked from their musical orchestra, Stan and Ollie suddenly find themselves kicked out onto the street, where they attempt to put their tuneful “talents” to use busking for change – but run-ins with a police officer, a drunk, and a sewer worker ensure that things run anything but smoothly, and before long, nerves frayed, a fight breaks out between them, soon escalating to engulf the entire street in a dance-like shin-kicking orgy, in this inventive, oft hilarious silent Laurel and Hardy short. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-3276161710825645179?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/3276161710825645179'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/3276161710825645179'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/07/youre-darn-tootin-1928.html' title='You&apos;re Darn Tootin&apos; (1928)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-ayAromWGE70/Tg24oMJT7zI/AAAAAAAAFQY/7yWeTdtroAk/s72-c/You%2527re%2BDarn%2BTootin%2527%2B%25281928%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-3961125104969165916</id><published>2011-07-01T12:00:00.004+01:00</published><updated>2011-07-01T12:24:34.543+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Film'/><title type='text'>Below Zero (1930)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;James Parrott&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer: &lt;b&gt;H.M. Walker&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;George Stevens&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/laurel-hardy.html"&gt;Stan Laurel, Oliver Hardy&lt;/a&gt;, Frank Holliday, Blanche Payson&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/-hveIU0v4GH4/Tg2s60Y35cI/AAAAAAAAFQQ/ScTXajLgaiw/s1600/Below%2BZero%2B%25281930%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 314px;" src="http://2.bp.blogspot.com/-hveIU0v4GH4/Tg2s60Y35cI/AAAAAAAAFQQ/ScTXajLgaiw/s400/Below%2BZero%2B%25281930%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5624341636150977986" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;In this hugely entertaining, plot-packed Laurel and Hardy short, Street musicians Stan and Ollie find business tough going outside of the Deaf &amp;amp; Dumb Institute, and even harder going farther down the street where people can actually hear them, but a lost wallet, filled to the brim with money, looks set to perk up their cold, snowy winter's day – that is until they inadvertently try to treat its rightful owner, a police officer, to a steak dinner. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-3961125104969165916?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/3961125104969165916'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/3961125104969165916'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/07/below-zero-1930.html' title='Below Zero (1930)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-hveIU0v4GH4/Tg2s60Y35cI/AAAAAAAAFQQ/ScTXajLgaiw/s72-c/Below%2BZero%2B%25281930%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-1612465798427632817</id><published>2011-07-01T11:23:00.003+01:00</published><updated>2011-07-01T11:53:14.914+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Groundhog Day (1993)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Harold Ramis&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Danny Rubin, Harold Ramis&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;John Bailey&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;George Fenton&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Bill Murray, Andie MacDowell, Chris Elliott, Stephen Tobolowsky, Brian Doyle-Murray, Marita Geraghty&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-vwquucQU4Bw/Tg2mCX_WFBI/AAAAAAAAFQI/Uy3_Fr1CLaM/s1600/Groundhog%2BDay%2B%25281993%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 257px;" src="http://3.bp.blogspot.com/-vwquucQU4Bw/Tg2mCX_WFBI/AAAAAAAAFQI/Uy3_Fr1CLaM/s400/Groundhog%2BDay%2B%25281993%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5624334069385270290" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;A cynical, world-weary television weatherman finds himself living the same day – Groundhog Day, probably his least favourite day – over and over again; a situation that has him go from dismay through impish joy to despair and finally acceptance, as he gradually comes to be a better human being, spurred on by the (forever destined to be?) unrequited love he develops for his producer, in Ramis’s inspired, smart, and oft hilarious comedy, which has proven itself to be effortlessly rewatchable. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-1612465798427632817?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1612465798427632817'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1612465798427632817'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/07/groundhog-day-1993.html' title='Groundhog Day (1993)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-vwquucQU4Bw/Tg2mCX_WFBI/AAAAAAAAFQI/Uy3_Fr1CLaM/s72-c/Groundhog%2BDay%2B%25281993%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-4014524543337201840</id><published>2011-06-30T13:50:00.003+01:00</published><updated>2011-06-30T14:09:10.449+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Feature Film'/><title type='text'>Pardon Us (1931)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;Cautiously Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;James Parrott&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer: &lt;b&gt;H.M. Walker&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Jack Stevens&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/laurel-hardy.html"&gt;Stan Laurel, Oliver Hardy&lt;/a&gt;, June Marlowe, Wilfred Lucas, James Finlayson, Walter Long, Stanley J. Sanford, Otto Fries&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-rARhQuPOuX0/Tgx0PirKbyI/AAAAAAAAFQA/EwszuVMYgw8/s1600/Pardon%2BUs%2B%25281931%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 293px;" src="http://3.bp.blogspot.com/-rARhQuPOuX0/Tgx0PirKbyI/AAAAAAAAFQA/EwszuVMYgw8/s400/Pardon%2BUs%2B%25281931%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5623997845033611042" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;In this sporadically entertaining though rather drawn-out and decidedly patchy Laurel and Hardy film, Stan and Ollie, freshly convicted of boot-legging, find adapting to prison life decidedly difficult, due in no small part to Stan’s loose tooth, which makes a raspberry-like noise every time he speaks, constantly getting him and his rotund chum into trouble with the guards and their fellow inmates alike – as for the escape attempts… &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-4014524543337201840?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4014524543337201840'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4014524543337201840'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/pardon-us-1931.html' title='Pardon Us (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-rARhQuPOuX0/Tgx0PirKbyI/AAAAAAAAFQA/EwszuVMYgw8/s72-c/Pardon%2BUs%2B%25281931%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-3194725633915453465</id><published>2011-06-30T13:10:00.004+01:00</published><updated>2011-06-30T13:42:44.268+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Film'/><title type='text'>The Battle of the Century (1927)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;Cautiously Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Clyde Bruckman&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Hal Roach, H.M. Walker&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;George Stevens&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/laurel-hardy.html"&gt;Stan Laurel, Oliver Hardy&lt;/a&gt;, Noah Young, Sam Lufkin, Charlie Hall, Anita Garvin&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-wHssoe4SchE/TgxtJk7GrUI/AAAAAAAAFP4/LI33JIVatkI/s1600/The%2BBattle%2Bof%2Bthe%2BCentury%2B%25281927%2529.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 310px;" src="http://3.bp.blogspot.com/-wHssoe4SchE/TgxtJk7GrUI/AAAAAAAAFP4/LI33JIVatkI/s400/The%2BBattle%2Bof%2Bthe%2BCentury%2B%25281927%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5623990045976735042" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;After his crushing defeat to 'Thunder-Clap' Callahan, Hardy’s boxing trainer takes out an insurance policy against his fighter (Laurel), and sets out to get a return upon it by carefully placing an errant banana peel for him to slip up on – unfortunately for them, a baker’s assistant comes a cropper instead, spilling his goods onto the street as he does so, and in so doing triggering a mass custard pie fight, in this generally entertaining (though partially lost) Laurel and Hardy short, which starts well with a hilarious boxing scene, but loses its way somewhat when the main action begins. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-3194725633915453465?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/3194725633915453465'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/3194725633915453465'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/battle-of-century-1927.html' title='The Battle of the Century (1927)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-wHssoe4SchE/TgxtJk7GrUI/AAAAAAAAFP4/LI33JIVatkI/s72-c/The%2BBattle%2Bof%2Bthe%2BCentury%2B%25281927%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-3558716549507254012</id><published>2011-06-30T12:44:00.004+01:00</published><updated>2011-06-30T13:09:55.119+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Film'/><title type='text'>The Hoose-Gow (1929)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;Cautiously Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;James Parrott&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;H.M. Walker, Leo McCarey&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;George Stevens&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/laurel-hardy.html"&gt;Stan Laurel, Oliver Hardy&lt;/a&gt;, Tiny Sandford, James Finlayson&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-fz45riRNNhY/TgxnhGxXlmI/AAAAAAAAFPw/mUElwk_uelY/s1600/The%2BHoose-Gow%2B%25281929%2529.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-fz45riRNNhY/TgxnhGxXlmI/AAAAAAAAFPw/mUElwk_uelY/s400/The%2BHoose-Gow%2B%25281929%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5623983853129930338" style="cursor: pointer; width: 400px; height: 306px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Prison inmates Stan and Ollie, digging a ditch on work detail, cause untold havoc – including cutting down a tree housing a look-out guard and lodging a pick-axe in the radiator of a car – when the Governor and other dignitaries come to inspect their site, culminating in a free-for-all custard pie fight (actually rice-and-oil pie fight), in this diverting but rather tired Laurel and Hardy short. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-3558716549507254012?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/3558716549507254012'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/3558716549507254012'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/hoose-gow-1929.html' title='The Hoose-Gow (1929)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-fz45riRNNhY/TgxnhGxXlmI/AAAAAAAAFPw/mUElwk_uelY/s72-c/The%2BHoose-Gow%2B%25281929%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-2688651182772264379</id><published>2011-06-30T12:14:00.003+01:00</published><updated>2011-06-30T12:22:28.302+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sweden'/><category scheme='http://www.blogger.com/atom/ns#' term='France'/><category scheme='http://www.blogger.com/atom/ns#' term='Norway'/><category scheme='http://www.blogger.com/atom/ns#' term='Finland'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Rare Exports: A Christmas Tale (2010)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;Cautiously Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Finland/France/Norway/Sweden&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Original Title: &lt;b&gt;Rare Exports&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Jalmari Helander&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Jalmari Helander, Petri Jokiranta, Sami Parkkinen, Juuso Helander&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Mika Orasmaa&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composers: &lt;b&gt;Juri Seppä, Miska Seppä&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Onni Tommila, Jorma Tommila, Tommi Korpela, Rauno Juvonen, Per Christian Ellefsen, Ilmari Järvenpää, Peeter Jakobi&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/-4fhm-INvg54/TgxcF0p6MPI/AAAAAAAAFPg/OMQcjMjJVU8/s1600/Rare%2BExports%2BA%2BChristmas%2BTale%2B%25282010%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 240px;" src="http://4.bp.blogspot.com/-4fhm-INvg54/TgxcF0p6MPI/AAAAAAAAFPg/OMQcjMjJVU8/s400/Rare%2BExports%2BA%2BChristmas%2BTale%2B%25282010%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5623971289782431986" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;When an American funded dig on the Russian side of the Korvatunturi Mountains unleashes an army of Santa’s elves onto the surrounding populace, kidnapping all the local children and stealing their hairdryers and other heat-producing electrical appliances, a small band of Finnish men find that they must stop them or else risk their nefarious leader – Mr. Claus – being thawed out and let loose on the world, in this mildly diverting but decidedly undercooked fantasy, which never quite delivers on the promise of its intriguing premise. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-2688651182772264379?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2688651182772264379'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2688651182772264379'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/rare-exports-christmas-tale-2010.html' title='Rare Exports: A Christmas Tale (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-4fhm-INvg54/TgxcF0p6MPI/AAAAAAAAFPg/OMQcjMjJVU8/s72-c/Rare%2BExports%2BA%2BChristmas%2BTale%2B%25282010%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-121099398895538165</id><published>2011-06-29T20:33:00.003+01:00</published><updated>2011-06-29T20:48:50.205+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Film'/><title type='text'>Putting Pants on Philip (1927)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/not-recommended.html"&gt;Not Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Clyde Bruckman&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Leo McCarey, H.M. Walker&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;George Stevens&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/laurel-hardy.html"&gt;Stan Laurel, Oliver Hardy&lt;/a&gt;, Sam Lufkin, Harvey Clark, Dorothy Coburn&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-V-m3TCtLNws/TguAtEMhAqI/AAAAAAAAFPQ/6dOC4nznofQ/s1600/Putting%2BPants%2Bon%2BPhilip%2B%25281927%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 316px;" src="http://3.bp.blogspot.com/-V-m3TCtLNws/TguAtEMhAqI/AAAAAAAAFPQ/6dOC4nznofQ/s400/Putting%2BPants%2Bon%2BPhilip%2B%25281927%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5623730071410901666" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;The be-kilted, lady-killing Philip (Laurel), fresh off the boat from Scotland, draws (with his sartorial elegance) a huge crowd where ever he goes, much to the chagrin of his hugely embarrassed uncle (Hardy), who decides that the best solution to his familial problem is to commit the titular act – a task easier said than done, in this lacklustre and rather uninspired early Laurel and Hardy short. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-121099398895538165?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/121099398895538165'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/121099398895538165'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/putting-pants-on-philip-1927.html' title='Putting Pants on Philip (1927)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-V-m3TCtLNws/TguAtEMhAqI/AAAAAAAAFPQ/6dOC4nznofQ/s72-c/Putting%2BPants%2Bon%2BPhilip%2B%25281927%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-4501616853309242388</id><published>2011-06-29T20:14:00.003+01:00</published><updated>2011-06-29T20:31:07.433+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Film'/><title type='text'>Their First Mistake (1932)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;Cautiously Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;George Marshall&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Art Lloyd&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/laurel-hardy.html"&gt;Stan Laurel, Oliver Hardy&lt;/a&gt;, Mae Busch&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-PWGlgQIY_mY/Tgt8XdFM-JI/AAAAAAAAFPI/ho_XkP4UGVs/s1600/Their%2BFirst%2BMistake%2B%25281932%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 303px;" src="http://3.bp.blogspot.com/-PWGlgQIY_mY/Tgt8XdFM-JI/AAAAAAAAFPI/ho_XkP4UGVs/s400/Their%2BFirst%2BMistake%2B%25281932%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5623725302087481490" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;When Mrs. Hardy warns Ollie (under the threat of leaving him) that he’s not to go out on the town with Stan any more, Stan suggests that he give her a baby to take her mind off their gadding about, which he does that very afternoon, going out with Stan to adopt one – unfortunately, on their return, they are greeted not by a doting mother, but by a process server with divorce papers, and are left holding the baby, in this patchy, low-key, and only sporadically entertaining Laurel and Hardy short. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-4501616853309242388?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4501616853309242388'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4501616853309242388'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/their-first-mistake-1932.html' title='Their First Mistake (1932)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-PWGlgQIY_mY/Tgt8XdFM-JI/AAAAAAAAFPI/ho_XkP4UGVs/s72-c/Their%2BFirst%2BMistake%2B%25281932%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-6298548524183440501</id><published>2011-06-29T18:38:00.004+01:00</published><updated>2011-06-29T19:04:02.115+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Feature Film'/><title type='text'>Pack Up Your Troubles (1932)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Directors: &lt;b&gt;George Marshall, Raymond McCarey&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer: &lt;b&gt;H.M. Walker&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Art Lloyd&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/laurel-hardy.html"&gt;Stan Laurel, Oliver Hardy&lt;/a&gt;, Donald Dillaway, Jacquie Lyn, Grady Sutton, Muriel Evans, Montague Shaw, Richard Tucker, George Marshall&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/-V4nd5cW1YOs/TgtoHvIabNI/AAAAAAAAFPA/o4nv2ThvlAc/s1600/Pack%2BUp%2BYour%2BTroubles%2B%25281932%2529.jpeg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://2.bp.blogspot.com/-V4nd5cW1YOs/TgtoHvIabNI/AAAAAAAAFPA/o4nv2ThvlAc/s400/Pack%2BUp%2BYour%2BTroubles%2B%25281932%2529.jpeg" border="0" alt="" id="BLOGGER_PHOTO_ID_5623703041822321874" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;When Stan and Ollie return from the trenches of The First World War without their army buddy Eddie Smith, they determine to take his daughter from her just-in-it-for-the-money foster parents and deliver her to her grandparents – trouble is they haven’t got the address, and so they begin to systematically (not to mention chaotically) go through every Smith in the phone book, in this hilarious, plot-packed, episodic Laurel and Hardy film. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-6298548524183440501?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/6298548524183440501'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/6298548524183440501'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/pack-up-your-troubles-1932.html' title='Pack Up Your Troubles (1932)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-V4nd5cW1YOs/TgtoHvIabNI/AAAAAAAAFPA/o4nv2ThvlAc/s72-c/Pack%2BUp%2BYour%2BTroubles%2B%25281932%2529.jpeg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-4281468741795925006</id><published>2011-06-29T16:13:00.002+01:00</published><updated>2011-06-29T16:32:14.725+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Film'/><title type='text'>Big Business (1929)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/essential-viewing.html"&gt;Essential Viewing&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Directors: &lt;b&gt;James W. Horne&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer: &lt;b&gt;H.M. Walker&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;George Stevens&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/laurel-hardy.html"&gt;Stan Laurel, Oliver Hardy&lt;/a&gt;, James Finlayson, Tiny Sandford&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/-6ZYh20lMv98/TgtFQ8yjP6I/AAAAAAAAFO4/CUzV5Z7aq8s/s1600/Big%2BBusiness%2B%25281929%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 303px;" src="http://4.bp.blogspot.com/-6ZYh20lMv98/TgtFQ8yjP6I/AAAAAAAAFO4/CUzV5Z7aq8s/s400/Big%2BBusiness%2B%25281929%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5623664717200572322" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;When a pair of door-to-door Christmas tree salesmen prove themselves unable to leave the home of an uninterested customer without getting something stuck in the door – coat, Christmas tree, etc. – a squabble erupts, quickly escalating into an orgy of reciprocal, tit-for-tat violence and destruction, which soon sees his house and their car torn to pieces, in Laurel and Hardy’s hilarious short film, their finest silent production, rich in allegorical potential. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-4281468741795925006?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4281468741795925006'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4281468741795925006'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/big-business-1929.html' title='Big Business (1929)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-6ZYh20lMv98/TgtFQ8yjP6I/AAAAAAAAFO4/CUzV5Z7aq8s/s72-c/Big%2BBusiness%2B%25281929%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-6706927912155706413</id><published>2011-06-29T15:49:00.004+01:00</published><updated>2011-09-04T17:51:38.370+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Film'/><title type='text'>Scram! (1932)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Ray McCarey&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer: &lt;b&gt;H.M. Walker&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Art Lloyd&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Stan Laurel, Oliver Hardy, Richard Cramer, Arthur Housman, Vivien Oakland&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/-S-gXIwebxmY/Tgs_YG_6L3I/AAAAAAAAFOk/WRoSPdS0Vyg/s1600/Scram%2521%2B%25281932%2529.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://4.bp.blogspot.com/-S-gXIwebxmY/Tgs_YG_6L3I/AAAAAAAAFOk/WRoSPdS0Vyg/s400/Scram%2521%2B%25281932%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5623658243130273650" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;With its jails completely full, Judge Beaumont orders a pair of vagrants to leave town in lieu of the charge’s usual 180 day sentence, but instead Stan and Ollie hook up with a drunken millionaire, who offers them a place to stay for the night – cue dropped car keys, lost house keys, mistaken identity, more booze, and an unwelcome reacquainting with the judge, in this hugely entertaining, oft hilarious Laurel and Hardy short. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-6706927912155706413?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/6706927912155706413'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/6706927912155706413'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/scram-1932.html' title='Scram! (1932)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-S-gXIwebxmY/Tgs_YG_6L3I/AAAAAAAAFOk/WRoSPdS0Vyg/s72-c/Scram%2521%2B%25281932%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-8264632627892592211</id><published>2011-06-29T15:26:00.003+01:00</published><updated>2011-06-29T15:39:34.743+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Film'/><title type='text'>Duck Soup (1927)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Fred Guiol&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;H.M. Walker, Arthur J. Jefferson&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/laurel-hardy.html"&gt;Stan Laurel, Oliver Hardy&lt;/a&gt;, James Marcus, Stuart Holmes, Madeline Hurlock, William Austin, Bob Kortman&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/-BtZV8MFTySU/Tgs4uPm0-RI/AAAAAAAAFOA/cR9cJFCq0kE/s1600/Duck%2BSoup%2B%25281927%2529.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://2.bp.blogspot.com/-BtZV8MFTySU/Tgs4uPm0-RI/AAAAAAAAFOA/cR9cJFCq0kE/s400/Duck%2BSoup%2B%25281927%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5623650926816721170" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Attempting to avoid the attentions of a press-ganging forest ranger looking to recruit fire-fighters to battle a large blaze, Hives and Maltravers (Laurel and Hardy), a pair of dishevelled but well-spoken down-and-outs spy an opportunity to stay in a holidaying millionaire’s mansion, albeit one that requires them to pose as master and maid and interview potential renters in order to do so – alas, they don’t bank on him returning home early to fetch his forgotten bow and arrow set, in this enjoyable, prototypical early Laurel and Hardy short, their first real collaboration. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-8264632627892592211?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8264632627892592211'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8264632627892592211'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/duck-soup-1927.html' title='Duck Soup (1927)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-BtZV8MFTySU/Tgs4uPm0-RI/AAAAAAAAFOA/cR9cJFCq0kE/s72-c/Duck%2BSoup%2B%25281927%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-8824778093633500100</id><published>2011-06-29T14:17:00.005+01:00</published><updated>2011-06-29T15:27:15.188+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Film'/><title type='text'>The Second Hundred Years (1927)</title><content type='html'>&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Fred Guiol&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Leo McCarey, H.M. Walker&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;George Stevens&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/laurel-hardy.html"&gt;Stan Laurel, Oliver Hardy&lt;/a&gt;, James Finlayson, Stanley Sanford, Frank Brownlee, Otto Fries, Bob O'Conor, Ellinor Van der Veer&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-nwW2RFIUGG8/TgssU17-WYI/AAAAAAAAFN4/I8aIuyL0LFg/s1600/The%2BSecond%2BHundred%2BYears%2B%25281927%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 275px;" src="http://3.bp.blogspot.com/-nwW2RFIUGG8/TgssU17-WYI/AAAAAAAAFN4/I8aIuyL0LFg/s400/The%2BSecond%2BHundred%2BYears%2B%25281927%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5623637296289831298" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;After their first escape attempt resulted only in them tunnelling up into the Warden’s office, Big Goofy and Little Goofy (Laurel and Hardy) grab the opportunity to pose as painters and walk out of the front gate, pursued only by a mildly suspicious guard, whom they shake by taking on the identities of a pair of French police chiefs who, unfortunately for them, are on their way to the prison for a tour, in this entertaining early Laurel and Hardy comedy, one of their first real collaborations, and the likely inspiration for the superior Will Hay vehicle &lt;a href="http://1linereview.blogspot.com/2010/08/convict-99-1938.html"&gt;Convict 99 (1938)&lt;/a&gt;. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-8824778093633500100?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8824778093633500100'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8824778093633500100'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/second-hundred-years-1927.html' title='The Second Hundred Years (1927)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-nwW2RFIUGG8/TgssU17-WYI/AAAAAAAAFN4/I8aIuyL0LFg/s72-c/The%2BSecond%2BHundred%2BYears%2B%25281927%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-8385817908841845986</id><published>2011-06-29T13:38:00.005+01:00</published><updated>2011-06-29T20:20:38.120+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Film'/><title type='text'>Call of the Cuckoo (1927)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;Cautiously Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Clyde Bruckman&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer: &lt;b&gt;H.M. Walker&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Floyd Jackman&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Max Davidson, "Spec" O'Donnell, Lillian Elliott, Leo Willis, &lt;a href="http://1linereview.blogspot.com/2009/09/laurel-hardy.html"&gt;Stan Laurel, Oliver Hardy&lt;/a&gt;, Charley Chase, James Finlayson&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/-R8IreZa-zzo/TgsiZOYDHEI/AAAAAAAAFNw/ZYrNhT9Y-lw/s1600/Call%2Bof%2Bthe%2BCuckoo%2B%25281927%2529.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://1.bp.blogspot.com/-R8IreZa-zzo/TgsiZOYDHEI/AAAAAAAAFNw/ZYrNhT9Y-lw/s400/Call%2Bof%2Bthe%2BCuckoo%2B%25281927%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5623626376453233730" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Desperate to sell their home to get away from their sanity-challenged neighbours – the residents of an asylum: Messrs Laurel, Hardy, Chase, and Finlayson – the Gimplewarts accept an offer for a house swap, based on photographic evidence alone, and soon find themselves living in a crumbling, built-in-two-days, should-be-condemned wreck, ill-prepared for their imminent sure-to-be-disastrous housewarming dinner party, in this generally entertaining if unremarkable silent comedy. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-8385817908841845986?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8385817908841845986'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8385817908841845986'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/call-of-cuckoo-1927.html' title='Call of the Cuckoo (1927)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-R8IreZa-zzo/TgsiZOYDHEI/AAAAAAAAFNw/ZYrNhT9Y-lw/s72-c/Call%2Bof%2Bthe%2BCuckoo%2B%25281927%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-3786352204635365843</id><published>2011-06-29T12:55:00.004+01:00</published><updated>2011-06-29T14:10:57.616+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Film'/><title type='text'>45 Minutes from Hollywood (1926)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;Cautiously Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Fred Guiol &lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Hal Roach, H.M. Walker&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Glenn Tryon, Charlotte Mineau, Rube Clifford, Oliver Hardy, Edna Murphy, Stan Laurel&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/-mpAjtNSE9Mg/TgsX5QbNcSI/AAAAAAAAFNk/fl-cg80NGbo/s1600/45%2BMinutes%2Bfrom%2BHollywood%2B%25281926%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://4.bp.blogspot.com/-mpAjtNSE9Mg/TgsX5QbNcSI/AAAAAAAAFNk/fl-cg80NGbo/s400/45%2BMinutes%2Bfrom%2BHollywood%2B%25281926%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5623614832131272994" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;A country rube, in Hollywood to pay off a debt, gets mixed-up with a cross-dressing bank robber, whom he believes to be a movie star, soon finding himself in drag as well and inadvertently coming between a hotel detective and his insanely jealous wife – chaos ensues, in this mildly diverting silent farce, which is most notable for featuring both &lt;a href="http://1linereview.blogspot.com/2009/09/laurel-hardy.html"&gt;Laurel and Hardy&lt;/a&gt; (for only the second time, though they never share the same screen) amongst the supporting cast. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-3786352204635365843?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/3786352204635365843'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/3786352204635365843'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/45-minutes-from-hollywood-1926.html' title='45 Minutes from Hollywood (1926)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-mpAjtNSE9Mg/TgsX5QbNcSI/AAAAAAAAFNk/fl-cg80NGbo/s72-c/45%2BMinutes%2Bfrom%2BHollywood%2B%25281926%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-132684839005122867</id><published>2011-06-29T12:30:00.004+01:00</published><updated>2011-06-29T20:20:31.226+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Film'/><title type='text'>Night Owls (1930)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;James Parrott&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer: &lt;b&gt;H.M. Walker&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;George Stevens&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/laurel-hardy.html"&gt;Stan Laurel, Oliver Hardy&lt;/a&gt;, Edgar Kennedy, James Finlayson, Anders Randolf&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-9hoK1gxSaqo/TgsRQBLhXiI/AAAAAAAAFNc/zGYN6W5gPTU/s1600/Night%2BOwls%2B%25281930%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 313px;" src="http://3.bp.blogspot.com/-9hoK1gxSaqo/TgsRQBLhXiI/AAAAAAAAFNc/zGYN6W5gPTU/s400/Night%2BOwls%2B%25281930%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5623607526594534946" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;When the Chief of Police admonishes him for his abysmal arrest record, Officer Kennedy convinces a pair of vagrants (Stan and Ollie) to help him stage a robbery at the chief’s house in order for him to intervene and save the day – which is easier said than done when the likes of Messrs Laurel and Hardy are involved, in this entertaining, slapstick-filled L&amp;amp;H short. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-132684839005122867?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/132684839005122867'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/132684839005122867'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/night-owls-1930.html' title='Night Owls (1930)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-9hoK1gxSaqo/TgsRQBLhXiI/AAAAAAAAFNc/zGYN6W5gPTU/s72-c/Night%2BOwls%2B%25281930%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-6820864870180644080</id><published>2011-06-28T16:13:00.003+01:00</published><updated>2011-06-28T17:00:15.013+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='South Korea'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>The Turning Gate (2002)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/essential-viewing.html"&gt;Essential Viewing&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;South Korea&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Original Title: &lt;b&gt;생활의 발견&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Director: &lt;b&gt;Hong Sang-soo&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Choi Yeong-taek&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Il Won&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Kim Sang-kyung, Kim Hak-sun, Ye Ji-won, Chu Sang-mi&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/-by8NtmDqX5c/Tgn4o5G9PyI/AAAAAAAAFM8/MciDwMBjfYE/s1600/The%2BTurning%2BGate%2B%25282002%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 225px;" src="http://4.bp.blogspot.com/-by8NtmDqX5c/Tgn4o5G9PyI/AAAAAAAAFM8/MciDwMBjfYE/s400/The%2BTurning%2BGate%2B%25282002%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5623298991157231394" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Featuring some exquisitely composed images and a number of affecting performances, Hong’s restrained and deliberate yet gently funny and hugely moving film depicts the misadventures of a struggling actor, following him as he takes a trip to see an old friend to help forget his woes – a trip which leads to the consumption of much alcohol, to much discussion and argument, and to a number of ill-advised, heart-breaking sexual encounters. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-6820864870180644080?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/6820864870180644080'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/6820864870180644080'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/turning-gate-2002.html' title='The Turning Gate (2002)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-by8NtmDqX5c/Tgn4o5G9PyI/AAAAAAAAFM8/MciDwMBjfYE/s72-c/The%2BTurning%2BGate%2B%25282002%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-4689857545490089024</id><published>2011-06-28T15:05:00.003+01:00</published><updated>2011-06-28T15:26:46.981+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='UK'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>In the Cut (2003)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA/UK&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Jane Campion&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Jane Campion, Susanna Moore, Stavros Kazantzidis&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Dion Beebe&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Hilmar Örn Hilmarsson&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Meg Ryan, Mark Ruffalo, Jennifer Jason Leigh, Nick Damici, Kevin Bacon, Sharrieff Pugh&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/-S6P0avD2Xw4/TgnkPBa0SeI/AAAAAAAAFM0/7u8t8CBx8gE/s1600/In%2Bthe%2BCut%2B%25282003%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 262px;" src="http://4.bp.blogspot.com/-S6P0avD2Xw4/TgnkPBa0SeI/AAAAAAAAFM0/7u8t8CBx8gE/s400/In%2Bthe%2BCut%2B%25282003%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5623276556478859746" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;A writer, who splits her time between researching for her new book and teaching English, begins a sexual relationship with a homicide detective, who is investigating a murder in her neighbourhood, and continues to do so even when she begins to suspect that he might actually be the killer himself, in Campion’s much maligned but consummately crafted and decidedly well acted erotic thriller, which proves to be an atypical one by being both erotic and thrilling. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-4689857545490089024?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4689857545490089024'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4689857545490089024'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/in-cut-2003.html' title='In the Cut (2003)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-S6P0avD2Xw4/TgnkPBa0SeI/AAAAAAAAFM0/7u8t8CBx8gE/s72-c/In%2Bthe%2BCut%2B%25282003%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-2979813425973822930</id><published>2011-06-27T14:27:00.002+01:00</published><updated>2011-06-27T14:40:37.153+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Canada'/><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Film'/><title type='text'>Scenes from the Suburbs (2011)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA/Canada&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Spike Jonze&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Will Butler, Win Butler, Spike Jonze&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Greig Fraser&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composers: &lt;b&gt;Arcade Fire&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Sam Dillon, Zoe Graham, Zeke Jarmon, Paul Pluymen, Ashlin Williamson&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/-7F3nsDEAk8I/TgiILdU1quI/AAAAAAAAFMs/tkNlrKojtbQ/s1600/Scenes%2Bfrom%2Bthe%2BSuburbs%2B%25282011%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 182px;" src="http://1.bp.blogspot.com/-7F3nsDEAk8I/TgiILdU1quI/AAAAAAAAFMs/tkNlrKojtbQ/s400/Scenes%2Bfrom%2Bthe%2BSuburbs%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5622893865204034274" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Spike Jonze’s stylishly melancholy collaboration with Canadian band Arcade Fire, inspired by their acclaimed 2010 album &lt;i&gt;The Suburbs&lt;/i&gt;, enigmatically and affectingly paints a portrait – against the backdrop of a town under martial law – of a disintegrating friendship, from carefree summer days of lads larking around, through miscommunication and alienation, to acrimony and violence. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-2979813425973822930?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2979813425973822930'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2979813425973822930'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/scenes-from-suburbs-2011.html' title='Scenes from the Suburbs (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-7F3nsDEAk8I/TgiILdU1quI/AAAAAAAAFMs/tkNlrKojtbQ/s72-c/Scenes%2Bfrom%2Bthe%2BSuburbs%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-5343786738021063091</id><published>2011-06-27T12:54:00.002+01:00</published><updated>2011-06-27T13:22:57.378+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='France'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Documentary'/><category scheme='http://www.blogger.com/atom/ns#' term='UK'/><category scheme='http://www.blogger.com/atom/ns#' term='Israel'/><title type='text'>Dolphin Boy (2011)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Israel/France/UK&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Documentary&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Original Title: &lt;b&gt;דולפין&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Directors: &lt;b&gt;Dani Menkin, Yonatan Nir&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographers: &lt;b&gt;Uri Ackerman, Yoav Kleinman, Yaron Levison, Yonatan Nir&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Composer: Issar Shulman&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/-JMIGfWdk774/Tgh1_s0hGiI/AAAAAAAAFMk/Yw07nxcI4TY/s1600/Dolphin%2BBoy%2B%25282011%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 240px;" src="http://2.bp.blogspot.com/-JMIGfWdk774/Tgh1_s0hGiI/AAAAAAAAFMk/Yw07nxcI4TY/s400/Dolphin%2BBoy%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5622873871995705890" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Despite an occasionally intrusive and manipulative score and the rather hackneyed sight of a doctor sat at his computer typing away (superimpositions and all) as he explains the case to us, Menkin and Nir’s film proves to be an affecting and uplifting one, capturing a father’s intense love for his son, as it follows (over the course of four years) the progress of Morad, a teenaged boy left in a dissociative state after a severe beating, as he gradually learns to live again thanks to the healing powers of dolphin therapy. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-5343786738021063091?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/5343786738021063091'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/5343786738021063091'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/dolphin-boy-2011.html' title='Dolphin Boy (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-JMIGfWdk774/Tgh1_s0hGiI/AAAAAAAAFMk/Yw07nxcI4TY/s72-c/Dolphin%2BBoy%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-4522336096583644668</id><published>2011-06-27T11:56:00.003+01:00</published><updated>2011-06-27T12:23:29.107+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Canada'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>I Killed My Mother (2009)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Canada&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Original Title: &lt;b&gt;J'ai tué ma mere&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Director: &lt;b&gt;Xavier Dolan&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Stéphanie Weber-Biron&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Nicholas Savard-L'Herbier&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Xavier Dolan, Anne Dorval, François Arnaud, Suzanne Clément, Patricia Tulasne, Niels Schneider&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/-BIA-kb2zbUs/Tghn6vqVsJI/AAAAAAAAFMc/u5BpftKgzds/s1600/I%2BKilled%2BMy%2BMother%2B%25282009%2529.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 220px;" src="http://2.bp.blogspot.com/-BIA-kb2zbUs/Tghn6vqVsJI/AAAAAAAAFMc/u5BpftKgzds/s400/I%2BKilled%2BMy%2BMother%2B%25282009%2529.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5622858393696186514" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;With its striking photography and unusual mise en scène, 19-year-old Dolan’s consummately crafted semi-autobiographical directorial debut proves itself to be an assured and stylish work of numerous delights, as it relates to us the story of a tumultuous (and very shouty) love/hate relationship that builds up between a hard working but short-tempered single mother and her even shorter-tempered, hormones-racing 16-year-old son. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-4522336096583644668?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4522336096583644668'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4522336096583644668'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/i-killed-my-mother-2009.html' title='I Killed My Mother (2009)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-BIA-kb2zbUs/Tghn6vqVsJI/AAAAAAAAFMc/u5BpftKgzds/s72-c/I%2BKilled%2BMy%2BMother%2B%25282009%2529.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-5690805400435277707</id><published>2011-06-26T15:17:00.004+01:00</published><updated>2011-06-26T15:43:42.555+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UK'/><category scheme='http://www.blogger.com/atom/ns#' term='Ireland'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Perrier's Bounty (2009)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;Cautiously Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Ireland/UK&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Ian Fitzgibbon&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer: &lt;b&gt;Mark O'Rowe&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Seamus Deasy&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;David Holmes&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Cillian Murphy, Jodie Whittaker, Jim Broadbent, Brendan Gleeson, Michael McElhatton, Don Wycherley, Liam Cunningham, Brendan Coyle, Padraic Delaney, Conleth Hill, Gabriel Byrne&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/-7Gh-H2z7QqA/TgdE8Ma6v1I/AAAAAAAAFMU/iu5HhAjiWIo/s1600/Perrier%2527s%2BBounty%2B%25282009%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 214px;" src="http://4.bp.blogspot.com/-7Gh-H2z7QqA/TgdE8Ma6v1I/AAAAAAAAFMU/iu5HhAjiWIo/s400/Perrier%2527s%2BBounty%2B%25282009%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5622538460712320850" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Having missed the deadline to repay the €1,000 that he owes to a vicious local gangster, Michael, chased down by two of his thugs, prepares to say goodbye to his legs, but his suicidal neighbour, about to shoot herself, instead comes to his rescue by turning the gun onto them – cue the eponymous reward for their capture – and so they set out on the run, accompanied by Michael’s sleep-deprived father (who may or may not be about to die), in Fitzgibbon’s well crafted and acted though rather familiar black comedy. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-5690805400435277707?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/5690805400435277707'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/5690805400435277707'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/perriers-bounty-2009.html' title='Perrier&apos;s Bounty (2009)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-7Gh-H2z7QqA/TgdE8Ma6v1I/AAAAAAAAFMU/iu5HhAjiWIo/s72-c/Perrier%2527s%2BBounty%2B%25282009%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-57852008429255829</id><published>2011-06-25T12:02:00.003+01:00</published><updated>2011-06-25T12:41:32.820+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Brazil'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>The Invisible Woman (2009)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;Cautiously Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Brazil&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Original title: &lt;b&gt;A Mulher Invisível&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Cláudio Torres&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Cláudio Torres, Adriana Falcão, Maria Luísa Mendonça, Cláudio Paiva&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Ralph Strelow&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composers: &lt;b&gt;Luca Raele, Maurício Tagliari&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Selton Mello, Maria Manoella, Vladimir Brichta, Luana Piovani, Fernanda Torres&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/-No61Q-Y3YBI/TgXHdPbm_VI/AAAAAAAAFMM/wqlM3pBsvW8/s1600/The%2BInvisible%2BWoman%2B%25282009%2529.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 223px;" src="http://2.bp.blogspot.com/-No61Q-Y3YBI/TgXHdPbm_VI/AAAAAAAAFMM/wqlM3pBsvW8/s400/The%2BInvisible%2BWoman%2B%25282009%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5622119015014399314" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;When his wife leaves him for a German millionaire, Pedro, a thirty-something Rio traffic operator, re-enters the dating pool, but after just a few weeks is ready to give up, until he meets the perfect woman, who (unfortunately for him) turns out to be a figment of his imagination – cue a great deal of air-snogging in the cinema, on the dance floor, and elsewhere – whilst his next door neighbour, who actually does exist and really likes him, may as well be invisible as, in the six years that she has lived next door to him, has never managed to turn his head, in Torres’s mildly entertaining but decidedly fluffy and perhaps a tad overlong romantic comedy. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-57852008429255829?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/57852008429255829'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/57852008429255829'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/invisible-woman-2009.html' title='The Invisible Woman (2009)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-No61Q-Y3YBI/TgXHdPbm_VI/AAAAAAAAFMM/wqlM3pBsvW8/s72-c/The%2BInvisible%2BWoman%2B%25282009%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-310242074187706908</id><published>2011-06-24T11:40:00.003+01:00</published><updated>2011-06-24T12:10:38.108+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Italy'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Phenomena (1985)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/not-recommended.html"&gt;Not Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Italy&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;aka &lt;b&gt;Creepers&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Dario Argento&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Dario Argento, Franco Ferrini&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Romano Albani&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composers: &lt;b&gt;Goblin&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Jennifer Connelly, Daria Nicolodi, Dalila Di Lazzaro, Patrick Bauchau, Donald Pleasence, Fiore Argento, Federica Mastroianni&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/-6ZVSN4LaSuk/TgRwZgFnMlI/AAAAAAAAFME/YI2XmPOo2F0/s1600/Phenomena%2B%25281985%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 246px;" src="http://4.bp.blogspot.com/-6ZVSN4LaSuk/TgRwZgFnMlI/AAAAAAAAFME/YI2XmPOo2F0/s400/Phenomena%2B%25281985%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5621741818277737042" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;The teenaged daughter of a famous American actor struggles to fit in at an elite Swiss boarding school, when it becomes known that she has a strange fondness for (and an even stranger kinship with) the local insect population; and, near enough friendless (barring her roommate who has mysteriously disappeared), she makes friends with a paralysed Scots etymologist, who – bafflingly – encourages her to track down a local serial killer, who has been killing teenaged girls, in Argento’s woodenly acted and ridiculously plotted if often quite stylish horror film, which has a deliriously silly yet  ridiculously entertaining  ending that can’t quite make up for the dross that precedes it. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-310242074187706908?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/310242074187706908'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/310242074187706908'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/phenomena-1985.html' title='Phenomena (1985)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-6ZVSN4LaSuk/TgRwZgFnMlI/AAAAAAAAFME/YI2XmPOo2F0/s72-c/Phenomena%2B%25281985%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-5489865661966518661</id><published>2011-06-23T17:55:00.004+01:00</published><updated>2011-06-23T18:27:04.288+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UK'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Documentary'/><title type='text'>The Miners' Hymns (2010)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;&lt;span class="Apple-style-span"  &gt;Recommended&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;UK&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;Short Documentary&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Director: &lt;b&gt;Bill Morrison&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Composer: &lt;b&gt;Jóhann Jóhannsson&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://3.bp.blogspot.com/-iGvCwFOfoSk/TgN1HnwHflI/AAAAAAAAFL8/vyMljMappaY/s1600/The%2BMiners%2527%2BHymns%2B%25282010%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://3.bp.blogspot.com/-iGvCwFOfoSk/TgN1HnwHflI/AAAAAAAAFL8/vyMljMappaY/s400/The%2BMiners%2527%2BHymns%2B%25282010%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5621465533678845522" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  &gt;Accompanied by Jóhannsson’s mournful brass and cathedral organ score, made-up entirely – but for a bookending contemporary helicopter shot – of archive footage (from the likes of Mitchel and Kenyon at the turn of the century to miners-shot footage of police brutality during the 1984 strike) Morrison’s elegiac cinepoem elegantly paints a portrait of coalminers and coalmining  in the northeast of England during the 20&lt;sup&gt;&lt;span&gt;th&lt;/span&gt;&lt;/sup&gt; century. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-5489865661966518661?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/5489865661966518661'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/5489865661966518661'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/miners-hymns-2010.html' title='The Miners&apos; Hymns (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-iGvCwFOfoSk/TgN1HnwHflI/AAAAAAAAFL8/vyMljMappaY/s72-c/The%2BMiners%2527%2BHymns%2B%25282010%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-9152626478123712485</id><published>2011-06-23T11:15:00.004+01:00</published><updated>2011-06-23T11:52:49.857+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Accidental Hero (1992)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;Cautiously Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Original Title: &lt;b&gt;Hero&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/stephen-frears.html"&gt;Stephen Frears&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;David Webb Peoples, Alvin Sargent, Laura Ziskin&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Oliver Stapleton&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;George Fenton&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Dustin Hoffman, Geena Davis, Andy Garcia, Joan Cusack, James Madio, Chevy Chase, Kevin J. O'Connor&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/-4DM-NwzuAwU/TgMZtSMezxI/AAAAAAAAFL0/XuYvnXe5UrI/s1600/Accidental%2BHero%2B%25281992%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 283px;" src="http://1.bp.blogspot.com/-4DM-NwzuAwU/TgMZtSMezxI/AAAAAAAAFL0/XuYvnXe5UrI/s400/Accidental%2BHero%2B%25281992%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5621365025657507602" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;A cynical small-time crook, about to be sentenced for the receiving of stolen goods, reluctantly saves the lives of 54 people from an aeroplane that crashes right before his eyes, but – not wanting any attention (and having stolen the handbag of one of those that he saved) – he avoids taking the credit… that is until a one million dollar reward is offered by a television company for his bravery (and taken by someone else), in Frears’s well paced, amiably acted, and generally entertaining film, which is let down by a somewhat overblown score and a few misjudged Capraesque touches. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-9152626478123712485?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/9152626478123712485'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/9152626478123712485'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/accidental-hero-1992.html' title='Accidental Hero (1992)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-4DM-NwzuAwU/TgMZtSMezxI/AAAAAAAAFL0/XuYvnXe5UrI/s72-c/Accidental%2BHero%2B%25281992%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-8042568486628918432</id><published>2011-06-22T11:22:00.005+01:00</published><updated>2011-06-22T11:59:25.430+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Chile'/><category scheme='http://www.blogger.com/atom/ns#' term='Mexico'/><category scheme='http://www.blogger.com/atom/ns#' term='Brazil'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Post Mortem (2010)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/essential-viewing.html"&gt;&lt;b&gt;Essential Viewing&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Chile/Brazil/Mexico&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Director: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/06/pablo-larrain.html"&gt;Pablo Larraín&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Sergio Armstrong&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Juan Cristóbal Meza&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Alfredo Castro, Antonia Zegers, Amparo Noguera, Jaime Vadell, Marcelo Alonso&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-sy-vXxQptcg/TgHJlm-5wkI/AAAAAAAAFLk/1FZhi0NAvNI/s1600/Post%2BMortem%2B%25282010%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 189px;" src="http://3.bp.blogspot.com/-sy-vXxQptcg/TgHJlm-5wkI/AAAAAAAAFLk/1FZhi0NAvNI/s400/Post%2BMortem%2B%25282010%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5620995457891811906" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;A morose morgue stenographer’s budding-but-strained romance with a painfully thin, waningly popular variety show dancer is put to the test when the bloody military coup of September ’73 – deposing Chile’s democratically elected president – causes their lives to move in markedly different directions, in Larraín’s sensual and strangely blackly comic yet emotionally devastating and decidedly disturbing third feature. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-8042568486628918432?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8042568486628918432'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8042568486628918432'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/post-mortem-2010.html' title='Post Mortem (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-sy-vXxQptcg/TgHJlm-5wkI/AAAAAAAAFLk/1FZhi0NAvNI/s72-c/Post%2BMortem%2B%25282010%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-7251745025336294385</id><published>2011-06-22T10:49:00.004+01:00</published><updated>2011-06-22T11:12:44.051+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Romania'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>12:08 East of Bucharest (2006)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Romania&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Original Title: &lt;b&gt;A fost sau n-a fost?&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Director: &lt;b&gt;Corneliu Porumboiu&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Marius Panduru&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composers: &lt;b&gt;Rotaria&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Mircea Andreescu, Teodor Corban, Ion Săpdaru&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/-QV32asenfo4/TgG_qtTM2nI/AAAAAAAAFLc/ss7G7jnisZA/s1600/1208%2BEast%2Bof%2BBucharest%2B%25282006%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 232px;" src="http://2.bp.blogspot.com/-QV32asenfo4/TgG_qtTM2nI/AAAAAAAAFLc/ss7G7jnisZA/s400/1208%2BEast%2Bof%2BBucharest%2B%25282006%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5620984550370630258" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;On the 16th anniversary of The Romanian Revolution of 1989, a small town television presenter (accompanied by two self-professed revolutionaries) asks the question, “did the revolution happen in our town, or did its residents only take to the streets after Ceaușescu’s titularly-timed abdication?” in Porumboiu’s unhurriedly paced, gently funny, and strangely affecting feature debut. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-7251745025336294385?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/7251745025336294385'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/7251745025336294385'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/1208-east-of-bucharest-2006.html' title='12:08 East of Bucharest (2006)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-QV32asenfo4/TgG_qtTM2nI/AAAAAAAAFLc/ss7G7jnisZA/s72-c/1208%2BEast%2Bof%2BBucharest%2B%25282006%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-8828817368765853118</id><published>2011-06-21T13:13:00.003+01:00</published><updated>2011-10-02T19:32:00.993+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Win Win (2011)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;Cautiously Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Tom McCarthy&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Tom McCarthy, Joe Tiboni&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Oliver Bokelberg&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Lyle Workman&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Paul Giamatti, Amy Ryan, Alex Shaffer, Bobby Cannavale, Jeffrey Tambor, Burt Young, Melanie Lynskey, Margo Martindale, David Thompson&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/--Amqm0R5Rms/TgCQ7dEzMpI/AAAAAAAAFLU/RTAtjlbColg/s1600/Win%2BWin%2B%25282011%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="http://3.bp.blogspot.com/--Amqm0R5Rms/TgCQ7dEzMpI/AAAAAAAAFLU/RTAtjlbColg/s400/Win%2BWin%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5620651686049821330" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;A financially struggling lawyer (and part-time high school wrestling coach) dishonestly takes on the guardianship of a client in the early stages of dementia in order to pocket the $1,500 that comes with the accompanying (largely shirked) responsibility, but it’s a plan that becomes complicated somewhat by the arrival of the elderly man’s teenaged runaway grandson, who happens to be a very talented wrestler, in McCarthy’s amiable and generally entertaining if rather predictable and somewhat undercooked film, which feels more like the pilot for a promising television series than a fully realised feature. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-8828817368765853118?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8828817368765853118'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8828817368765853118'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/win-win-2011.html' title='Win Win (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/--Amqm0R5Rms/TgCQ7dEzMpI/AAAAAAAAFLU/RTAtjlbColg/s72-c/Win%2BWin%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-7554030447617835770</id><published>2011-06-21T12:16:00.003+01:00</published><updated>2011-06-21T13:07:50.123+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Canada'/><category scheme='http://www.blogger.com/atom/ns#' term='France'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Last Night (1998)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Canada/France&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Director: &lt;b&gt;Don McKellar&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Douglas Koch&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composers: &lt;b&gt;Alexina Louie, Alex Pauk&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Don McKellar, Sandra Oh, Callum Keith Rennie, Geneviève Bujold, David Cronenberg, Roberta Maxwell, Robin Gammell, Sarah Polley, Trent McMullen, Michael McMurtry&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/-hcfJiZX9aDo/TgCIpIm7BqI/AAAAAAAAFLM/tsoldrUENWw/s1600/Last%2BNight%2B%25281998%2529.jpeg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://2.bp.blogspot.com/-hcfJiZX9aDo/TgCIpIm7BqI/AAAAAAAAFLM/tsoldrUENWw/s400/Last%2BNight%2B%25281998%2529.jpeg" border="0" alt="" id="BLOGGER_PHOTO_ID_5620642575225128610" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;With his world already feeling like it had ended a few months earlier with the death of his wife, Patrick Wheeler wants nothing more than to sit alone and honour her memory as the actual end of the world approaches, but a stranded stranger (who, herself, wants nothing more than to get home to her husband) soon has him reluctantly changing his plans, whilst his family and friends take their own personal journeys towards oblivion, in McKellar’s affecting, nuanced, metaphor-laden feature directorial debut. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-7554030447617835770?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/7554030447617835770'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/7554030447617835770'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/last-night-1998.html' title='Last Night (1998)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-hcfJiZX9aDo/TgCIpIm7BqI/AAAAAAAAFLM/tsoldrUENWw/s72-c/Last%2BNight%2B%25281998%2529.jpeg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-7581347905395427504</id><published>2011-06-20T17:46:00.003+01:00</published><updated>2011-06-20T18:12:51.258+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='France'/><category scheme='http://www.blogger.com/atom/ns#' term='Italy'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Adieu Philippine (1962)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;France/Italy&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Jacques Rozier&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Michèle O'Glor, Jacques Rozier&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;René Mathelin&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composers: &lt;b&gt;Jacques Denjean, Paul Mattei, Maxime Saury&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Jean-Claude Aimini, Stefania Sabatini, Yveline Céry, Daniel Descamps, Vittorio Caprioli, David Tonelli&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-x7oY5bHNtAg/Tf9-OGcZaeI/AAAAAAAAFLE/lP1tQq_wWU0/s1600/Adieu%2BPhilippine%2B%25281962%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 255px;" src="http://3.bp.blogspot.com/-x7oY5bHNtAg/Tf9-OGcZaeI/AAAAAAAAFLE/lP1tQq_wWU0/s400/Adieu%2BPhilippine%2B%25281962%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5620349640694655458" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;About to be shipped off to fight in the Algerian War, Michel, a young television camera technician, meets two attractive young girls, whom he begins to pal around with, a friendship/flirtation that soon sees the three of them (though they're occasionally joined by a fourth) heading off to a sun-drenched Corsica, as they await the inevitable adieu, in Rozier’s ramblingly entertaining picaresque tale, which makes up with charm and verve what it lacks in polish and refinement. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-7581347905395427504?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/7581347905395427504'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/7581347905395427504'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/adieu-philippine-1962.html' title='Adieu Philippine (1962)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-x7oY5bHNtAg/Tf9-OGcZaeI/AAAAAAAAFLE/lP1tQq_wWU0/s72-c/Adieu%2BPhilippine%2B%25281962%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-6019617953694812456</id><published>2011-06-20T14:22:00.003+01:00</published><updated>2011-06-20T14:40:16.690+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='UK'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>The Martins (2001)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;Cautiously Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;UK/USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Director: &lt;b&gt;Tony Grounds&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;David Johnson&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Richard Hartley&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Lee Evans, Kathy Burke, Linda Bassett, Eric Byrne, Terri Dumont, Lennie James, Paddy Considine&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/-CFtW8QUqx1Y/Tf9M4mQyOuI/AAAAAAAAFK8/19WNuH1WGNw/s1600/The%2BMartins%2B%25282001%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 262px;" src="http://2.bp.blogspot.com/-CFtW8QUqx1Y/Tf9M4mQyOuI/AAAAAAAAFK8/19WNuH1WGNw/s400/The%2BMartins%2B%25282001%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5620295395209001698" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;When he fails to win the holiday of his dreams in a competition run by the local newspaper – the latest in a series of life’s disappointments – long-term unemployed Hatfield resident Robert, married with two children, snaps, imprisons the prize’s rightful(ish) recipients, and takes his family on the holiday anyway (a trip to the Isle of Man), all the while waving an unloaded pistol at anyone who annoys him or gets in his way, in Grounds’s sporadically entertaining if ultimately rather sentimental comedy-drama. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-6019617953694812456?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/6019617953694812456'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/6019617953694812456'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/martins-2001.html' title='The Martins (2001)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-CFtW8QUqx1Y/Tf9M4mQyOuI/AAAAAAAAFK8/19WNuH1WGNw/s72-c/The%2BMartins%2B%25282001%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-4790145891984762829</id><published>2011-06-20T14:01:00.003+01:00</published><updated>2011-06-20T14:19:27.621+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UK'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>This Filthy Earth (2001)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/essential-viewing.html"&gt;Essential Viewing&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;UK&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Andrew Kötting&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Andrew Kötting, Sean Lock, Émile Zola&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Nick Gordon Smith&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;David Burnand&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Rebecca R. Palmer, Shane Attwooll, Demelza Randall, Xavier Tchili, Dudley Sutton, Ina Clough, Peter-Hugo Daly&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/-5JY6OhS05BY/Tf9Il-0JY4I/AAAAAAAAFK0/0w9ikaaBn5U/s1600/This%2BFilthy%2BEarth%2B%25282001%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 225px;" src="http://2.bp.blogspot.com/-5JY6OhS05BY/Tf9Il-0JY4I/AAAAAAAAFK0/0w9ikaaBn5U/s400/This%2BFilthy%2BEarth%2B%25282001%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5620290677335745410" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Adapted (with the aid of comedian Sean Lock) from Émile Zola’s 1887 novel &lt;i&gt;La Terre&lt;/i&gt;, Kötting’s formally audacious, intensely visceral, and blackly humorous misanthropic masterpiece brilliantly regales us with rural tales of sex, violence, superstition, and ignorance, filled with bodily fluids, guttural Yorkshire explosions, and a great deal of filthy earth. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-4790145891984762829?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4790145891984762829'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4790145891984762829'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/this-filthy-earth-2001.html' title='This Filthy Earth (2001)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-5JY6OhS05BY/Tf9Il-0JY4I/AAAAAAAAFK0/0w9ikaaBn5U/s72-c/This%2BFilthy%2BEarth%2B%25282001%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-8087107535866009373</id><published>2011-06-18T08:58:00.005+01:00</published><updated>2011-09-07T10:57:59.572+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Norway'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Troll Hunter (2010)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Norway&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Original Title: &lt;b&gt;Trolljegeren&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Director: &lt;b&gt;André Øvredal&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Hallvard Bræin&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Otto Jespersen, Glenn Erland Tosterud, Johanna Mørck, Tomas Alf Larsen, Hans Morten Hansen&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-xV7fizfhtTk/Tfxp1N4InQI/AAAAAAAAFKs/D88rXHfQncU/s1600/Troll%2BHunter%2B%25282010%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 267px;" src="http://3.bp.blogspot.com/-xV7fizfhtTk/Tfxp1N4InQI/AAAAAAAAFKs/D88rXHfQncU/s400/Troll%2BHunter%2B%25282010%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5619482798030626050" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Three student film-makers, out in the Norwegian countryside investigating bear poaching, happen upon a world-weary hunter, the titular character, who (fed-up with his unglamorous [secret] lifestyle) introduces them to a world of trolls, government cover-ups, and grimy caravan parks, in Øvredal’s very well crafted if slightly undernourished (character-wise) and vaguely hackneyed (form-wise) though never less than thoroughly entertaining monster movie, which makes good use of the its locale's oft spectacular scenery. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;For a slightly longer piece, see &lt;a href="http://1000nightsdark.blogspot.com/2011/09/troll-hunter-2010.html"&gt;1000 Nights in the Dark&lt;/a&gt;.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-8087107535866009373?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8087107535866009373'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8087107535866009373'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/troll-hunter-2010.html' title='Troll Hunter (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-xV7fizfhtTk/Tfxp1N4InQI/AAAAAAAAFKs/D88rXHfQncU/s72-c/Troll%2BHunter%2B%25282010%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-8389319169663460740</id><published>2011-06-17T11:28:00.005+01:00</published><updated>2011-06-17T12:19:01.400+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UK'/><category scheme='http://www.blogger.com/atom/ns#' term='Television Film'/><category scheme='http://www.blogger.com/atom/ns#' term='Screen Two'/><title type='text'>102 Boulevard Haussmann (1990)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;UK&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Television Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Series Title: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/search/label/Screen%20Two"&gt;Screen Two (1985-1994)&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Udayan Prasad&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/alan-bennett.html"&gt;Alan Bennett&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;John Hooper&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Alan Bates, Janet McTeer, Paul Rhys, Philip McGough, Jonathan Coy, Philip Rham, Michael Wilcox, Peter Geeves, Michael Grandage, Lesley Nightingale&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-HRCp8X0eZxw/TfswRN1hQfI/AAAAAAAAFKk/I4WiSkN3ZfE/s1600/102%2BBoulevard%2BHaussmann%2B%25281990%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://3.bp.blogspot.com/-HRCp8X0eZxw/TfswRN1hQfI/AAAAAAAAFKk/I4WiSkN3ZfE/s400/102%2BBoulevard%2BHaussmann%2B%25281990%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5619138032404873714" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;On a rare trip out to a concert performance, the asthmatic, decidedly frail, and near enough bed-ridden Marcel Proust takes a shine to a young viola player (on sick leave from the raging First World War), whom he attempts to befriend through a series of private concert performances, as his devoted maid (McTeer, affectingly restrained) passively looks on, in Bennett’s tender, subtle, and gently melancholic teleplay. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-8389319169663460740?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8389319169663460740'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8389319169663460740'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/102-boulevard-haussmann-1990.html' title='102 Boulevard Haussmann (1990)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-HRCp8X0eZxw/TfswRN1hQfI/AAAAAAAAFKk/I4WiSkN3ZfE/s72-c/102%2BBoulevard%2BHaussmann%2B%25281990%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-4245778869096073992</id><published>2011-06-15T13:10:00.003+01:00</published><updated>2011-06-15T13:34:26.814+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='France'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Film'/><title type='text'>From Under My Bed (2005)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;France&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Original Title: &lt;b&gt;Sous mon lit&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Director: &lt;b&gt;Jihane Chouaib&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Dylan Doyle&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composers: &lt;b&gt;Mendelson, Los Tres Amigos&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Emeline Becuwe, Clément van den Bergh&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/-tWiKqzQHAlw/TfimmDX7AvI/AAAAAAAAFKc/92_ZmqyMzMk/s1600/From%2BUnder%2BMy%2BBed%2B%25282005%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 225px;" src="http://2.bp.blogspot.com/-tWiKqzQHAlw/TfimmDX7AvI/AAAAAAAAFKc/92_ZmqyMzMk/s400/From%2BUnder%2BMy%2BBed%2B%25282005%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5618423707815576306" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;As her parents tootle off on their summer holiday thinking that their daughter is about to board a coach for a school-organised trip to London, Mira, a sexually repressed teenaged girl caught awkwardly between childhood and adulthood, instead returns home alone, where her fears, repressions, and anxieties begin to manifest themselves, in Chouaib’s thoughtfully and viscerally stimulating short film. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-4245778869096073992?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4245778869096073992'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4245778869096073992'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/from-under-my-bed-2005.html' title='From Under My Bed (2005)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-tWiKqzQHAlw/TfimmDX7AvI/AAAAAAAAFKc/92_ZmqyMzMk/s72-c/From%2BUnder%2BMy%2BBed%2B%25282005%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-2101793000860465454</id><published>2011-06-15T12:41:00.003+01:00</published><updated>2011-06-15T13:04:35.582+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Turkey'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Dry Summer (1964)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;Cautiously Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Turkey&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Original Title: &lt;b&gt;Susuz yaz&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Metin Erksan&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Metin Erksan, Kemal Inci, Ismet Soydan, Necati Cumali&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Ali Ugur&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composers: &lt;b&gt;Manos Hatzidakis, Yamaci&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Erol Tas, Hülya Koçyigit, Ulvi Dogan&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/-Da32jhYbqcI/Tfie-BEd9hI/AAAAAAAAFKU/th6GiQ_W0Xo/s1600/Dry%2BSummer%2B%25281964%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="http://4.bp.blogspot.com/-Da32jhYbqcI/Tfie-BEd9hI/AAAAAAAAFKU/th6GiQ_W0Xo/s400/Dry%2BSummer%2B%25281964%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5618415323420947986" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Osman, a charmless farmer who covets his younger bother’s comely new bride, builds a dam to prevent his neighbours from receiving water that emanates from a spring on his property – an act that leads to violence, betrayal, and retribution, in Erksan’s diverting, well photographed parable, which generally feels quite rushed and suffers from some rather stilted performances. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-2101793000860465454?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2101793000860465454'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2101793000860465454'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/dry-summer-1964.html' title='Dry Summer (1964)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-Da32jhYbqcI/Tfie-BEd9hI/AAAAAAAAFKU/th6GiQ_W0Xo/s72-c/Dry%2BSummer%2B%25281964%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-1416405705224399879</id><published>2011-06-14T11:42:00.003+01:00</published><updated>2011-06-14T12:02:43.732+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='France'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Film'/><title type='text'>The Little Tailor (2010)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;France&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Original Title: &lt;b&gt;Petit tailleur&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Director: &lt;b&gt;Louis Garrel&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Léo Hinstin&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Grégoire Hetzel&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Arthur Igual, Léa Seydoux, Grand Albert, Sylvain Creuzevault, Lolita Chammah, Evelyne Lequesne, Laurent Laffargue&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/-m8n5pb_ywEs/Tfc_PC6wqcI/AAAAAAAAFKM/TLpFqC-ZVzs/s1600/The%2BLittle%2BTailor%2B%25282010%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 296px;" src="http://2.bp.blogspot.com/-m8n5pb_ywEs/Tfc_PC6wqcI/AAAAAAAAFKM/TLpFqC-ZVzs/s400/The%2BLittle%2BTailor%2B%25282010%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5618028587881900482" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Arthur, an apprentice tailor with dreams of becoming an haute couturist, is forced to choose between his eighty-year-old dying mentor, who fought in the resistance as a teenager, and Marie-Julie, a beautiful, melancholy young actress who he has only just met, but with whom he has fallen deeply in love, in Garrel’s lyrical, gorgeously shot short film, which features a particularly touching performance from Seydoux. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-1416405705224399879?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1416405705224399879'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1416405705224399879'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/little-tailor-2010.html' title='The Little Tailor (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-m8n5pb_ywEs/Tfc_PC6wqcI/AAAAAAAAFKM/TLpFqC-ZVzs/s72-c/The%2BLittle%2BTailor%2B%25282010%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-6443580397889035909</id><published>2011-06-13T15:34:00.003+01:00</published><updated>2011-06-18T10:15:54.209+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Cold Weather (2010)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/highly-recommended.html"&gt;Highly Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/aaron-katz.html"&gt;Aaron Katz&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Aaron Katz, Brendan McFadden, Ben Stambler&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Andrew Reed&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Keegan DeWitt&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Cris Lankenau, Trieste Kelly Dunn, Raúl Castillo, Robyn Rikoon&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/-jAz9fLqEy0U/TfYjAgueC6I/AAAAAAAAFKE/CFhmE8P-f9s/s1600/Cold%2BWeather%2B%25282010%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 225px;" src="http://1.bp.blogspot.com/-jAz9fLqEy0U/TfYjAgueC6I/AAAAAAAAFKE/CFhmE8P-f9s/s400/Cold%2BWeather%2B%25282010%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5617716076883086242" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Gently morphing from ambling slice-of-life drama to ambling amateur sleuthing mystery, Katz’s gorgeously photographed, delightfully scored, and tenderly acted third feature – as idiosyncratic and filled to the brim with humanity as his first two – emphatically cements his place as (despite being near enough unknown) the most exciting young film-maker currently working in America. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-6443580397889035909?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/6443580397889035909'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/6443580397889035909'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/cold-weather-2010.html' title='Cold Weather (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-jAz9fLqEy0U/TfYjAgueC6I/AAAAAAAAFKE/CFhmE8P-f9s/s72-c/Cold%2BWeather%2B%25282010%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-3420799982896790436</id><published>2011-06-12T18:33:00.002+01:00</published><updated>2011-06-12T18:58:17.227+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='South Korea'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>The Housemaid (1960)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;Cautiously Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;South Korea&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Original Title: &lt;b&gt;하녀&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Director: &lt;b&gt;Kim Ki-young&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Kim Deok-jin&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Han Sang-ki&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Lee Eun-shim, Kim Jin-kyu, Ju Jeung-nyeo, Um Aeng-ran, Ahn Sung-ki, Kang Seok-je, Ko Seon-ae, Na Jeong-ok&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/-E4-P06UvK1o/TfT9hbMZNhI/AAAAAAAAFJ8/vsXzE-_ooiI/s1600/The%2BHousemaid%2B%25281960%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 260px;" src="http://1.bp.blogspot.com/-E4-P06UvK1o/TfT9hbMZNhI/AAAAAAAAFJ8/vsXzE-_ooiI/s400/The%2BHousemaid%2B%25281960%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5617393385915102738" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Overcome with exhaustion after moving into a new home, and struggling to cope with her domestic duties, a pregnant woman, who spends most of her time diligently working at her sewing machine, encourages her music teaching husband to employ a maid, who proceeds to make their lives a misery, in Kim’s visually arresting and campily entertaining if generally rather overblown thriller. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-3420799982896790436?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/3420799982896790436'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/3420799982896790436'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/housemaid-1960.html' title='The Housemaid (1960)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-E4-P06UvK1o/TfT9hbMZNhI/AAAAAAAAFJ8/vsXzE-_ooiI/s72-c/The%2BHousemaid%2B%25281960%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-7124986611181338120</id><published>2011-06-12T08:31:00.003+01:00</published><updated>2011-06-12T08:54:32.219+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Short Feature Film'/><category scheme='http://www.blogger.com/atom/ns#' term='Argentina'/><title type='text'>The Mugger (2007)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Argentina&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Original Title: &lt;b&gt;El asaltante&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Director: &lt;b&gt;Pablo Fendrik&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Cobi Migliora&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Guillermo Arengo, Germán de Silva, Arturo Goetz, Maya Lesca, Bárbara Lombardo, Verónica Piaggio&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-oZPVFWlKo3c/TfRv7p6ukzI/AAAAAAAAFJ0/e6-oxUZ5ILM/s1600/The%2BMugger%2B%25282007%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 242px;" src="http://3.bp.blogspot.com/-oZPVFWlKo3c/TfRv7p6ukzI/AAAAAAAAFJ0/e6-oxUZ5ILM/s400/The%2BMugger%2B%25282007%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5617237705892991794" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Captured in near-enough real time with claustrophobic hand-held photography, featuring an excellent performance from Arengo, Fendrik’s promising feature directorial debut grippingly follows a seemingly respectable middle-aged man around the streets of Buenos Aires as he perpetrates a series of robberies at a number of plush private schools, before returning to his decidedly more mundane everyday life (allowing us to re-evaluate his actions). &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-7124986611181338120?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/7124986611181338120'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/7124986611181338120'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/mugger-2007.html' title='The Mugger (2007)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-oZPVFWlKo3c/TfRv7p6ukzI/AAAAAAAAFJ0/e6-oxUZ5ILM/s72-c/The%2BMugger%2B%25282007%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-202480453239799348</id><published>2011-06-11T20:34:00.002+01:00</published><updated>2011-06-11T20:45:40.791+01:00</updated><title type='text'>Tucker &amp; Dale vs Evil (2010)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Eli Craig&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Eli Craig, Morgan Jurgenson&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;David Geddes&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Tyler Labine, Alan Tudyk, Katrina Bowden, Jesse Moss, Philip Granger, Brandon Jay McLaren, Christie Laing, Chelan Simmons&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/-7Apkq3sav3I/TfPD8jOJzmI/AAAAAAAAFJs/OOEH4pu-dXY/s1600/Tucker%2B%2526%2BDale%2Bvs%2BEvil%2B%25282010%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 254px;" src="http://1.bp.blogspot.com/-7Apkq3sav3I/TfPD8jOJzmI/AAAAAAAAFJs/OOEH4pu-dXY/s400/Tucker%2B%2526%2BDale%2Bvs%2BEvil%2B%25282010%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5617048605275311714" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Tucker and Dale, whilst vacationing at their new holiday home, save a pretty young camper from drowning – unfortunately, though, her college friends mistake them for murderous, kidnapping hillbillies, and are soon (after one or two freak accidents compound their erroneous theory) laying siege to the unfortunate pair’s isolated cabin, in Craig’s blackly comic, cliché-bendingly funny feature debut. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-202480453239799348?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/202480453239799348'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/202480453239799348'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/tucker-dale-vs-evil-2010.html' title='Tucker &amp; Dale vs Evil (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-7Apkq3sav3I/TfPD8jOJzmI/AAAAAAAAFJs/OOEH4pu-dXY/s72-c/Tucker%2B%2526%2BDale%2Bvs%2BEvil%2B%25282010%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-8847933124240727854</id><published>2011-06-11T16:12:00.003+01:00</published><updated>2011-06-11T16:31:10.741+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='France'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Film'/><title type='text'>Bad Connection (2000)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;France&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Short Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Original Title: &lt;b&gt;Faux contact&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Director/Composer: &lt;b&gt;Eric Jameux&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Franck Barbian&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Sylvie Testud, Nasser Cerkoune, Frédéric Leray, Eric Jameux&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/-oOAIvKGCUEY/TfOJNNfqYGI/AAAAAAAAFJk/aRoVE_0y_2I/s1600/Bad%2BConnection%2B%25282000%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 225px;" src="http://4.bp.blogspot.com/-oOAIvKGCUEY/TfOJNNfqYGI/AAAAAAAAFJk/aRoVE_0y_2I/s400/Bad%2BConnection%2B%25282000%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5616984020314906722" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;As a wave of terrorist attacks sweep Paris, a young, unemployed Muslim man – struggling to complete the level of the game he's playing – rings a video game helpline from a phone box for assistance, but a dodgy light bulb, a surprisingly helpful call centre worker, and a vigilant but impetuous police force ensure that he gets more than he bargained for, in this smart, funny, and well crafted short film. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-8847933124240727854?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8847933124240727854'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8847933124240727854'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/bad-connection-2000.html' title='Bad Connection (2000)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-oOAIvKGCUEY/TfOJNNfqYGI/AAAAAAAAFJk/aRoVE_0y_2I/s72-c/Bad%2BConnection%2B%25282000%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-1838153184269180884</id><published>2011-06-11T14:35:00.004+01:00</published><updated>2011-06-11T15:05:34.564+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Japan'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Chicken Heart (2002)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Japan&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Original Title: &lt;b&gt;チキン・ハート&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Director: &lt;b&gt;Shimizu Hiroshi&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Takase Hiroshi&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Suzuki Keiichi&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Ikeuchi Hiroyuki, Imawano Kiyoshiro, Matsuo Suzuki, Mabuchi Erika, Haruki Misayo, Omi Toshinori, Araki Nobuyoshi, Kishibe Ittoku&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-BAmRkA2Pne0/TfN177--KWI/AAAAAAAAFJc/0jsW34bmYKk/s1600/Chicken%2BHeart%2B%25282002%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 225px;" src="http://3.bp.blogspot.com/-BAmRkA2Pne0/TfN177--KWI/AAAAAAAAFJc/0jsW34bmYKk/s400/Chicken%2BHeart%2B%25282002%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5616962832835684706" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Three sort-of friends, who eke out a living during the day by scrubbing graffiti off walls, selling toupees, and handing out insurance leaflets on the street, spend their evenings providing a service as a human punching bag to stressed out businessmen, eating and drinking at an illegal food stall, and generally dreaming of a better future, in Shimizu’s hugely likeable second feature, which gradually develops from hilariously bizarre comedy to touching character study as it progresses towards its melancholically tender finale. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-1838153184269180884?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1838153184269180884'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1838153184269180884'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/chicken-heart-2002.html' title='Chicken Heart (2002)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-BAmRkA2Pne0/TfN177--KWI/AAAAAAAAFJc/0jsW34bmYKk/s72-c/Chicken%2BHeart%2B%25282002%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-4829430005255068057</id><published>2011-06-09T10:34:00.002+01:00</published><updated>2011-06-09T11:10:38.330+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>World's Greatest Dad (2009)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Director: &lt;b&gt;Bobcat Goldthwait&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Horacio Marquínez&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Gerald Brunskill&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Robin Williams, Daryl Sabara, Alexie Gilmore, Mitzi McCall, Evan Martin, Geoff Pierson, Henry Simmons, Lorraine Nicholson&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/-qASq91ujWjk/TfCb9-fU5eI/AAAAAAAAFJU/q_LoOGECE18/s1600/World%2527s%2BGreatest%2BDad%2B%25282009%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 225px;" src="http://2.bp.blogspot.com/-qASq91ujWjk/TfCb9-fU5eI/AAAAAAAAFJU/q_LoOGECE18/s400/World%2527s%2BGreatest%2BDad%2B%25282009%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5616160224379725282" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Following a tragic accident, a put-upon single father, whose dreams of literary fame have come to naught, finds his fortunes taking a turn for the (seemingly) better, when his students and fellow teachers suddenly see him in a new light – though his new found popularity soon begins to weigh upon him, in Goldthwait’s cynically and blackly comic yet insightful and strangely moving little film. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-4829430005255068057?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4829430005255068057'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4829430005255068057'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/worlds-greatest-dad-2009.html' title='World&apos;s Greatest Dad (2009)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-qASq91ujWjk/TfCb9-fU5eI/AAAAAAAAFJU/q_LoOGECE18/s72-c/World%2527s%2BGreatest%2BDad%2B%25282009%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-7212741153443162608</id><published>2011-06-07T08:58:00.003+01:00</published><updated>2011-06-07T09:25:33.856+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Cedar Rapids (2011)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;&lt;/a&gt;&lt;/b&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Miguel Arteta&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer: &lt;b&gt;Phil Johnston&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Chuy Chávez&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Christophe Beck&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Ed Helms, John C. Reilly, Anne Heche, Isiah Whitlock Jr., Stephen Root, Kurtwood Smith, Alia Shawkat&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/-pzkIaW8oCTk/Te3fotW0tPI/AAAAAAAAFJM/sPaVPOysN0U/s1600/Cedar%2BRapids%2B%25282011%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 224px;" src="http://2.bp.blogspot.com/-pzkIaW8oCTk/Te3fotW0tPI/AAAAAAAAFJM/sPaVPOysN0U/s400/Cedar%2BRapids%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5615390200863962354" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Following the death of a co-worker in an auto-erotic asphyxiation accident, Tim Lippe, a terribly naïve small town insurance agent, is sent to the bright lights of Cedar Rapids for a conference in his place, where his innocence is quickly crushed as he is exposed to drink, drugs, casual sex, and corruption, in Arteta’s amiable, oft hilarious coming-of-age comedy. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-7212741153443162608?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/7212741153443162608'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/7212741153443162608'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/cedar-rapids-2011.html' title='Cedar Rapids (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-pzkIaW8oCTk/Te3fotW0tPI/AAAAAAAAFJM/sPaVPOysN0U/s72-c/Cedar%2BRapids%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-4313415038233112465</id><published>2011-06-06T10:58:00.003+01:00</published><updated>2011-06-22T20:15:59.766+01:00</updated><title type='text'>CFB's Top 30 Films of 1971 (2011)</title><content type='html'>&lt;p class="MsoNormal"&gt;&lt;/p&gt;&lt;ol&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Last Picture Show (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://1linereview.blogspot.com/2008/12/clockwork-orange-1971.html"&gt;&lt;span class="Apple-style-span"&gt;A Clockwork Orange (1971)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;McCabe &amp;amp; Mrs. Miller (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Death in Venice (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://1linereview.blogspot.com/2009/04/harold-and-maude-1971.html"&gt;&lt;span class="Apple-style-span"&gt;Harold and Maude (1971)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The French Connection (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Dirty Harry (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Walkabout (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://1linereview.blogspot.com/2009/01/duel-1971.html"&gt;&lt;span class="Apple-style-span"&gt;Duel (1971)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Straw Dogs (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Play Misty for Me (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Klute (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/bananas-1971.html"&gt;Bananas (1971)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Le Souffle au Coeur (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Emigrants (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Fiddler on the Roof (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Beguiled (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Sunday Bloody Sunday (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://1linereview.blogspot.com/2010/10/two-lane-blacktop-1971.html"&gt;&lt;span class="Apple-style-span"&gt;Two-Lane Blacktop (1971)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Carnal Knowledge (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Get Carter (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Willy Wonka &amp;amp; the Chocolate Factory (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Out 1 (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Devils (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;10 Rillington Place (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Macbeth (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Decameron (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;A New Leaf (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;King Lear (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Nicholas and Alexandra (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Trafic (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Andromeda Strain (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Anne and Muriel (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span"&gt;The Boy Friend (1971)&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span"&gt;Punishment Park (1971)&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span"&gt;Land of Silence and Darkness (1971)&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span"&gt;The Omega Man (1971)&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://1linereview.blogspot.com/2010/01/merchant-of-four-seasons-1971.html"&gt;&lt;span class="Apple-style-span"&gt;The Merchant of Four Seasons (1971)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ol&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-4313415038233112465?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4313415038233112465'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4313415038233112465'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/cfbs-top-30-films-of-1971-2011.html' title='CFB&apos;s Top 30 Films of 1971 (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-7530554048905424648</id><published>2011-06-06T10:56:00.000+01:00</published><updated>2011-06-06T10:57:25.385+01:00</updated><title type='text'>CFB's Top 20 Obscure Films of 1971 (2011)</title><content type='html'>&lt;p class="MsoNormal"&gt;&lt;/p&gt;&lt;ol&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Four Nights of a Dreamer (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://1linereview.blogspot.com/2009/08/love-1971.html"&gt;&lt;span class="Apple-style-span"  &gt;Love (1971)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Juste Avant la Nuit (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Trojan Women (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Such Good Friends (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://1linereview.blogspot.com/2009/06/silence-1971.html"&gt;&lt;span class="Apple-style-span"  &gt;Silence (1971)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;La Region Centrale (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Checkpoint (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Hapax Legomena I: Nostalgia (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Act of Seeing with One’s Own Eyes (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Synchromy (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;’Tis Pity She’s a Whore (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Desperate Characters (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Maybe I’ll Come Home in the Spring (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Joe Hill (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Salamander (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Red Sky at Morning (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;How Tasty Was My Little Frenchman (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Ceremony (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Emitai (1971)&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-7530554048905424648?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/7530554048905424648'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/7530554048905424648'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/cfbs-top-20-obscure-films-of-1971-2011.html' title='CFB&apos;s Top 20 Obscure Films of 1971 (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-9163822922867133599</id><published>2011-06-06T10:25:00.004+01:00</published><updated>2011-06-06T10:46:53.669+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='UK'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Paul (2011)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;&lt;b&gt;Cautiously Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;&lt;/a&gt;&lt;b&gt;USA/UK&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Greg Mottola&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Nick Frost, Simon Pegg&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Lawrence Sher&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;David Arnold&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Simon Pegg, Nick Frost, Seth Rogen, Kristen Wiig, Jason Bateman, Bill Hader, Joe Lo Truglio&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-IIMtFnkPFOU/Teyhh_phQaI/AAAAAAAAFJE/_x97QNTw1QY/s1600/Paul%2B%25282011%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 229px;" src="http://3.bp.blogspot.com/-IIMtFnkPFOU/Teyhh_phQaI/AAAAAAAAFJE/_x97QNTw1QY/s400/Paul%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5615040440817500578" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Two sci-fi loving comic book nerds from England, fresh from their first visit to Comic-Con, set off on a UFO-hotspot road trip across the US, which is enlivened considerably by their meeting of Paul, a pot-smoking alien on the lam from nefarious government agents, whom they attempt to aid in his plan to return to his own planet, in this amiable, sporadically entertaining, reference-heavy road movie, which is never quite as entertaining as it should be. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-9163822922867133599?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/9163822922867133599'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/9163822922867133599'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/paul-2011.html' title='Paul (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-IIMtFnkPFOU/Teyhh_phQaI/AAAAAAAAFJE/_x97QNTw1QY/s72-c/Paul%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-3415839501799647911</id><published>2011-06-02T08:22:00.007+01:00</published><updated>2011-06-11T07:41:49.729+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Iceland'/><category scheme='http://www.blogger.com/atom/ns#' term='Television Mini-Series'/><title type='text'>The Night Shift (2007)</title><content type='html'>&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"&gt;Iceland&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"&gt;Television Mini-Series&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Original Title:&lt;b&gt; Næturvaktin&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Director: &lt;b&gt;Ragnar Bragason&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Writers: &lt;b&gt;Ragnar Bragason, Jón Gnarr, Jóhann Ævar Grímsson, Jörundur Ragnarsson, Pétur Jóhann Sigfússon, Gestur Valur Svansson&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Cinematographer: &lt;b&gt;Bergsteinn Björgúlfsson&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Cast: &lt;b&gt;Jörundur Ragnarsson, Jón Gnarr, Pétur Jóhann Sigfússon, Sara Margrét Mikaelsdóttir, Arnar Freyr Karlsson&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://2.bp.blogspot.com/-ew1dwHRM5Ew/Tec-L4iZUgI/AAAAAAAAFI4/P1HSENx6I10/s1600/The%2BNight%2BShift%2B%25282007%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 225px;" src="http://2.bp.blogspot.com/-ew1dwHRM5Ew/Tec-L4iZUgI/AAAAAAAAFI4/P1HSENx6I10/s400/The%2BNight%2BShift%2B%25282007%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5613523834416747010" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"&gt;Whilst trying to find himself after dropping out of university, 23-year-old Daniel takes a job at a Reykjavik petrol station on the night shift, under the tutelage of the tyrannical shift manager Georg – who is consumed with rules, regulations, and Swedish communists – alongside co-worker Ólafur, a put-upon, hopelessly naïve dreamer, getting into various pleasingly low-key scrapes along the way, in Bragason’s gently funny, occasionally hilarious, and generally beautifully observed comedy series. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255); "&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-3415839501799647911?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/3415839501799647911'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/3415839501799647911'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/06/night-shift-2007.html' title='The Night Shift (2007)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-ew1dwHRM5Ew/Tec-L4iZUgI/AAAAAAAAFI4/P1HSENx6I10/s72-c/The%2BNight%2BShift%2B%25282007%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-1529116227660864015</id><published>2011-05-23T11:30:00.002+01:00</published><updated>2011-05-23T11:33:23.574+01:00</updated><title type='text'>Cannes, 2011</title><content type='html'>&lt;div&gt;&lt;i&gt;&lt;span class="Apple-style-span"  &gt;Palme d'Or&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;The Tree of Life (2011)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;span class="Apple-style-span"  &gt;Grand Prix&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;Once upon a Time in Anatolia (2011)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;The Kid with a Bike (2011)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;span class="Apple-style-span"  &gt;Best Director&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;Nicolas Winding Refn, Drive (2011)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;span class="Apple-style-span"  &gt;Best Screenplay&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;Joseph Cedar, Footnote (2011)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;span class="Apple-style-span"  &gt;Best Actress&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;Kirsten Dunst, Melancholia (2011)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;span class="Apple-style-span"  &gt;Best Actor&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;Jean Dujardin, The Artist (2011)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;span class="Apple-style-span"  &gt;Jury Prize&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;Polisse (2011)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;span class="Apple-style-span"  &gt;Un Certain Regard Prize&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;Arirang (2011)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;span class="Apple-style-span"  &gt;Jury Prize - Un Certain Regard&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;Elena (2011)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;span class="Apple-style-span"  &gt;Un Certain Regard Award for Best Director&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;Good Bye (2011)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;span class="Apple-style-span"  &gt;Caméra d'or&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;Las Acacias (2011)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;span class="Apple-style-span"  &gt;In competition&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Artist (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Drive (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Footnote (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Hanezu (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Hara-Kiri: Death of a Samurai (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Le Havre (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;House of Tolerance (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Kid with a Bike (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Melancholia (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Michael (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Once upon a Time in Anatolia (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Pater (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Polisse (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Skin I Live In (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Sleeping Beauty (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Source (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;This Must Be the Place (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Tree of Life (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;We Have a Pope (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;We Need to Talk About Kevin (2011)&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;span class="Apple-style-span"  &gt;Un Certain Regard&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Oslo, August 31st (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Arirang (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Beauty (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Bonsái (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Day He Arrives (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Elena (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Good Bye (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Hard Labour (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Hors Satan (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Hunter (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Loverboy (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Martha Marcy May Marlene (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Minister (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Miss Bala (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Restless (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Snows of Kilimanjaro (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Stopped on Track (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Tatsumi (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Toomelah (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Where Do We Go Now? (2011)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Yellow Sea (2010)&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-1529116227660864015?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1529116227660864015'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1529116227660864015'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/05/cannes-2011.html' title='Cannes, 2011'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-6747613786218784328</id><published>2011-05-23T11:07:00.002+01:00</published><updated>2011-05-23T11:08:36.022+01:00</updated><title type='text'>CFB's Top 30 Films of 1933 (2011)</title><content type='html'>&lt;p class="MsoNormal"&gt;&lt;/p&gt;&lt;ol&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;King Kong (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://1linereview.blogspot.com/2008/11/duck-soup-1933.html"&gt;&lt;span class="Apple-style-span"&gt;Duck Soup (1933)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://1linereview.blogspot.com/2008/12/42nd-street-1933.html"&gt;&lt;span class="Apple-style-span"&gt;42nd Street (1933)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Invisible Man (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Queen Christina (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Baby Face (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Zéro de Conduite (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Dinner at Eight (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Bitter Tea of General Yen (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Ecstasy (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Testament of Dr. Mabuse (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Three Little Pigs (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Gold Diggers of 1933 (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Little Women (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Land Without Bread (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://1linereview.blogspot.com/2009/06/sons-of-desert-1933.html"&gt;&lt;span class="Apple-style-span"&gt;Sons of the Desert (1933)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Design for Living (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Lady for A Day (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Snow-White (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Private Life of Henry VIII (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Flirtation (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Bombshell (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Mystery of the Wax Museum (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;I’m No Angel (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Footlight Parade (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Wild Boys of the Road (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;She Done Him Wrong (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Hallelujah I’m A Bum (1933)&lt;br /&gt;&lt;/span&gt;Outskirts (1933)&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Woman of Tokyo(1933)&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-6747613786218784328?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/6747613786218784328'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/6747613786218784328'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/05/cfbs-top-30-films-of-1933-2011.html' title='CFB&apos;s Top 30 Films of 1933 (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-726169000336988278</id><published>2011-05-23T11:00:00.001+01:00</published><updated>2011-05-23T11:08:19.104+01:00</updated><title type='text'>CFB's Top 25 Obscure Films of 1933 (2011)</title><content type='html'>&lt;div&gt;&lt;ol&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Bastille Day (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Man’s Castle (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Night on Bald Mountain (1933) &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Water Magician (1933) &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Ganga Bruta (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Passing Fancy (1933) &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Little Toys (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Building a Building (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Daybreak (1933) &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Lot in Sodom (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Treno Popolare (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Misere au Borinage (1933) &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Mad Doctor (1933) &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Victory of the Faith (1933) &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Madame Bovary (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Midnight Mary (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Penthouse (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;State Fair (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Ladies They Talk About (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Betty Boop’s Penthouse (1933) &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Japanese Girls at the Harbor (1933) &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Today We Live (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Popeye the Sailor (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Bed Of Roses (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Only Yesterday (1933)&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-726169000336988278?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/726169000336988278'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/726169000336988278'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/05/cfbs-top-20-obscure-films-of-1933-2011.html' title='CFB&apos;s Top 25 Obscure Films of 1933 (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-2673585289211647857</id><published>2011-05-11T10:35:00.004+01:00</published><updated>2011-06-05T17:00:04.204+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Down and Out in Beverly Hills (1986)</title><content type='html'>&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;&lt;b&gt;Cautiously Recommended&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/3-star-reviews.html"&gt;&lt;/a&gt;&lt;b&gt;USA&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Paul Mazursky&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Leon Capetanos, Paul Mazursky, René Fauchois&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Donald McAlpine&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Andy Summers&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Nick Nolte, Bette Midler, Richard Dreyfuss, Little Richard, Tracy Nelson, Elizabeth Peña, Evan Richards&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-Nlass6rfN0g/Tcpc4ycrxgI/AAAAAAAAFII/nuecQ5PYyiQ/s1600/Down%2Band%2BOut%2Bin%2BBeverly%2BHills%2B%25281986%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 298px;" src="http://3.bp.blogspot.com/-Nlass6rfN0g/Tcpc4ycrxgI/AAAAAAAAFII/nuecQ5PYyiQ/s400/Down%2Band%2BOut%2Bin%2BBeverly%2BHills%2B%25281986%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5605394816900515330" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;After his loyal companion, Kerouac, leaves him for a better source of doggy snacks, Jerry, a Beverly Hills down-and-out, decides to take his own life in the swimming pool of a random millionaire, who proceeds to save him and take him in – unsurprisingly, chaos ensues, in Mazursky’s sporadically entertaining though rather over long adaptation of René Fauchois’s play, which lacks the satirical bite of &lt;a href="http://1linereview.blogspot.com/2010/08/boudu-saved-from-drowning-1932.html"&gt;Jean Renoir’s version&lt;/a&gt;. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-2673585289211647857?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2673585289211647857'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2673585289211647857'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/05/down-and-out-in-beverly-hills-1986.html' title='Down and Out in Beverly Hills (1986)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-Nlass6rfN0g/Tcpc4ycrxgI/AAAAAAAAFII/nuecQ5PYyiQ/s72-c/Down%2Band%2BOut%2Bin%2BBeverly%2BHills%2B%25281986%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-5881714229655779161</id><published>2011-05-10T16:34:00.004+01:00</published><updated>2011-06-18T10:15:46.009+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Young Islands (2011)</title><content type='html'>&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/highly-recommended.html"&gt;&lt;b&gt;Highly Recommended&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/4-star-reviews_02.html"&gt;&lt;/a&gt;&lt;b&gt;USA&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Director: &lt;b&gt;Kevin Chenault&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Jesse Gallamore&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Steven Hamilton, Joseph Dodd, Brooklyn Harper, Lisa Garrett, Sarah Beaven, Rick Kersting, Brittany Morris, Trena Morris, Jesse Gallamore, Steve Grey, Josh Gapinski&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/-ETV2GMAgz90/Tclkl5O9JrI/AAAAAAAAFIA/zaaodU_IC2Q/s1600/Young%2BIslands%2B%25282011%2529.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 225px;" src="http://4.bp.blogspot.com/-ETV2GMAgz90/Tclkl5O9JrI/AAAAAAAAFIA/zaaodU_IC2Q/s400/Young%2BIslands%2B%25282011%2529.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5605121813420779186" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;With mise en scène and sound design of a quality that belies both the film-makers’ youth and inexperience and the production’s low budget, Chenault’s gently affecting, lugubriously paced, and near enough plotless film beautifully paints a portrait of Corey (Hamilton), a fume-huffing, bed-wetting teenaged boy, freshly back from summer camp (and about to be shipped off to another one), who wanders aimlessly around his small town neighbourhood, attempting to come to terms with his feelings for his friend Kenny (Dodd), whilst also dealing with the break-up of his parents’ marriage. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-5881714229655779161?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/5881714229655779161'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/5881714229655779161'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/05/young-islands-2011.html' title='Young Islands (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-ETV2GMAgz90/Tclkl5O9JrI/AAAAAAAAFIA/zaaodU_IC2Q/s72-c/Young%2BIslands%2B%25282011%2529.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-4943979987033407579</id><published>2011-05-09T13:24:00.003+01:00</published><updated>2011-06-11T09:09:59.553+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='France'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>A Man Escaped (1956)</title><content type='html'>&lt;a href="http://1linereview.blogspot.com/2007/06/highly-recommended.html"&gt;&lt;b&gt;Highly Recommended&lt;/b&gt;&lt;/a&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/4-star-reviews_02.html"&gt;&lt;/a&gt;&lt;b&gt;France&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Original Title: &lt;b&gt;Un condamné à mort s'est échappé ou Le vent souffle où il veut&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/robert-bresson.html"&gt;Robert Bresson&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Robert Bresson, André Devigny&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;L.H. Burel&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;François Leterrier, Charles Le Clainche, Maurice Beerblock, Roland Monod, Jacques Ertaud, Jean Paul Delhumeau, Roger Treherne&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-Dq6S2l8TzBc/TcfhoyJBgQI/AAAAAAAAFHM/MsFj-AsR_Fs/s1600/A%2BMan%2BEscaped%2B%25281956%2529.jpeg"&gt;&lt;img style="WIDTH: 400px; HEIGHT: 300px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5604696352056508674" border="0" alt="" src="http://2.bp.blogspot.com/-Dq6S2l8TzBc/TcfhoyJBgQI/AAAAAAAAFHM/MsFj-AsR_Fs/s400/A%2BMan%2BEscaped%2B%25281956%2529.jpeg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Based on the memoirs of André Devigny, Bresson’s engrossingly understated and largely (but for the odd burst of Mozart) beautifully low-key film follows the escape attempt of an imprisoned terrorist/resistance fighter at Fort Montluc, Lyon, in Nazi-occupied France in 1943, detailing from beginning to end his numerous feats of ingenuity and daring. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-4943979987033407579?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4943979987033407579'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4943979987033407579'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/05/man-escaped-1956.html' title='A Man Escaped (1956)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-Dq6S2l8TzBc/TcfhoyJBgQI/AAAAAAAAFHM/MsFj-AsR_Fs/s72-c/A%2BMan%2BEscaped%2B%25281956%2529.jpeg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-4893021572619075569</id><published>2011-05-09T13:00:00.002+01:00</published><updated>2011-06-22T18:34:45.751+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Film'/><title type='text'>I'm Here (2010)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;&lt;b&gt;Cautiously Recommended&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/3-star-reviews.html"&gt;&lt;/a&gt;&lt;b&gt;USA&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Short Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Director: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/spike-jonze.html"&gt;Spike Jonze&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Adam Kimmel&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Sam Spiegel&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Andrew Garfield, Sienna Guillory&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/-1Vib-Hx-mxo/TcfblpsF24I/AAAAAAAAFG8/oFyMd7Zogpg/s1600/I%2527m%2BHere%2B%25282010%2529.jpg"&gt;&lt;img style="WIDTH: 400px; HEIGHT: 186px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5604689701178301314" border="0" alt="" src="http://1.bp.blogspot.com/-1Vib-Hx-mxo/TcfblpsF24I/AAAAAAAAFG8/oFyMd7Zogpg/s400/I%2527m%2BHere%2B%25282010%2529.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;A lonely android (Garfield) falls for a happy-go-lucky robot (Guillory), and for a while all goes well, but when she develops a habit for losing appendages in unseen accidents, a habit that he, filled with love, can’t help but remedy with his own body parts, things begin to literally fall apart, in Jonze’s distinctive, melancholy short film. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-4893021572619075569?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4893021572619075569'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4893021572619075569'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/05/im-here-2010.html' title='I&apos;m Here (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-1Vib-Hx-mxo/TcfblpsF24I/AAAAAAAAFG8/oFyMd7Zogpg/s72-c/I%2527m%2BHere%2B%25282010%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-128004291621673810</id><published>2011-05-09T11:55:00.004+01:00</published><updated>2011-06-05T17:06:16.295+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Cyrus (2010)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;&lt;b&gt;Cautiously Recommended&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;USA&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Directors: &lt;b&gt;Jay Duplass &amp;amp; Mark Duplass&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Jas Shelton&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Michael Andrews&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;John C. Reilly, Jonah Hill, Marisa Tomei, Catherine Keener, Matt Walsh&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/--XzEd8PLOL8/TcfRC_BalrI/AAAAAAAAFG0/nd0CR9kaCm0/s1600/Cyrus%2B%25282010%2529.jpg"&gt;&lt;img style="WIDTH: 400px; HEIGHT: 296px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5604678110493185714" border="0" alt="" src="http://3.bp.blogspot.com/--XzEd8PLOL8/TcfRC_BalrI/AAAAAAAAFG0/nd0CR9kaCm0/s400/Cyrus%2B%25282010%2529.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Times New Roman'; font-size: medium;"&gt;&lt;a href="http://3.bp.blogspot.com/-qv_QB3XLJBc/TcfQMqaZz9I/AAAAAAAAFGw/8RJCnFQz2BY/s1600/Cyrus+%25282010%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;/a&gt;&lt;/span&gt;A lonely freelance editor, whose best friend is still his seven-years-divorced ex-wife, meets, against all the odds, a seemingly perfect woman; and all goes well until he meets her clingy, jealous 22-year-old son, who takes an instant disliking to him, in the Duplass brothers’ mildly entertaining, though never all that credible, vaguely mainstream comedy-drama. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: white;"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-128004291621673810?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/128004291621673810'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/128004291621673810'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/05/cyrus-2010.html' title='Cyrus (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/--XzEd8PLOL8/TcfRC_BalrI/AAAAAAAAFG0/nd0CR9kaCm0/s72-c/Cyrus%2B%25282010%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-1299635256142773856</id><published>2011-05-06T11:41:00.001+01:00</published><updated>2011-06-05T17:07:15.666+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Happythankyoumoreplease (2010)</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;&lt;b&gt;Cautiously Recommended&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/b&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/2-star-reviews_02.html"&gt;&lt;/a&gt;&lt;b&gt;USA&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Director: &lt;b&gt;Josh Radnor&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Seamus Tierney&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Jaymay&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Josh Radnor, Malin Akerman, Zoe Kazan, Kate Mara, Pablo Schreiber, Tony Hale, Michael Algieri&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-nbPodjlFE1M/TcPdxtwIAKI/AAAAAAAAFFA/hXXB3Wd14i0/s1600/Happythankyoumoreplease%2B%25282010%2529.jpg"&gt;&lt;img style="WIDTH: 400px; HEIGHT: 266px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5603566207543804066" border="0" alt="" src="http://4.bp.blogspot.com/-nbPodjlFE1M/TcPdxtwIAKI/AAAAAAAAFFA/hXXB3Wd14i0/s400/Happythankyoumoreplease%2B%25282010%2529.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://4.bp.blogspot.com/-nbPodjlFE1M/TcPdxtwIAKI/AAAAAAAAFFA/hXXB3Wd14i0/s1600/Happythankyoumoreplease%2B%25282010%2529.jpg"&gt;&lt;/a&gt;A struggling New York writer, his alopecia-suffering best friend, and his (not really a) cousin find their love lives complicated by, respectively, a lost orphan, a persistent, picture-taking co-worker, and a potential move to Los Angeles, in Radnor’s promising directorial debut, though somewhat less promising writing debut, which benefits from an assured visual touch and some likable performances, but suffers from an overly whimsical plot and some awkward dialogue. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-1299635256142773856?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1299635256142773856'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1299635256142773856'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/05/happythankyoumoreplease-2010.html' title='Happythankyoumoreplease (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-nbPodjlFE1M/TcPdxtwIAKI/AAAAAAAAFFA/hXXB3Wd14i0/s72-c/Happythankyoumoreplease%2B%25282010%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-3497837817952085051</id><published>2011-05-01T09:58:00.003+01:00</published><updated>2011-06-05T17:08:01.279+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Paper Man (2009)</title><content type='html'>&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/highly-recommended.html"&gt;&lt;b&gt;Highly Recommended&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/4-star-reviews_02.html"&gt;&lt;/a&gt;&lt;b&gt;USA&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Directors: &lt;b&gt;Kieran Mulroney, Michele Mulroney&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Eigil Bryld&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Mark McAdam&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Jeff Daniels, Emma Stone, Ryan Reynolds, Lisa Kudrow, Hunter Parrish, Kieran Culkin&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/-Jf1_lhj1zDY/Tb0mSi-QztI/AAAAAAAAFDA/TMVost2_wsc/s1600/Paper%2BMan%2B%25282009%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 221px;" src="http://2.bp.blogspot.com/-Jf1_lhj1zDY/Tb0mSi-QztI/AAAAAAAAFDA/TMVost2_wsc/s400/Paper%2BMan%2B%25282009%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5601675611586219730" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;A struggling middle-aged writer (along with his super-powered lifelong imaginary friend, Captain Excellent) decamps to an out-of-season seaside town to write his second novel, but instead forms an unlikely friendship with a lonely teenaged girl, much to the chagrin of her boyfriend and his wife, in Kieran and Michele Mulroney’s beautifully crafted, deftly played, and generally very affecting directorial debut. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-3497837817952085051?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/3497837817952085051'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/3497837817952085051'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/05/paper-man-2009.html' title='Paper Man (2009)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-Jf1_lhj1zDY/Tb0mSi-QztI/AAAAAAAAFDA/TMVost2_wsc/s72-c/Paper%2BMan%2B%25282009%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-6724320179297912963</id><published>2011-04-30T12:32:00.003+01:00</published><updated>2011-06-05T17:08:31.203+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UK'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Doghouse (2009)</title><content type='html'>&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;&lt;b&gt;Cautiously Recommended&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/3-star-reviews.html"&gt;&lt;/a&gt;&lt;b&gt;UK&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Jake West&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer: &lt;b&gt;Dan Schaffer&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Ali Asad&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Richard Wells&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Stephen Graham, Danny Dyer, Noel Clarke, Emil Marwa, Lee Ingleby, Keith-Lee Castle, Terry Stone, Neil Maskell, Christina Cole&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/-xFU0Ifs5TpA/Tbv6TY_le7I/AAAAAAAAFC4/sf-V98-spWc/s1600/Doghouse%2B%25282009%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 225px;" src="http://4.bp.blogspot.com/-xFU0Ifs5TpA/Tbv6TY_le7I/AAAAAAAAFC4/sf-V98-spWc/s400/Doghouse%2B%25282009%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5601345772598950834" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;In order to cheer up one of their number following his recent divorce, a group of friends travel to a remote village for a booze-dripping, misogyny-laden lads’ weekend, but their plans are upset by the military testing of a biological weapon, which has turned all of the local women into man-eating &lt;i&gt;zombirds&lt;/i&gt;, leaving them to flee for their lives, in Jake West’s sporadically entertaining zombie-comedy, which features some cracking one-liners and excellent effects work. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-6724320179297912963?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/6724320179297912963'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/6724320179297912963'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/doghouse-2009.html' title='Doghouse (2009)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-xFU0Ifs5TpA/Tbv6TY_le7I/AAAAAAAAFC4/sf-V98-spWc/s72-c/Doghouse%2B%25282009%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-1953835571489074464</id><published>2011-04-30T11:51:00.003+01:00</published><updated>2011-06-05T17:09:06.725+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UK'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>4.3.2.1 (2010)</title><content type='html'>&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;&lt;b&gt;Cautiously Recommended&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/3-star-reviews.html"&gt;&lt;/a&gt;&lt;b&gt;UK&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Directors: &lt;b&gt;Noel Clarke, Mark Davis&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer: &lt;b&gt;Noel Clarke&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Franco Pezzino&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composers: &lt;b&gt;Adam Lewis, Barnaby Robson&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Emma Roberts, Tamsin Egerton, Ophelia Lovibond, Shanika Warren-Markland, Noel Clarke, Adam Deacon, Susannah Fielding, Jacob Anderson, Freddie Stroma, Linzey Cocker, Ben Drew, Ashley Thomas, Alan McKenna&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-7yQcShh4YtY/TbvyJSbk2LI/AAAAAAAAFCw/Ap6dMIsBh1c/s1600/4.3.2.1%2B%25282010%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 169px;" src="http://3.bp.blogspot.com/-7yQcShh4YtY/TbvyJSbk2LI/AAAAAAAAFCw/Ap6dMIsBh1c/s400/4.3.2.1%2B%25282010%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5601336802945587378" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;Reminiscent of Doug Liman’s &lt;i&gt;Go (1999)&lt;/i&gt;, Clarke and Davis’s stylish and fun if somewhat inconsistent comedy-thriller draws together four interconnecting storylines featuring 4 girls (all friends) over 3 days in 2 different cities (London and New york), involving stolen diamonds, stolen virginities, stolen flat keys, stolen scenes (by cameoing stars), and an awful lot of attractive young women walking around in their underwear. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-1953835571489074464?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1953835571489074464'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1953835571489074464'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/4321-2010.html' title='4.3.2.1 (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-7yQcShh4YtY/TbvyJSbk2LI/AAAAAAAAFCw/Ap6dMIsBh1c/s72-c/4.3.2.1%2B%25282010%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-4810517529371502831</id><published>2011-04-29T10:56:00.006+01:00</published><updated>2011-08-25T10:24:58.638+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Super (2010)</title><content type='html'>&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-bHb6onKIzww/TbqRgfGmeJI/AAAAAAAAFCo/wjRugFJ8CgQ/s1600/Super%2B%25282010%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 215px;" src="http://4.bp.blogspot.com/-bHb6onKIzww/TbqRgfGmeJI/AAAAAAAAFCo/wjRugFJ8CgQ/s400/Super%2B%25282010%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5600949073879660690" /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;/div&gt;&lt;/div&gt;See entry at &lt;a href="http://1000nightsdark.blogspot.com/2011/07/super-2010.html"&gt;1000 Nights in the Dark&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-4810517529371502831?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4810517529371502831'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4810517529371502831'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/super-2010.html' title='Super (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-bHb6onKIzww/TbqRgfGmeJI/AAAAAAAAFCo/wjRugFJ8CgQ/s72-c/Super%2B%25282010%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-4757139238573638318</id><published>2011-04-28T21:35:00.005+01:00</published><updated>2011-06-11T08:18:26.099+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Documentary'/><title type='text'>Village of the Dolls (2010)</title><content type='html'>&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/4-star-reviews.html"&gt;&lt;/a&gt;&lt;b&gt;USA&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Feature Documentary&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Original Title: &lt;b&gt;Marwencol&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Jeff Malmberg&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographers: &lt;b&gt;Jeff Malmberg, Tom Putnam, Matt Radecki, Kevin Walsh&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composers: &lt;b&gt;Ash Black Bufflo&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Featuring: &lt;b&gt;Mark Hogancamp&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/-qvCjcNLK5bI/TbnQPo8QKgI/AAAAAAAAFCg/L4-vzLg1gO4/s1600/Village%2Bof%2Bthe%2BDolls%2B%25282010%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 271px;" src="http://2.bp.blogspot.com/-qvCjcNLK5bI/TbnQPo8QKgI/AAAAAAAAFCg/L4-vzLg1gO4/s400/Village%2Bof%2Bthe%2BDolls%2B%25282010%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5600736578718673410" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;Jeff Malmberg’s fascinating and insightful yet warm and witty documentary paints a portrait of Mark Hogancamp, a man in his mid-40s who, in order to deal with the trauma of being beaten (literally) senseless by five youths in a pub car park in the year 2000, retreats into a doll-populated fantasy world of Second World War heroes and villains, where he therapeutically works through his hopes and fears, photographing the action as he goes along. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-4757139238573638318?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4757139238573638318'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4757139238573638318'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/village-of-dolls-2010.html' title='Village of the Dolls (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-qvCjcNLK5bI/TbnQPo8QKgI/AAAAAAAAFCg/L4-vzLg1gO4/s72-c/Village%2Bof%2Bthe%2BDolls%2B%25282010%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-345687030512185655</id><published>2011-04-28T16:10:00.005+01:00</published><updated>2011-06-12T22:58:13.286+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Feature Documentary'/><category scheme='http://www.blogger.com/atom/ns#' term='UK'/><title type='text'>The Arbor (2010)</title><content type='html'>&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/highly-recommended.html"&gt;&lt;b&gt;Highly Recommended&lt;/b&gt;&lt;/a&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/4-star-reviews_02.html"&gt;&lt;/a&gt;&lt;b&gt;UK&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Feature Documentary&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Director: &lt;b&gt;Clio Barnard&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Cinematographer: &lt;b&gt;Ole Bratt Birkeland&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Composers: &lt;b&gt;Harry Escott &amp;amp; Molly Nyman&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Cast: &lt;b&gt;Christine Bottomley, Neil Dudgeon, Robert Emms, Natalie Gavin, Manjinder Virk, George Costigan, Jimi Mistry, Monica Dolan, Neil Dudgeon&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://2.bp.blogspot.com/-hLt3hBQQne8/TbmH8nBE5_I/AAAAAAAAFCY/GoptLyCa9Qg/s1600/The%2BArbor%2B%25282010%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="http://2.bp.blogspot.com/-hLt3hBQQne8/TbmH8nBE5_I/AAAAAAAAFCY/GoptLyCa9Qg/s400/The%2BArbor%2B%25282010%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5600657086947321842" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"&gt;Strikingly photographed and disquietingly scored, Clio Barnard’s deliberate and innovative yet devastatingly moving documentary, filmed with actors lip-synching to recorded interviews and dramatized scenes from its subject’s eponymous play, gradually builds up a picture of the life of Bradford playwright Andrea Dunbar and her legacy, with particular attention paid to the drug-fuelled plight of her eldest daughter, Lorraine, a young woman of mixed race who has known nothing but pain and suffering. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-345687030512185655?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/345687030512185655'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/345687030512185655'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/arbor-2010.html' title='The Arbor (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-hLt3hBQQne8/TbmH8nBE5_I/AAAAAAAAFCY/GoptLyCa9Qg/s72-c/The%2BArbor%2B%25282010%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-2498924822308289484</id><published>2011-04-26T15:27:00.001+01:00</published><updated>2011-04-26T15:32:10.085+01:00</updated><title type='text'>CFB's Top 30 Films of 1946 (2011)</title><content type='html'>&lt;p class="MsoNormal"&gt;&lt;/p&gt;&lt;ol&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://1linereview.blogspot.com/2008/12/notorious-1946.html"&gt;Notorious (1946)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;It’s a Wonderful Life (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Big Sleep (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Best Years of Our Lives (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://1linereview.blogspot.com/2008/12/matter-of-life-and-death-1946.html"&gt;A Matter of Life and Death (1946)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;La Belle et la Bête (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Great Expectations (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;My Darling Clementine (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Killers (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Postman Always Rings Twice (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Gilda (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://1linereview.blogspot.com/2009/08/shoeshine-1946.html"&gt;Shoeshine (1946)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Paisan (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Yearling (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Duel in the Sun (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Strange Love of Martha Ivers (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Dark Corner (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Blue Dahlia (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Green for Danger (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Cluny Brown (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Song of the South (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Murderers Are Among Us (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Humoresque (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Razor’s Edge (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;To Each His Own (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;No Regrets for Our Youth (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Stranger (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;A Stolen Life (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Harvey Girls (1946)&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;p&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-2498924822308289484?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2498924822308289484'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2498924822308289484'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/cfbs-top-30-films-of-1946-2011.html' title='CFB&apos;s Top 30 Films of 1946 (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-7861087311517273877</id><published>2011-04-26T15:25:00.002+01:00</published><updated>2011-04-26T15:32:39.381+01:00</updated><title type='text'>CFB's Top 20 Obscure Films of 1946 (2011)</title><content type='html'>&lt;div&gt;&lt;ol&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Ritual in Transfigured Time (1946) &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Under the Bridges (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Deadline at Dawn (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Decoy (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Battle of the Rails (1946) &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Five Women Around Utamaro (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Margie (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Gates of the Night (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Monsieur Beaucaire (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Let There Be Light (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Strange Impersonation (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Nocturne (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Sister Kenny (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;My Reputation (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Bandit (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Diary of a Chambermaid (1946)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Northwest Hounded Police (1946) &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span"&gt;The Chase (1946)&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span"&gt;Devotion (1946)&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span"&gt;Enamorada (1946)&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span"&gt;The Other One (1946)&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-7861087311517273877?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/7861087311517273877'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/7861087311517273877'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/cfbs-top-20-obscure-films-of-1946-2011.html' title='CFB&apos;s Top 20 Obscure Films of 1946 (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-2493043178857325114</id><published>2011-04-26T15:18:00.013+01:00</published><updated>2011-06-13T17:58:13.620+01:00</updated><title type='text'>ASIFA’s Top 50 Animated Short Films (2010)</title><content type='html'>&lt;div&gt;&lt;ol&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Dimensions of Dialogue (1982)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Tale of Tales (1980)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Hand (1966)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Tango (1981)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Street of Crocodiles (1986)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Harpya (1979)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Man Who Planted Trees (1987)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Tuning the Instruments (2000)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Street (1977)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Ryan (2004)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Breakfast on the Grass (1987)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Pas de Deux (1968)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Father and Daughter (2000)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Satiemania (1978)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Repete (1995)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Creature Comforts (1989)&lt;br /&gt;&lt;/span&gt;Balance (1989)&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;When the Day Breaks (2000)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Hedgehog in the Fog (1975)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Mount Head (2002)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Hunger (1974)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Big Snit (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Hen, His Wife (1990)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Labirynt (1963)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Substitute (1961)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Le Nez (1963)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Felix in Exile (1994)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Cow (1989)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Rowing Across the Atlantic (1978)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Two Sisters (1991)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Reflection (1979)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Asparagus (1979)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Luxo Jr. (1989)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Girls Night Out (1988)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Hill Farm (1989)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Road to the Abyss (1992)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Hotel E (1992)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Wrong Trousers (1993)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Sisyphus (1974)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Milk (2005)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Screenplay (1992)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Mindscape (1976)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Feelings of Mountains and Waters (1988)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Words, Words, Words (1991)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Flying Man (1962)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Frank Film (1973)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Thieving Magpie (1965)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Dojoji (1976)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Roll Call (1970)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Public Voice (1988)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Franz Kafka (1992)&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-2493043178857325114?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2493043178857325114'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2493043178857325114'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/asifas-top-50-animated-short-films-2010.html' title='ASIFA’s Top 50 Animated Short Films (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-895822257827822693</id><published>2011-04-18T16:23:00.005+01:00</published><updated>2011-06-05T17:11:50.452+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Spain'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>You Will Meet a Tall Dark Stranger (2010)</title><content type='html'>&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/not-recommended.html"&gt;&lt;b&gt;Not Recommended&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/2-star-reviews.html"&gt;&lt;/a&gt;&lt;b&gt;Spain/USA&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Director: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/woody-allen.html"&gt;Woody Allen&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Vilmos Zsigmond&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Naomi Watts, Josh Brolin, Gemma Jones, Anthony Hopkins, Lucy Punch, Freida Pinto, Antonio Banderas&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-bqEldaymo0I/TaxcJHtYgpI/AAAAAAAAFCQ/Y44JjHvQenk/s1600/You%2BWill%2BMeet%2Ba%2BTall%2BDark%2BStranger%2B%25282010%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 224px;" src="http://3.bp.blogspot.com/-bqEldaymo0I/TaxcJHtYgpI/AAAAAAAAFCQ/Y44JjHvQenk/s400/You%2BWill%2BMeet%2Ba%2BTall%2BDark%2BStranger%2B%25282010%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5596949748672660114" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;Rehashing a number of themes, characters, and scenarios from his earlier work, only with their heart ripped out and replaced with cynicism and bile, Allen’s London-set film casts a jaundiced eye over the coupling and uncoupling of a group of unhappy friends and family who are desperately trying to find comfort and meaning in their empty lives. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-895822257827822693?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/895822257827822693'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/895822257827822693'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/you-will-meet-tall-dark-stranger-2010.html' title='You Will Meet a Tall Dark Stranger (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-bqEldaymo0I/TaxcJHtYgpI/AAAAAAAAFCQ/Y44JjHvQenk/s72-c/You%2BWill%2BMeet%2Ba%2BTall%2BDark%2BStranger%2B%25282010%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-6484544550562284188</id><published>2011-04-17T09:41:00.005+01:00</published><updated>2011-06-10T22:26:43.149+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Kiss Kiss Bang Bang (2005)</title><content type='html'>&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/4-star-reviews.html"&gt;&lt;/a&gt;&lt;b&gt;USA&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Shane Black&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Shane Black, Brett Halliday&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Michael Barrett&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;John Ottman&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Robert Downey Jr., Val Kilmer, Michelle Monaghan, Corbin Bernsen, Dash Mihok, Larry Miller, Rockmond Dunbar, Shannyn Sossamon&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/-KGeFSWtRN-o/TaqwQ5eBFwI/AAAAAAAAFCI/BuWqb9Vtgv8/s1600/Kiss%2BKiss%2BBang%2BBang%2B%25282005%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 222px;" src="http://1.bp.blogspot.com/-KGeFSWtRN-o/TaqwQ5eBFwI/AAAAAAAAFCI/BuWqb9Vtgv8/s400/Kiss%2BKiss%2BBang%2BBang%2B%25282005%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5596479291312379650" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;A petty criminal, via a fortuitous film audition-cum-escape attempt, is whisked off to Hollywood, where he attends the odd party, meets (after numerous years apart) the unrequited love of his life, becomes involved with a gay private detective, and accumulates several corpses whilst playing amateur sleuth, in Shane Black’s knowing, irreverent, and blackly comic action movie parody-cum-film noir homage. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-6484544550562284188?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/6484544550562284188'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/6484544550562284188'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/kiss-kiss-bang-bang-2005.html' title='Kiss Kiss Bang Bang (2005)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-KGeFSWtRN-o/TaqwQ5eBFwI/AAAAAAAAFCI/BuWqb9Vtgv8/s72-c/Kiss%2BKiss%2BBang%2BBang%2B%25282005%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-8641363794499803952</id><published>2011-04-17T08:57:00.003+01:00</published><updated>2011-04-17T09:36:16.426+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='Television Series'/><title type='text'>In Treatment (2008-)</title><content type='html'>&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/4-star-reviews.html"&gt;&lt;img border="0" id="BLOGGER_PHOTO_ID_5400547795294868658" alt="" src="http://1.bp.blogspot.com/_SPYL8UC1UCY/SvKZm0MR1LI/AAAAAAAABTI/tDl-sACHTLg/s400/stars-black-4-0.JPG" style="cursor: pointer; width: 87px; height: 15px; " /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/4-star-reviews.html"&gt;&lt;/a&gt;&lt;b&gt;USA&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Television Series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Developer: &lt;b&gt;Rodrigo García&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Gabriel Byrne, Dianne Wiest, Michelle Forbes&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-XdMGPC_UrQU/TaqlzwRXiAI/AAAAAAAAFCA/ewY9QS6YpoY/s1600/In%2BTreatment%2B%25282008-%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 240px;" src="http://3.bp.blogspot.com/-XdMGPC_UrQU/TaqlzwRXiAI/AAAAAAAAFCA/ewY9QS6YpoY/s400/In%2BTreatment%2B%25282008-%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5596467795510921218" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;Developed by Garcia from Ori Sivan’s Israeli series, &lt;i&gt;Be'Tipul (2005-2008)&lt;/i&gt;, this intelligent, surprisingly dramatic,  and very well-acted if never entirely credible HBO drama follows the therapy sessions of Dr. Paul Weston with a number of his patients over a course several weeks, as he gently brings forth the demons that haunt them, whilst also confronting his own personal and professional problems.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;Season 1 (2008)&lt;/b&gt; &lt;a href="http://1linereview.blogspot.com/2008/09/4-star-reviews.html"&gt;&lt;img border="0" id="BLOGGER_PHOTO_ID_5400547795294868658" alt="" src="http://1.bp.blogspot.com/_SPYL8UC1UCY/SvKZm0MR1LI/AAAAAAAABTI/tDl-sACHTLg/s400/stars-black-4-0.JPG" style="cursor: pointer; width: 87px; height: 15px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;In this consistently gripping first season, which was very closely modelled on its Israeli progenitor, Paul treats a young woman who has fallen in love with him during their sessions, an over confident navy pilot with 16 dead Iraqi children on his conscience, a suicidal 16-year-old gymnast (Mia Wasikowska, scintillating), and an ill-matched married couple going through a myriad of difficulties, whilst also monitoring his own problems with a former colleague. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-8641363794499803952?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8641363794499803952'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8641363794499803952'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/in-treatment-2008.html' title='In Treatment (2008-)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_SPYL8UC1UCY/SvKZm0MR1LI/AAAAAAAABTI/tDl-sACHTLg/s72-c/stars-black-4-0.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-2497249737396391930</id><published>2011-04-12T17:29:00.002+01:00</published><updated>2011-04-12T17:30:59.223+01:00</updated><title type='text'>TONY's The 50 Best Documentaries of All Time (2010)</title><content type='html'>&lt;p class="MsoNormal"&gt;&lt;/p&gt;&lt;ol&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Shoah (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Sans Soleil (1983)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Thin Blue Line (1988)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Night and Fog (1955)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Harlan County U.S.A. (1976)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Dont Look Back (1967)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The War Game (1965)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Nanook of the North (1922)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Roger &amp;amp; Me (1989)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://1linereview.blogspot.com/2008/09/man-with-movie-camera-1929.html"&gt;Man with a Movie Camera (1929)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Salesman (1968)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Grizzly Man (2005)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Triumph of the Will (1935)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Hearts and Minds (1974)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Crumb (1994)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Titticut Follies (1967)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Stop Making Sense (1984)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Hearts of Darkness: A Filmmaker's Apocalypse (1991)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Times of Harvey Milk (1984)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Lake of Fire (2006)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Gimme Shelter (1970)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Hoop Dreams (1994)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Hitler: A Film from Germany (1977)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;High School (1968)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Empire (1964)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;In the Year of the Pig (1968)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Bowling for Columbine (2002)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Arrival of a Train at La Ciotat (1896)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://1linereview.blogspot.com/2010/09/gleaners-i-2000.html"&gt;The Gleaners &amp;amp; I (2000)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Capturing the Friedmans (2003)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Grey Gardens (1975)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Woodstock (1970)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Metallica: Some Kind of Monster (2004)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Sorrow and the Pity (1969)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://1linereview.blogspot.com/search/label/Apted%E2%80%99s%20Up%20series"&gt;The Up Series (1964-)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Sherman's March (1986)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Koyaanisqatsi (1982)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Burden of Dreams (1982)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Point of Order (1964)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Fog of War (2003)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://1linereview.blogspot.com/2009/05/man-on-wire-2008.html"&gt;Man on Wire (2008)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Monterey Pop (1968)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Battle of Chile (1975-1979)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://1linereview.blogspot.com/2009/06/f-for-fake-1974.html"&gt;F for Fake (1974)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Profit Motive and the Whispering Wind (2007)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Grin Without a Cat (1977)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;When We Were Kings (1996)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://1linereview.blogspot.com/2009/11/inconvenient-truth-2006.html"&gt;An Inconvenient Truth (2006)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Last Waltz (1978)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Fahrenheit 9/11 (2004)&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;p&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-2497249737396391930?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2497249737396391930'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2497249737396391930'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/tonys-50-best-documentaries-of-all-time.html' title='TONY&apos;s The 50 Best Documentaries of All Time (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-82173941483093417</id><published>2011-04-12T16:49:00.006+01:00</published><updated>2011-10-08T13:08:24.473+01:00</updated><title type='text'>Annecy International Animated Film Festival's Top 100 Animated Shorts (1906 - 2006)</title><content type='html'>&lt;p class="MsoNormal"&gt;&lt;/p&gt;&lt;ol&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Gertie the Dinosaur (1914)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Fantasmagorie (1908)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Dimensions of Dialogue (1983)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Crac (1981)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Man Who Planted Trees (1988)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Tale of Tales (1980)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Night on Bald Mountain (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://1linereview.blogspot.com/2009/10/colour-box-1935.html"&gt;A Colour Box (1935)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Idea (1932)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Street (1977)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Neighbours (1952)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Blinkity Blank (1955)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Duck Amuck (1953)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Harpya (1979)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Luxo Jr. (1986)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Snow-White (1933)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Creature Comforts (1989)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Tango (1981)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Street of Crocodiles (1987)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://1linereview.blogspot.com/2009/08/begone-dull-care-1949.html"&gt;Begone Dull Care (1949)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Le Petit Soldat (1947)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;What's Opera, Doc? (1957)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Father and Daughter (2001)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Red Hot Riding Hood (1943)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Hand (1966)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Steamboat Willie (1928)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Le Nez (1963)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Thieving Magpie (1965)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Gerald McBoing-Boing (1950)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;La Joie de Vivre (1934)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Cameraman's Revenge (1912)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Pas de Deux (1968)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Hunger (1974)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Girls Night Out (1988)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Satiemania (1978)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://1linereview.blogspot.com/2009/10/composition-in-blue-1935.html"&gt;Composition in Blue (1935)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Rowing Across the Atlantic (1978)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Moonbird (1959)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Public Voice (1988)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Coal Black and de Sebben Dwarfs (1943)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Free Radicals (1958)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Ride to the Abyss (1992)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Vincent (1982)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Franz Kafka (1992)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Dojoji (1976)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Two Sisters (1991)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Grey Wolf &amp;amp; Little Red Riding Hood (1991)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Balance (1989)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Hedgehog in the Fog (1975)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;When the Day Breaks (1999)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Rooty Toot Toot (1951)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Skeleton Dance (1929)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;King-Size Canary (1942)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Frank Film (1973)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Flying Man (1962)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Egged On (1926)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Mindscape (1976)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Jumping (1984)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://1linereview.blogspot.com/2009/08/harvie-krumpet-2003.html"&gt;Harvie Krumpet (2003)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Wrong Trousers (1993)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Broken Down Film (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Damon the Mower (1972)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Fast Film (2003)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Geri's Game (1997)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Monsieur Tête (1959)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Ryan (2004)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Café Bar (1974)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Repete (1995)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Hen, His Wife (1990)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Mount Head (2002)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Invisible Ink (1921)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;78 Tours (1986)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Sinking of the Lusitania (1918)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Closed Mondays (1974)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Cat's Cradle (1974)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Three Inventors (1980)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Big Snit (1986)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Sandman (1991)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Blitz Wolf (1942)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Feelings of Mountains and Waters (1988)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Lady and the Cellist (1965)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Le Chapeau (2000)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Lion and the Song (1959)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Le Château de Sable (1977)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Apel (1971)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;'A' (1965)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Der Fuehrer's Face (1942)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Tuning the Instruments (2000)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Le Pas (1975)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Popeye the Sailor Meets Sinbad the Sailor (1936)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Great (Isambard Kingdom Brunel) (1975)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Au Bout du Monde (1998)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Felix in Exile (1994)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Band Concert (1935)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;The Concert of Mr. and Mrs. Kabal (1962)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Seiltänzer (1986)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Hotel E (1992)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Film, Film, Film (1968)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/les-jeux-des-anges-1964.html"&gt;Les Jeux des Anges (1964)&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"&gt;Flux (2002)&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;p&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-82173941483093417?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/82173941483093417'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/82173941483093417'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/annecy-international-animated-film.html' title='Annecy International Animated Film Festival&apos;s Top 100 Animated Shorts (1906 - 2006)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-4764668322073077562</id><published>2011-04-11T14:24:00.004+01:00</published><updated>2011-04-11T14:58:37.605+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UK'/><category scheme='http://www.blogger.com/atom/ns#' term='Television Series'/><title type='text'>Friday Night Dinner (2011-)</title><content type='html'>&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/3-star-reviews_02.html"&gt;&lt;img border="0" id="BLOGGER_PHOTO_ID_5400547791001701698" alt="" src="http://4.bp.blogspot.com/_SPYL8UC1UCY/SvKZmkMtTUI/AAAAAAAABTA/qttfFtywmpk/s400/stars-black-3-5.JPG" style="cursor: pointer; width: 87px; height: 15px; " /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/3-star-reviews_02.html"&gt;&lt;/a&gt;&lt;b&gt;UK&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Television Series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Creator: &lt;b&gt;Robert Popper&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Tamsin Greig, Simon Bird, Paul Ritter, Tom Rosenthal, Mark Heap&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/-JOOp-zgGu7E/TaMISklQMFI/AAAAAAAAFB4/Nso1hcVF124/s1600/Friday%2BNight%2BDinner%2B%25282011-%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 240px;" src="http://4.bp.blogspot.com/-JOOp-zgGu7E/TaMISklQMFI/AAAAAAAAFB4/Nso1hcVF124/s400/Friday%2BNight%2BDinner%2B%25282011-%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5594324277274882130" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;Each Friday evening, Adam and Jonny return to their family home for dinner with their dopey dad and long-suffering mum, a ritual often interrupted by their strange, pervy neighbour, Jim, and their own sophomoric pranks and japes, in Popper’s frequently hilarious and vaguely perceptive (if perhaps a little lightweight) family sitcom.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;Series 1 (2011)&lt;/b&gt; &lt;a href="http://1linereview.blogspot.com/2008/09/3-star-reviews_02.html"&gt;&lt;img border="0" id="BLOGGER_PHOTO_ID_5400547791001701698" alt="" src="http://4.bp.blogspot.com/_SPYL8UC1UCY/SvKZmkMtTUI/AAAAAAAABTA/qttfFtywmpk/s400/stars-black-3-5.JPG" style="cursor: pointer; width: 87px; height: 15px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Girlfriends of debatable legitimacy, Greek blokes’ bums, collectible vs. crap, “females”, piss-yellow curtains, Bitch-Face’s Mercedes, foot-faced relatives’ weddings, and baby penises all compete for dinnertime conversation in this generally warm and very funny if hardly ground-breaking first series. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-4764668322073077562?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4764668322073077562'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/4764668322073077562'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/friday-night-dinner-2011.html' title='Friday Night Dinner (2011-)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_SPYL8UC1UCY/SvKZmkMtTUI/AAAAAAAABTA/qttfFtywmpk/s72-c/stars-black-3-5.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-50215455557756739</id><published>2011-04-09T09:17:00.003+01:00</published><updated>2011-06-05T17:13:23.388+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sweden'/><category scheme='http://www.blogger.com/atom/ns#' term='Norway'/><category scheme='http://www.blogger.com/atom/ns#' term='Denmark'/><category scheme='http://www.blogger.com/atom/ns#' term='Television Mini-Series'/><title type='text'>The Killing (2007)</title><content type='html'>&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/4-star-reviews.html"&gt;&lt;/a&gt;&lt;b&gt;Denmark/Norway/Sweden&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Television Mini-Series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Original Title: &lt;b&gt;Forbrydelsen&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Head Writer: &lt;b&gt;Søren Sveistrup&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Sofie Gråbøl, Lars Mikkelsen, Søren Malling, Bjarne Henriksen, Ann Eleonora Jørgensen, Marie Askehave, Michael Moritzen, Nicolaj Kopernikus, Bent Mejding, Johan Gry, Morten Suurballe, Farshad Kholghi&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/-rpLuBLRT3yI/TaAXGHx3MQI/AAAAAAAAFBw/Wv3CMycagSw/s1600/The%2BKilling%2B%25282007%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 298px;" src="http://2.bp.blogspot.com/-rpLuBLRT3yI/TaAXGHx3MQI/AAAAAAAAFBw/Wv3CMycagSw/s400/The%2BKilling%2B%25282007%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5593496131128996098" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;On her last day before leaving for a new life in Sweden, Sarah Lund, an obsessive police detective, gets drawn into a murder investigation, partnering up with her replacement to find the murderer of 19-year-old Nanna Birk Larsen, a case filled with twists, turns, and much political skulduggery, in Sveistrup’s hugely addictive, well acted, and often quite brilliant mini-series, which miraculously manages to survive its numerous clichés, its gratingly constant score, some occasionally over-zealous editing, and a horribly distracting star cameo. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-50215455557756739?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/50215455557756739'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/50215455557756739'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/killing-2007.html' title='The Killing (2007)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-rpLuBLRT3yI/TaAXGHx3MQI/AAAAAAAAFBw/Wv3CMycagSw/s72-c/The%2BKilling%2B%25282007%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-8635238228617367752</id><published>2011-04-08T12:29:00.006+01:00</published><updated>2011-07-01T17:45:06.807+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Yugoslavia'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>Happy Gypsies (1967)</title><content type='html'>&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/cautiously-recommended.html"&gt;&lt;b&gt;Cautiously Recommended&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/3-star-reviews.html"&gt;&lt;/a&gt;&lt;b&gt;Yugoslavia&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Original Title: &lt;b&gt;Skuplja&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;b&gt;ć&lt;/b&gt;&lt;/span&gt;i perja&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Director/Composer: &lt;b&gt;Aleksandar Petrovi&lt;/b&gt;&lt;b&gt;ć&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Tomislav Pinter&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast:  &lt;b&gt;Bekim Fehmiu, Olivera Vučo, Bata Živojinović, Gordana Jovanović, Mija Aleksić&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/-9wUEgzA2lfE/TZ72le-qWNI/AAAAAAAAFBo/LPLJdm3_qDU/s1600/Happy%2BGypsies%2B%25281967%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 222px;" src="http://4.bp.blogspot.com/-9wUEgzA2lfE/TZ72le-qWNI/AAAAAAAAFBo/LPLJdm3_qDU/s400/Happy%2BGypsies%2B%25281967%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5593178911072213202" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;A hard-drinking gypsy from a small town, when not losing heavily at cards or trying to avoid his ageing wife, whom he soon hopes to replace with a younger model, struggles manfully to build his goose feather business in the face of strong competition from a local rival, in Petrović’s sporadically humorous and mildly amusing film, which suffers somewhat from some rather wooden supporting performances and a couple of jolting plot turns. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-8635238228617367752?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8635238228617367752'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8635238228617367752'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/happy-gypsies-1967.html' title='Happy Gypsies (1967)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-9wUEgzA2lfE/TZ72le-qWNI/AAAAAAAAFBo/LPLJdm3_qDU/s72-c/Happy%2BGypsies%2B%25281967%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-2425017832335068402</id><published>2011-04-07T13:19:00.005+01:00</published><updated>2011-06-11T09:01:29.422+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='France'/><category scheme='http://www.blogger.com/atom/ns#' term='Feature Film'/><title type='text'>The Green Ray (1986)</title><content type='html'>&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/highly-recommended.html"&gt;&lt;b&gt;Highly Recommended&lt;/b&gt;&lt;/a&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/4-star-reviews_02.html"&gt;&lt;/a&gt;&lt;b&gt;France&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Feature Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Original Title: &lt;b&gt;Le rayon vert&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;a href="http://1linereview.blogspot.com/2009/09/eric-rohmer.html"&gt;&lt;b&gt;Eric Rohmer&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;Writers: &lt;b&gt;Eric Rohmer, Marie Rivière&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Sophie Maintigneux&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Jean-Louis Valéro&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Marie Rivière, Lisa Hérédia, Béatrice Romand, Rosette, Eric Hamm, Carita, Joël Comarlot, Vincent Gauthier&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/-Y8vM03Ktc-Y/TZ2zJucsZPI/AAAAAAAAFBg/6cggYmBpnTw/s1600/The%2BGreen%2BRay%2B%25281986%2529.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://2.bp.blogspot.com/-Y8vM03Ktc-Y/TZ2zJucsZPI/AAAAAAAAFBg/6cggYmBpnTw/s400/The%2BGreen%2BRay%2B%25281986%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5592823291932599538" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;Let down at the last minute by her friend and travelling companion, Delphine, a delicate young woman with cripplingly low self-esteem and equally cripplingly high standards, is forced to set off on her annual summer holidays alone, hoping (and, for the most part, failing) to find companionship and contentment, in Rohmer’s gently, unpredictably moving and painfully authentic feeling yet vaguely whimsical character study. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-2425017832335068402?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2425017832335068402'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/2425017832335068402'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/green-ray-1986.html' title='The Green Ray (1986)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-Y8vM03Ktc-Y/TZ2zJucsZPI/AAAAAAAAFBg/6cggYmBpnTw/s72-c/The%2BGreen%2BRay%2B%25281986%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-8834712235906377899</id><published>2011-04-07T12:31:00.008+01:00</published><updated>2011-06-10T15:52:57.600+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Play for Today'/><category scheme='http://www.blogger.com/atom/ns#' term='UK'/><category scheme='http://www.blogger.com/atom/ns#' term='Television Film'/><title type='text'>Brimstone and Treacle (1976)</title><content type='html'>&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/recommended.html"&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/4-star-reviews.html"&gt;&lt;/a&gt;&lt;b&gt;UK&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Television Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Series Title: &lt;a href="http://1linereview.blogspot.com/2009/03/play-for-today-1970-1984.html"&gt;&lt;b&gt;Play for Today (1970-1984)&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Barry Davis&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/dennis-potter.html"&gt;Dennis Potter&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Peter Bartlett&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Michael Kitchen, Denholm Elliott, Patricia Lawrence, Michelle Newell&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/-NHhAbtuic54/TZ2nTg3SjvI/AAAAAAAAFBY/KGusJbciOMU/s1600/Brimstone%2Band%2BTreacle%2B%25281977%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 249px;" src="http://4.bp.blogspot.com/-NHhAbtuic54/TZ2nTg3SjvI/AAAAAAAAFBY/KGusJbciOMU/s400/Brimstone%2Band%2BTreacle%2B%25281977%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5592810265945214706" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;Made to be shown as part of the BBC’s &lt;a href="http://1linereview.blogspot.com/2009/03/play-for-today-1970-1984.html"&gt;Play for Today&lt;/a&gt; strand in 1976, but not shown until 1987, Dennis Potter’s provocative and shocking yet thoughtful and intelligent play explores the effect that the Devil, masquerading as an old flame of their brain damaged daughter, has upon a middle-aged, middle-class couple when he imposes himself upon them, exposing their bigotries, hypocrisies, and moral inconsistencies as he indulges his dark desires. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-8834712235906377899?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8834712235906377899'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8834712235906377899'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/brimstone-and-treacle-1976.html' title='Brimstone and Treacle (1976)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-NHhAbtuic54/TZ2nTg3SjvI/AAAAAAAAFBY/KGusJbciOMU/s72-c/Brimstone%2Band%2BTreacle%2B%25281977%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-1860080932018652632</id><published>2011-04-05T13:48:00.006+01:00</published><updated>2011-06-08T09:14:39.720+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UK'/><category scheme='http://www.blogger.com/atom/ns#' term='Television Film'/><category scheme='http://www.blogger.com/atom/ns#' term='Screen Two'/><title type='text'>The Insurance Man (1986)</title><content type='html'>&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/highly-recommended.html"&gt;&lt;b&gt;Highly Recommended&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/4-star-reviews_02.html"&gt;&lt;/a&gt;&lt;b&gt;UK&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Television Film&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Series Title: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/search/label/Screen%20Two"&gt;Screen Two (1985-1994)&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Richard Eyre&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/alan-bennett.html"&gt;Alan Bennett&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographer: &lt;b&gt;Nat Crosby&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Composer: &lt;b&gt;Ilona Sekacz&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cast: &lt;b&gt;Robert Hines, Daniel Day Lewis, Jim Broadbent, Vivien Pickles, Geoffrey Palmer, Tessa Wojtczak, Katy Behean, Trevor Peacock, Alan MacNaughton&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-YLBFJV1KqBk/TZsYZMSt1qI/AAAAAAAAFBQ/B6GVWwymkls/s1600/The%2BInsurance%2BMan%2B%25281986%2529.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 309px;" src="http://3.bp.blogspot.com/-YLBFJV1KqBk/TZsYZMSt1qI/AAAAAAAAFBQ/B6GVWwymkls/s400/The%2BInsurance%2BMan%2B%25281986%2529.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5592090183386125986" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;A middle-aged man in Nazi-occupied Prague with a lung condition tells his doctor of how he came to work briefly in an asbestos factory thirty years earlier, telling of how a mysterious skin condition, contracted whilst working at a dye factory, had led to his meeting, after a tortuous journey through a nightmarish, uncaring world of  labyrinthine corridors and bureaucracy, a kindly young Jewish insurance adjuster, named Kranz Kafka, who took pity upon him, in Alan Bennett’s strikingly photographed, brilliantly written, and consummately performed television play. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-1860080932018652632?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1860080932018652632'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1860080932018652632'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/insurance-man-1986.html' title='The Insurance Man (1986)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-YLBFJV1KqBk/TZsYZMSt1qI/AAAAAAAAFBQ/B6GVWwymkls/s72-c/The%2BInsurance%2BMan%2B%25281986%2529.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-7342595628677429951</id><published>2011-04-05T13:16:00.005+01:00</published><updated>2011-06-05T17:18:26.413+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UK'/><category scheme='http://www.blogger.com/atom/ns#' term='Short Television Documentary'/><title type='text'>Dinner at Noon (1988)</title><content type='html'>&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2007/06/highly-recommended.html"&gt;&lt;b&gt;Highly Recommended&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://1linereview.blogspot.com/2008/09/4-star-reviews_02.html"&gt;&lt;/a&gt;&lt;b&gt;UK&lt;/b&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;Short Television Documentary&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Series Title: &lt;b&gt;Byline (1988-1991)&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Director: &lt;b&gt;Stuart Burge&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Writer/Presenter: &lt;b&gt;&lt;a href="http://1linereview.blogspot.com/2009/09/alan-bennett.html"&gt;Alan Bennett&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Cinematographers: &lt;b&gt;Mike Fox, Paola Ribeiro&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/-PJ6ds4xzkV4/TZsNqDfAmyI/AAAAAAAAFBI/1FOkKfYmHFA/s1600/Dinner%2Bat%2BNoon%2B%25281988%2529.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 309px;" src="http://2.bp.blogspot.com/-PJ6ds4xzkV4/TZsNqDfAmyI/AAAAAAAAFBI/1FOkKfYmHFA/s400/Dinner%2Bat%2BNoon%2B%25281988%2529.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5592078378451639074" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;In this wonderful little documentary, Alan Bennett spends time at the Crown Hotel in Harrogate, North Yorkshire, quietly observing its varied clientele, whilst ruminating on the changing face of class structure and his own personal family history of hotel stays, warmly and wittily yet honestly and critically remembering his modest upbringing and the dinners at noon that it brought. &lt;a href="http://1linereview.blogspot.com/2008/09/iain-stott.html"&gt;Iain&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;Stott&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-7342595628677429951?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/7342595628677429951'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/7342595628677429951'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/dinner-at-noon-1988.html' title='Dinner at Noon (1988)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-PJ6ds4xzkV4/TZsNqDfAmyI/AAAAAAAAFBI/1FOkKfYmHFA/s72-c/Dinner%2Bat%2BNoon%2B%25281988%2529.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-8598910165806290997</id><published>2011-04-04T14:46:00.001+01:00</published><updated>2011-04-04T14:47:17.337+01:00</updated><title type='text'>CFB's Top 30 Films of 1985 (2011)</title><content type='html'>&lt;p class="MsoNormal"&gt;&lt;/p&gt;&lt;ol&gt;&lt;li&gt;&lt;a href="http://1linereview.blogspot.com/2010/08/purple-rose-of-cairo-1985.html"&gt;&lt;span class="Apple-style-span"  &gt;The Purple Rose of Cairo (1985)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Ran (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://1linereview.blogspot.com/2010/11/brazil-1985.html"&gt;&lt;span class="Apple-style-span"  &gt;Brazil (1985)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;After Hours (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Come and See (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Back to the Future (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Vagabond (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;My Beautiful Laundrette (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Witness (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Kiss of the Spider Woman (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;My Life as a Dog (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://1linereview.blogspot.com/2009/05/room-with-view-1985.html"&gt;&lt;span class="Apple-style-span"  &gt;A Room with a View (1985)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Mishima: A Life in Four Chapters (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Pee-Wee’s Big Adventure (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Out of Africa (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Color Purple (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Prizzi’s Honor (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Breakfast Club (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Runaway Train (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;To Live and Die in L.A. (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Day of the Dead (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Lost in America (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Trip to Bountiful (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Official Story (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Quiet Earth (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Shoah (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Colonel Redl (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Re-Animator (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Tampopo (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Desperately Seeking Susan (1985)&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-8598910165806290997?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8598910165806290997'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/8598910165806290997'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/cfbs-top-30-films-of-1985-2011.html' title='CFB&apos;s Top 30 Films of 1985 (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8648651270788125026.post-1636051261102439186</id><published>2011-04-04T14:38:00.002+01:00</published><updated>2011-04-04T14:39:26.332+01:00</updated><title type='text'>CFB's Top 20 Obscure Films of 1985 (2011)</title><content type='html'>&lt;div&gt;&lt;ol&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Taipei Story (1985) &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Wetherby (1985) &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Broken Down Film (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Alamo Bay (1985) &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Dona Herlinda and Her Son (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Angry Harvest (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;An Early Frost (1985) &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Divine Horsemen: The Living Gods of Haiti (1985) &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Treasure Island (1985) &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Turtle Diary (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Compromising Positions (1985) &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;A Gentle Spirit (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Arabesques on the Pirosmani Theme (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Tea in the Harem (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Wuthering Heights (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Satin Slipper (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Letter to Brezhnev (1985) &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Favourites of the Moon (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;The Story of the Voyages (1985)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span"  &gt;Bayan Ko: My Own Country (1985)&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8648651270788125026-1636051261102439186?l=1linereview.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1636051261102439186'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8648651270788125026/posts/default/1636051261102439186'/><link rel='alternate' type='text/html' href='http://1linereview.blogspot.com/2011/04/cfbs-top-20-obscure-films-of-1985-2011.html' title='CFB&apos;s Top 20 Obscure Films of 1985 (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry></feed>
